Film
Tragedy Girls
Two socially ambitious teenage girls turn a real killer loose on their small town, live-tweeting the chaos to build their true-crime brand. It's a clever, gleefully cynical satire of influencer culture, true-crime obsession, and how the internet lets everyone play villain. Sharp without being mean-spirited, funny without losing bite.
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Heathers1989
The DNA is here: teen girls weaponizing social chaos, dark comedy that actually lands, smart commentary on high school cruelty wrapped in genuine style and menace. A masterpiece that knows exactly what it's doing.
But The tonal shifts can feel jarring if you're expecting consistent horror or consistent comedy. Some of the satire lands harder than others.

Scream1996
Both deconstruct horror tropes while being genuinely scary and funny. Meta without being smug, with characters smart enough to comment on the genre they're trapped in. A template done perfectly.
But If you find self-aware horror exhausting, you'll find this exhausting too. It's been hugely imitated, so some beats feel familiar now.

The Final Girls2015
A slasher where the real target is grief and trauma, wrapped in self-aware comedy and affection for the genre. Like Tragedy Girls, it wants to have fun *and* say something true about teenage girls.
But The tonal balance isn't quite perfect—the comedy sometimes undercuts the emotional stakes. It wobbles where Tragedy Girls holds firm.

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The wildcard
Something you would not have found on your own.
Ingrid Goes West2017
Both use social media obsession as the engine for chaos and moral compromise, and both see their protagonists as simultaneously victims and architects of their own destruction.
Same year, same target: the pathology of building identity through social media and the violence that obsession breeds. Aubrey Plaza is terrifying as a woman spiralling into parasocial fantasy. Funny, dark, and genuinely unsettling about modern loneliness.
But It's far less interested in genre thrills and plot momentum. If you want horror mechanics, you won't find them here—it's psychological and character-driven, which can feel slow.

More like this (7)
Tucker and Dale vs. Evil2010
Horror comedy that flips the script on genre expectations and stereotypes, finding genuine laughs and heart in its premise. Proves the subgenre works when the script is clever.
But Some of the humour is broad. It's less interested in social commentary than in pure subversion, so it won't scratch the same satirical itch.

Happy Death Day2017
A teen girl uses a time loop to solve her own murder, mixing genuine scares with comedy and character growth. Released the same year, it shows what horror-comedy can be when executed with craft and charm.
But It's sweeter and less cynical than Tragedy Girls. If you want bite and darkness, this goes too soft in the second half.

Fear and Loathing in Las Vegas1998
Chaotic energy, moral collapse, unreliable narrators on a mission—the tone and structure inspired many films about characters spiralling. Visually wild and genuinely hallucinatory rather than just jokey.
But It's deliberately incoherent. The satire can feel like excess, and if you need plot momentum, you'll be frustrated by the digression.

Jawbreaker1999
A mean girl accidentally kills a friend and spirals through lies and social manipulation to cover it up. Dark, sarcastic, unafraid to let its protagonist be genuinely awful. A cult gem about teenage ruthlessness.
But The satire is uneven and sometimes the camp overwhelms the story. It doesn't have the structural tightness of better films in this lane.

Mayhem2017
Workplace satire meets zombie horror with pitch-black comedy and a character who finally snaps. Angry, inventive, and funnier the more you hate its corporate villains.
But The low budget shows in effects and pacing. The story is thinner than the premise, and it runs out of steam before the end.

The Slumber Party Massacre1982
A proto-feminist slasher directed by a woman, with intentional irony and humour amid the scares. Campy but conscious of what it's doing. A surprising watch.
But It's quite dated in execution and tone. The comedy doesn't consistently land by modern standards, and the pacing drags.

Killing Zoe1993
Both feature protagonists who are almost sociopathic in their pursuit of status and spectacle, using violence and chaos as tools for creating a legacy, with no real moral reckoning, just a kind of gleeful nihilism.
A chaotic, hallucinatory crime film where beautiful, amoral young people destroy everything around them for kicks and status. Directed by Roger Avary, it's visually fever-dream and morally rotten in ways that feel genuinely dangerous, not just provocative.
But It's very much a 90s grunge film—self-consciously transgressive in ways that can feel dated or try-hard now. The story is thin and the violence can read as pointless rather than meaningful.

People
Cast
Brianna HildebrandSadie Cunningham
Alexandra ShippMcKayla Hooper
Jack QuaidJordan Welch
Kevin DurandLowell Lehmann
Timothy V. MurphySheriff Blane Welch- Katie StottlemireBookish Student
Nicky WhelanMrs. Kent
Elise NealMrs. Hooper
Craig RobinsonBig Al- Andy BetheaMr. Hooper
Keith HudsonChuck Cunningham
Savannah JaydeSyl Stanton
Directing
- Jason D. AvalosContinuity
- Tyler MacIntyreDirector
- Gene Michael SmithFirst Assistant Director
- Bri HerveySecond Assistant Director
- Michele EtgesSecond Second Assistant Director
Writing
- Justin OlsonScreenplay
- Chris Lee HillWriter
- Tyler MacIntyreWriter
Production
- Lisa BeachCasting
- Sarah KatzmanCasting
- Brittany A. JonesCasting Associate
- Brad WaszCo-Executive Producer
- Brock KellyCo-Executive Producer
- Narbeh TatoussianCo-Executive Producer
- Tims JohnsonCo-Executive Producer
- Eric BaktanianCo-Producer
- Jaz KalkatCo-Producer
- Luke DillonCo-Producer
- Stephanie WhonsetlerCo-Producer
- Tom MorrisCo-Producer
- Alexander FergusonExecutive Producer
- Anthony ThorneExecutive Producer
- Bin YuExecutive Producer
- David MorrisExecutive Producer
- Eric FischerExecutive Producer
- Gregory ThomasExecutive Producer
- Haiy An WuExecutive Producer
- Kerry RhodesExecutive Producer
- Ray BouderauExecutive Producer
- Richard SwitzerExecutive Producer
- Traceigh ScottelExecutive Producer
- Tyler W. KonneyExecutive Producer
- Viviana ZarragoitiaExecutive Producer
- Andrea CravenExtras Casting
- Robb PendletonExtras Casting Assistant
- Traceigh ScottelLine Producer
- Andrea HumeLocal Casting
- Bill MarinellaLocal Casting
- Anthony HoltProducer
- Armen AghaeianProducer
- Cameron Van HoyProducer
- Craig RobinsonProducer
- Edward MokhtarianProducer
- Tara AnsleyProducer
- Shepherd AhlersProduction Coordinator