Television series

Stripperella

Name: Stripperella
Genre: Action
Released: 2003
Cast: Pamela Anderson, Greg Proops, Jill Talley, Maurice LaMarche, Sirena Irwin

Superhero
Parody
Vigilante
Light-hearted
Strange
Relentless
Dip in and out

Stripperella is an absurdist superhero cartoon where Pamela Anderson voices a stripper moonlighting as a crime-fighter with physics-defying hair and thigh-based combat moves. It's deliberately, unapologetically silly—more interested in ridiculous villains and visual gags than coherent plotting. For viewers who want Saturday-morning energy filtered through adult sensibilities and don't mind their comedy broad.

TVMaze rating

3.8

Should you watch it?

Watch it if you enjoy bawdy, cartoonishly violent send-ups of superhero comics and don't mind a gag about exploding implants that runs straight past good taste.

Skip it if you want sharp, clever satire, since the jokes lean on crude sex and bodily gags that often land more as a dare than a punchline.

What it asks of you: Thirteen half-hour episodes, one season: quick to finish, but each is loud, rapid and built on the same nudge-nudge tone, asking you to stay amused rather than invested.

Not sure? Find tonight's pick in a minute.

If you liked this

Archer2009

Spy comedy with the same anything-goes energy and willingness to be visually absurd. Sharp writing beneath the chaos, and Greg Proops (Stripperella's Bernard) voices regular characters here too.

But The humour can veer into territory that hasn't aged well, and it's extremely referential. If you need grounded stakes or character arcs, you'll be frustrated.

Harley Quinn2019

Adult animation that gleefully mixes violence, sex jokes, and genuine emotional beats. Commits fully to being trashy and fun without apologizing, much like Stripperella's shameless energy.

But It's much darker and bloodier. Some episodes lean hard into brutality in ways that override the comedy entirely.

Austin Powers: International Man of Mystery1997

Peak comedy action that mines laughs from spy-movie tropes while actually delivering proper action. Similarly committed to sexual innuendo as the driving force of the entire premise.

But The humour is very '90s and relies heavily on catchphrase repetition. Some gags run too long even for comedy.

Austin Powers: International Man of Mystery poster

Not sure tonight? Get a pick in a minute, starting from Stripperella

The wildcard

Something you would not have found on your own.

Aeon Flux1991

Both centre on hyper-sexualized female action heroes, but where Aeon Flux plays it straight and mysterious, Stripperella leans into comedy as the entire point.

MTV's experimental sci-fi cartoon with a dangerous, hypersexualized female lead rendered in striking animation. Stripperella owes it a debt for proving girls could be action heroes and sex symbols simultaneously without being a joke about it.

But Almost completely plot-free and genuinely confusing. The philosophy-babble obscures rather than clarifies, and there's no joke to hold onto if you want one.

Kim Possible2002

Disney's spy-girl cartoon that aired just before Stripperella, with zippy action sequences and a similarly capable female lead. Lighter tone but genuinely well-made action animation for its era.

But It's earnest where Stripperella is ironic. If you're after chaos and stupidity, this is too competent and sincere.

The Venture Bros.2003

Adult cartoon that deconstructs action tropes with the same era's sensibility. Deep affection for its weird characters and genuine comedy writing underneath the premise.

But It's far more serialized and requires real investment. The humour is denser and less immediately satisfying than Stripperella's broad strokes.

Beavis and Butt-Head1992

MTV's anarchic comedy that trafficked in the same brand of lowbrow absurdism. Episodes are similarly quick and unpretentious, with the same 'why not?' attitude to premise.

But Very dated references and a more deliberately offensive tone. It can feel strident where Stripperella just feels silly.

Black Dynamite2009

Action-comedy that understands exploitation cinema and mines it for laughs while actually delivering entertaining action. Same commitment to committed ridiculousness with better execution.

But It's parody, which means if you don't know the source material it's lovingly parodying, half the gags vanish. More clever than dumb.

Sealab 20212000

Adult swim's rapid-fire comedy using basic character designs for sophisticated (and stupid, equally) gag writing. Same network sensibility, same willingness to be ugly and weird and funny about it.

But The experimental format can feel chaotic. If you need a plot to hang onto, you're out of luck entirely.

Candy Stripe Nurses1974

Both mine comedy from the gap between their heroines' surfaces and their agency—the difference is three decades of how we're allowed to talk about it.

Exploitation comedy from the '70s that's actually funny about its own absurdity. Shot on a budget with no shame, committed to chaos and low-rent spectacle in exactly Stripperella's spirit.

But Genuinely sleazy in ways that can feel uncomfortable rather than comic. The humour is trapped in its era and some jokes read as mean-spirited now.