Television series
Nobody Wants This
- Romantic comedy
- Light-hearted
A sparky romantic comedy about a brash, irreverent sex podcaster and a thoughtful rabbi who fall for each other despite their completely incompatible worldviews. It's warm-hearted and genuinely funny, with real chemistry between leads who seem to actually like each other. For anyone who wants rom-coms to feel like spending time with clever friends rather than watching a formula tick boxes.
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Schitt's Creek2015
A love story wrapped in comedy about people from wildly different worlds learning to value each other. Funny, tender, and it actually earns its emotional beats without ever becoming sappy or sanctimonious.
But Starts slow—the first season leans harder on cringe humour than later instalments, and some patience is required before the characters really sing.

Fleabag2016
Irreverent, hilarious, with a protagonist who's messy and flawed and charmingly selfish. The fourth wall breaks and fast editing make it feel alive in a way most comedies don't even attempt.
But The tone shifts significantly in season two toward genuine melancholy. If you want consistent laughs, this pivots away from that in ways that won't satisfy everyone.

The Marvelous Mrs. Maisel2017
Crackling, fast-paced comedy with a protagonist who speaks her mind and refuses to shrink. Gorgeous production, period-perfect detail, and a love story built on genuine respect between two sharp people.
But Early seasons are more energetic than later ones, and the pacing can feel exhausting rather than exhilarating if you're not in the mood for relentless brightness.

Not sure tonight? Get a pick in a minute, starting from Nobody Wants This
The wildcard
Something you would not have found on your own.
Kevin Can F**k Himself2021
Both shows use comedy to explore the gap between how people present themselves publicly and who they actually are. Both lead characters are forced to confront that their worldview—atheism in one, fundamentalism in the other—might not be as complete as they thought.
What if the sitcom wife who forgives everything actually had an inner life? This show tears apart the rom-com formula by showing what it looks like when someone stops finding their own pain funny. Darkly clever and genuinely unsettling.
But It's deeply committed to being uncomfortable, and the whole premise is designed to make you squirm. If you want escapist romance, this is the opposite: it interrogates why we find certain relationship dynamics acceptable.

More like this (8)
You've Got Mail1998
The template for 'opposites attract' romance done with genuine warmth and wit. Tom Hanks and Meg Ryan have an ease together that makes their bickering feel like foreplay, not hostility.
But It's very much a product of the 1990s, which means some gender dynamics read differently now, and the whole thing hinges on a technological conceit that feels quaint.

When Harry Met Sally...1989
The gold standard for romantic comedy as a conversation between two people who genuinely like arguing with each other. It's smart, funny, and understands that the best relationships start with friendship.
But The pacing is deliberate in a way modern viewers sometimes find slow. It's also deeply of its era, which some find charming and others find dated.

Couples Therapy2019
A comedy about relationships that actually understands how people talk to each other in private. The awkwardness feels true rather than performed, and it's surprisingly moving without abandoning the jokes.
But The mockumentary style isn't for everyone, and some of the humour is quite dark and uncomfortable in ways that can undercut the warmth.

Russian Doll2019
Clever, New York-set comedy that refuses to be cute about its own premise. Natasha Lyonne is magnetic, the writing snaps with intelligence, and it gets properly strange without losing emotional centre.
But The second season loses much of what made the first work, veering into territory that feels self-indulgent rather than surprising. Also quite dark in places.

Love2016
Genuinely funny romantic comedy that doesn't shy away from the messy, mundane reality of how people actually fall in love. The supporting cast is excellent and the dialogue feels like real people talking.
But Both leads are pretty likeable but also pretty self-absorbed, which some viewers find tiring rather than relatable. It also gets repetitive about its own central conflict.

Crazy, Stupid, Love.2011
An ensemble rom-com that juggles multiple relationships and actually succeeds at making you care about all of them. The cast has fun, the script is sharp, and it's genuinely sweet without being saccharine.
But Juggles a lot of storylines, which means some feel underdeveloped. The tonal shifts between comedy and serious drama don't always land cleanly.

Aftersun2022
Like Nobody Wants This, it's about two people who love each other but speak different emotional languages, and neither can quite bridge the gap. But whereas the Netflix show believes love can translate between worlds, this film suggests some gaps are unbridgeable.
A father-daughter holiday told as fragments, memory, and heartbreak. It's quiet and formally inventive, using music and image to suggest what words cannot. Paul Mescal gives the most subtle performance of his career, and it stays with you.
But There is no plot, almost no dialogue, and the emotional weight is entirely unspoken. If you need a story that explains itself, or if you're not comfortable sitting with sadness without resolution, this will frustrate you.

Lakelands2023
Both are comedies about attraction between people whose fundamental values seem incompatible, but both understand that chemistry and genuine liking sometimes matter more than shared beliefs. Also, both take their characters' sexuality seriously rather than making it a punchline.
A Danish comedy about ageing, desire, and the gap between who you were and who you've become. Two older characters fall into an unexpected romance, and it's funny and sexy and melancholy without needing to apologise for any of those things.
But It's in Danish with subtitles, which is an immediate barrier for some. Also, it's sexually frank in ways that some find gratifying and others find off-putting—there's no coyness here.

People
Cast
Writing
- Erin FosterCreator
- Ryann WernerStaff Writer
Production
- Ana AyalaAssociate Producer
- Bianca RayAssociate Producer
- David DeanAssociate Producer
- Jill BreitzmanAssociate Producer
- Jane BeckerCo-Executive Producer
- Lindsay GolderCo-Executive Producer
- Neel ShahCo-Executive Producer
- Noelle ValdiviaCo-Executive Producer
- Ron WeinerCo-Executive Producer
- Sarah HeywardCo-Executive Producer
- Ana AyalaCo-Producer
- Andrew BrooksCo-Producer
- Jena FriedmanCo-Producer
- Lawrence DaiCo-Producer
- Mariel PaniaguaCo-Producer
- Pat ReganCo-Producer
- Stephanie Jaye JaneshCo-Producer
- Barbie AdlerConsulting Producer
- Niki Schwartz-WrightConsulting Producer
- Vali ChandrasekaranConsulting Producer
- Bruce Eric KaplanExecutive Producer
- Craig DiGregorioExecutive Producer
- Danielle StokdykExecutive Producer
- Erin FosterExecutive Producer
- Greg MottolaExecutive Producer
- Jack BurdittExecutive Producer
- Jeff MortonExecutive Producer
- Jennifer KonnerExecutive Producer
- Kristen BellExecutive Producer
- Nora SilverExecutive Producer
- Oly ObstExecutive Producer
- Sara FosterExecutive Producer
- Steven LevitanExecutive Producer
- Andrew BrooksProducer
- Michael C. BoltonProducer