Television series
Glitch
Glitch is an Australian supernatural mystery about six people who inexplicably rise from the dead in a small town cemetery with no memory of who they are. A local cop and doctor must hide them while uncovering their connection and why they've returned. It's eerie and intimate, balancing procedural mystery with intimate character work—for those who want their science fiction grounded in emotion.
Should you watch it?
Watch it if you like a slow-burn mystery where the supernatural is treated as a practical, messy problem, with ordinary people fumbling to keep a secret and the small-town paperwork of it all.
Skip it if you want the mystery cracked quickly, since it lingers on the unease and the logistics of the situation rather than rushing toward explanations.
What it asks of you: Eighteen hour-long episodes spread over three seasons, with long stretches of quiet investigation and slow-building unease before answers begin to surface.
Not sure? Find tonight's pick in a minute.
If you liked this
The Leftovers2014
Three seasons of people grappling with inexplicable loss and absence. Damon Lindelof mines existential devastation from small-town life, with supernatural elements that serve character, not plot. Stunning emotional depth.
But Dense and relentlessly bleak. Some viewers found the mythology frustrating, and it demands patience with grief rather than plot resolution.

Dark2017
A German series where small-town mystery and supernatural elements intertwine across decades. Genuinely eerie, gorgeously shot, and every character reveal reshapes what you thought you understood. Addictive.
But The mythology becomes labyrinthine by season three. Subtitles, and the plot can feel impenetrable if you're not tracking every detail.

Manifest2018
Plane passengers return after five years with no memory of what happened. It leans into mystery-box plotting and found-family warmth. Accessible, fast-paced, and genuinely hooked audiences for four seasons.
But The explanations get increasingly convoluted. Some plot threads feel abandoned. It can veer toward melodrama rather than restraint.

Not sure tonight? Get a pick in a minute, starting from Glitch
The wildcard
Something you would not have found on your own.
Picnic at Hanging Rock2018
Both are Australian, both center on an unsolvable mystery that reshapes a small community, and both understand that some questions matter more than answers.
A miniseries where a group of schoolgirls vanish on an Australian mountain. Supernatural mystery with real psychological depth—it's about trauma, community silence, and what it means when things simply cannot be explained. Hypnotic and genuinely haunting.
But Glacially paced. The mystery is never fully resolved, which some will find frustrating rather than artful. Bleak throughout.

More like this (6)
The OA2016
A woman returns with no memory and mysterious abilities. Surreal, ambitious, and visually inventive—it prizes weirdness over easy answers. The cast is excellent and committed to every strange moment.
But It was cancelled on a cliffhanger after two seasons. Unresolved. The mythology can feel opaque even when you're paying attention.

Penny Dreadful2014
Victorian gothic horror with supernatural mystery at its core. Beautifully written, gorgeously shot, and anchored by a cast that treats the material with total seriousness. Genuinely unsettling.
But The pacing can drag in places. Some plot lines feel more compelling than others, and the finale divides fans sharply.

Wayward Pines2015
A small town harbors a genuine mystery that unfolds across seasons. Matt Dillon leads a cast trapped by secrets, with supernatural/sci-fi elements that actually pay off. Propulsive and clever.
But The second season loses momentum. The premise works better when kept mysterious than explained.

Fringe2008
Procedural mystery with supernatural and science-fiction elements woven through five seasons. Strong cast, good humor, and mythology that mostly holds up. Underrated and deeply rewatchable.
But The mythology gets tangled and occasionally contradicts itself. Some later seasons feel stretched. Very much of its network-TV era in tone.

The Sixth Sense1999
Both explore the logic of the recently or mysteriously dead learning who they are through relationships with the living. Both ground the supernatural in genuine human need.
A boy can see dead people. Rather than treat this as plot convenience, it's emotionally devastating—a meditation on loneliness, connection, and the dead not always understanding their own condition. Perfectly constructed.
But Everyone knows the ending. Once revealed, subsequent viewings lose their punch. It can feel overstated on repeat.

Carnival of Souls1962
Both use small-town isolation and the uncanny to explore identity and the boundary between alive and dead. Both trust atmosphere over exposition.
A woman survives a car crash and becomes increasingly unsettled by strange visions and a phantom carnival. Low-budget, black-and-white, genuinely eerie—it treats the uncanny as intimate rather than explosive. Haunting and strange.
But Decades old, with the pacing and effects that come with it. Can feel slow by modern standards. Deliberately cryptic ending will frustrate plot-hungry viewers.

People
Cast
Writing
- Louise FoxCreator
- Tony AyresCreator
Production
- Debbie LeeExecutive Producer
- Tony AyresExecutive Producer