Film
The Nun
Other titles called The Nun: the 2018 film.
- Horror
- Serial killer
- Very dark
A Spanish horror film where vengeful ghosts of abused schoolgirls hunt down their former tormentors. It's a revenge narrative dressed in religious dread, all shadowy cloisters and sudden violence. Visceral and genuinely unsettling rather than subtle—for viewers who want their scares to leave marks.
If you liked this
Martyrs2008
A masterwork of French extremist cinema that uses religious trauma and bodily horror to explore culpability and survival. One of the most harrowing revenge narratives ever made.
But It's relentlessly bleak and graphically violent. Some scenes are designed to punish you. Not cathartic—the opposite.

The Orphanage2007
Spanish gothic horror with the same melancholic atmosphere and institutional cruelty. Ghosts here emerge from genuine childhood tragedy, making each appearance emotionally complicated.
But The pacing is deliberate to the point of slowness. You need patience for the dread to accumulate.

High Tension2003
French horror that prioritizes visceral scares and moral ambiguity. The violence is shocking and the twist genuinely destabilizes what you thought you were watching.
But The gender politics are troubling and the logic collapses under scrutiny. Some will find it misogynistic.

Not sure tonight? Get a pick in a minute, starting from The Nun
The wildcard
Something you would not have found on your own.
Audition2000
Both films hinge on the vulnerability of people within institutions (school, audition) being weaponized against them by authority figures. Both use genre expectations as misdirection.
Takashi Miike's Japanese masterpiece about a man auditioning young women for a fake film role. Starts as romantic comedy, becomes surrealist torture nightmare. The tonal shift is shattering.
But The violence is prolonged and absurdist rather than cathartic. It's also deliberately artificial in a way that keeps you at a distance.

More like this (7)
Let's Scare Jessica to Death1971
An American cult classic where a woman's grip on sanity fractures in a house by a lake. Eerie, paranoid, and interested in female victimhood as horror.
But It's deliberately ambiguous whether anything supernatural is happening. The uncertainty frustrates people looking for clarity.

House by the Lake2017
Haunted-house film where a family must reckon with the violent history buried in their new home. German production, methodical and genuinely unsettling.
But It takes its time. The scares are sparse and the mood matters more than the shocks.

The Skin I Live In2011
Spanish thriller about obsession, trauma, and bodily horror. Beautifully shot and structurally audacious—nothing is what it initially appears to be.
But The central premise involves sexual violence and bodily modification. It's ethically murky in ways that won't sit right with everyone.

The Machinist2004
Psychological horror starring Christian Bale at his most gaunt. A man's past guilt literally wastes him away. Paranoid and nightmarish.
But The protagonist is despicable and stays that way. There's no redemption arc—only collapse.

Repulsion1965
Polanski's descent into psychological horror through a woman's mental breakdown. The film *becomes* her paranoia. Formally inventive and deeply disturbing.
But Black and white, 1965, deliberately experimental. Modern audiences often find it slow and the gender dynamics dated.

Raw2017
French-Belgian horror about a vegetarian girl who develops cannibalistic urges. Grotesque, funny, and genuinely original. A coming-of-age film that happens to be deeply wrong.
But It's graphically gory. The body horror is intentional and relentless. Some will find it exploitative rather than artistic.

The Secret of Kells2009
Both use religious institutions and their aesthetic (manuscripts, vestments, shadow) as the visual language of dread. Both find horror in devotion twisted wrong.
An Irish animated film about a boy illuminating a sacred manuscript in a monastery besieged by darkness. Visually rapturous, genuinely creepy without being gory, and structured like a dark fairy tale.
But It's a children's film, which throws people off. The pacing is its own and it won't satisfy anyone looking for conventional horror beats.

People
Cast
Anita BriemEve
Belén BlancoJulia
Manu FullolaGabriel
Cristina PiagetSister Úrsula
Natalia DicentaSusan
Lola MarceliMary
Teté DelgadoCristy- Oriana BonetEulalia
- Katrine Romming17-years-old Mary
- Maia Jenkinson17-years-old Eulalia
Directing
- Luis de la MadridDirector
- Lacris GarcíaFirst Assistant Director
- Mariana GironellaScript Supervisor
- Isabel CaraltSecond Assistant Director
- Jordi VidalSecond Assistant Director
- André Cruz ShiraiwaSecond Unit Director
Writing
- Brian YuznaCreative Producer
- Manu DíezScreenplay
- Jaume BalagueróStory
- Elena SerraStory Editor
Production
- Julie DunneCasting
- Luci LenoxCasting
- Pep ArmengolCasting
- Kwesi DicksonCo-Producer
- Carlos FernándezExecutive Producer
- Jason ConstantineExecutive Producer
- Julio FernándezExecutive Producer
- Peter BlockExecutive Producer
- Marc ÁlvarezKey Production Assistant
- Reyes MatabuenaLine Producer
- Teresa GefaellLine Producer
- Brian YuznaProducer
- Julio FernándezProducer