Film
Time Bandits
Time Bandits is Terry Gilliam's gleefully subversive fable: six thieving dwarfs burst from a boy's closet, map of history's loopholes in hand, and drag him through Napoleon's camp, Robin Hood's forest and Agamemnon's siege. It's slapstick, swashbuckling, and quietly savage—funny enough for children, unsettling enough to rattle adults. Anyone wanting fantasy adventure with real teeth, and an ending that refuses to comfort you, should watch this.
If you liked this
Monty Python and the Holy Grail1975
Gilliam's earlier riot of historical mayhem, absurdist violence, and anachronistic jokes—the same anarchic engine, minus the child protagonist and existential dread.
But More sketch comedy than story; if you want Time Bandits' emotional gut-punch, this stays gleefully shallow throughout.

The Princess Bride1987
Fairy tale adventure balancing wit, swordplay and genuine heart, narrated with the same wink at its own absurdity that Gilliam brings to history.
But Warmer and safer—no Supreme Being lurking to remind you the universe doesn't care about you.

Labyrinth1986
Jim Henson's puppet-heavy fantasy sends a kid through a dreamlike, morally slippery world with real stakes and a genuinely unsettling villain.
But Leans more musical and romantic than satirical; less interested in mocking history than building its own mythology.

The wildcard
Something you would not have found on your own.
Lost in La Mancha2002
Same director, same obsession with impossible quests and history refusing to cooperate; here the Supreme Being is just money and weather.
A documentary chronicling Terry Gilliam's disastrous attempt to film Don Quixote—flash floods, injured actors, collapsing financing—the same restless, doomed-heroic imagination behind Time Bandits, crashing straight into reality.
But No dwarfs, no jokes, no time travel—just a portrait of ambition curdling into chaos. Painful rather than funny.

More like this (8)
Willow1988
Lucas-produced quest fantasy with a scrappy small hero, practical effects, and a found family of oddballs battling something much bigger than them.
But Plays it straighter and more earnest—little of Gilliam's cynicism or jokes at the expense of great men.

The NeverEnding Story1984
A lonely boy pulled into an imperiled fantasy realm, told with genuine dread beneath the wonder and a finale that still rattles people who saw it young.
But Sincere where Time Bandits is sardonic; less interested in comedy than in aching, earnest melancholy.

Brazil1985
Gilliam's own follow-up, swapping dwarfs and history for dystopian bureaucracy—same nightmarish imagination, same fatalistic joke that reality always wins.
But Far darker and stranger, with none of the family-friendly wrapping; not for anyone wanting a lighter evening.

The Adventures of Baron Munchausen1988
Gilliam's most extravagant tall tale, a baroque fantasia of lies and spectacle that makes Time Bandits look almost restrained by comparison.
But Its notoriously chaotic production shows on screen—gorgeous but bloated, and less tightly plotted.

Return to Oz1985no page yet
A genuinely disturbing children's fantasy that trusts kids with real menace, much like Time Bandits' refusal to soften its scarier turns.
But Grim and slow in places; famously unsettled a generation expecting something more like the 1939 musical.
The Dark Crystal1982
Jim Henson and Frank Oz's puppet quest fantasy, gorgeously handmade and unafraid of genuine dread, cruelty and cosmic stakes.
But Entirely puppet-based with almost no comic relief; a much more solemn, myth-heavy experience.

Donnie Darko2001
Both strand a bewildered kid at the mercy of forces manipulating time itself, and both land on an ending far bleaker than the poster suggests.
A troubled teenager gets pulled into a cosmic scheme involving time, fate and a menacing rabbit-suited figure who may or may not be real.
But Broods where Time Bandits jokes; slow, moody and ambiguous rather than slapstick and swift.

The Court Jester1955
Same DNA—slapstick chaos dressed in historical costume, mocking kings and knights with gleeful disrespect—just from an era too polite to be cynical about it.
Danny Kaye's manic, pun-drunk swashbuckler through a fairy-tale Middle Ages, decades before Gilliam took his own anarchic tour through history for laughs.
But Old-fashioned musical-comedy rhythms and a much gentler, safer sense of danger throughout.

People
Cast
Craig WarnockKevin
David RappaportRandall
Kenny BakerFidgit
Malcolm DixonStrutter
Tiny RossVermin
Jack PurvisWally
Ian HolmNapoleon
John CleeseRobin Hood
Sean ConneryKing Agamemnon / Fireman
Michael PalinVincent
Shelley DuvallDame Pansy / Pansy
Directing
- Terry GilliamDirector
- Simon HinklyFirst Assistant Director
- Guy TraversSecond Assistant Director
- Julian DoyleSecond Unit Director
- Mark CooperThird Assistant Director
Writing
- Michael PalinWriter
- Terry GilliamWriter
Production
- Neville C. ThompsonAssociate Producer
- Irene LambCasting
- Denis O'BrienExecutive Producer
- George HarrisonExecutive Producer
- Terry GilliamProducer
- Graham FordProduction Manager
Recommended by
Labyrinth, Brazil, Bill & Ted's Excellent Adventure, The Adventures of Baron Munchausen, Monty Python and the Holy Grail, Jason and the Argonauts, The Legend of Vox Machina, The 7th Voyage of Sinbad, Back to the Future Part II