Film
The Land Before Time
The film that defined a certain kind of childhood grief: a baby dinosaur loses his mother in the first act and spends the rest of the runtime learning to trust strangers. Don Bluth's animation is lush, the songs are gentle, and the sadness is real — this is a gateway drug for kids into big feelings, dressed as a dinosaur road trip.
If you liked this
The Secret of NIMH1982
Don Bluth's other great animal odyssey — a mouse mother risking everything to save her family, with animation darker and more painterly than anything Disney was making at the time.
But It's genuinely scary in places — rats, blood, and a witch-like sorceress may be too intense for very young viewers.

An American Tail1986
Same producers, same era, same formula: a small creature separated from family crosses a vast, dangerous world to find home, with Bluth's knack for turning loss into song.
But The story sags in the middle and the endless sequels diluted the brand — this one holds up best on its own.

Watership Down1978
The animal-quest-for-a-new-home template taken to its most serious extreme — rabbits fleeing destruction, forming their own society, dying on screen without flinching.
But Notoriously traumatized a generation of kids expecting a cute bunny movie; the violence is blunt and unshielded.

The wildcard
Something you would not have found on your own.
Fantasia1940
Both use dinosaurs to teach children about extinction and mortality through animation — but where Land Before Time softens the blow with friendship and survival, Fantasia stares straight at the die-off with no comfort offered.
The 'Rite of Spring' segment is a wordless, symphonic depiction of dinosaurs living, fighting, and going extinct — no dialogue, no cute faces, just Stravinsky and mass death rendered in animation.
But It's one segment of a much longer, stranger anthology film with no story to hold onto; patience required.

More like this (8)
Bambi1942
The original template for 'animated animal loses parent, learns the forest is dangerous and beautiful at once' — gorgeous, slow, and unembarrassed about its sadness.
But Very little plot by modern pacing standards; kids raised on faster editing may drift halfway through.

The Lion King1994
Bigger, brassier, and more mythic — another young animal losing a parent and finding his way home, but with showstopping songs and a villain worth actually fearing.
But It's ubiquitous enough that there's a decent chance you've already seen it a dozen times.

Ice Age2002no page yet
Prehistoric creatures banding together to survive a hostile landscape, played almost entirely for laughs — the tonal opposite that still scratches the same itch.
But The jokes are broader and the emotion thinner; don't expect the same lump in your throat.
The Good Dinosaur2015no page yet
Pixar's version of nearly the same premise — young dinosaur, dead parent, journey home — with photorealistic landscapes that are worth the price of admission alone.
But Critics were split on the story; it leans heavily on visuals to carry an otherwise thin plot.
All Dogs Go to Heaven1989no page yet
Bluth again, a year later, going somewhere stranger and darker — a con-artist dog literally dies in the first act. Odd, haunting, unlike anything else here.
But It's tonally scattered — part noir, part musical, part afterlife fantasy — and doesn't fully cohere.
FernGully: The Last Rainforest1992no page yet
A lusher, more overtly eco-conscious cousin — magical rainforest creatures fighting to save their home, with the same wide-eyed wonder at a threatened natural world.
But The environmental message is laid on thick and the songs haven't aged as gracefully as the visuals.
Grave of the Fireflies1988
Same year, same medium, same engine: a young protagonist, orphaned or near-orphaned, shepherding someone smaller across a dangerous landscape toward a safe place that may not exist. This is the training-wheels version of that story.
An animated film released the very same year, about a child protecting a younger sibling while searching for safety in a world that keeps taking things from them — tender, devastating, unforgettable.
But This is not for children despite the animation — it's one of the saddest films ever made, animal-free and unflinching about war.

Walking with Dinosaurs1999
It's the nonfiction mirror image: the same prehistoric world and survival stakes, stripped of songs and talking dinosaurs, showing you what the Great Valley might actually have looked like.
A BBC documentary series that recreates dinosaur lives with speculative science instead of anthropomorphism — the same herds, the same predators, narrated like a nature documentary rather than a fairy tale.
But There's no character to root for and no plot — it's closer to Attenborough than Bluth, and some will miss the emotional hook.

People
Cast
Gabriel DamonLittlefoot (voice)
Candace HutsonCera (voice)
Will RyanPetrie (voice)
Judith BarsiDucky (voice)
Helen ShaverLittlefoot's Mother (voice)
Pat HingleNarrator / Rooter (voice)
Bill ErwinGrandfather (voice)
Burke ByrnesDaddy Topps (voice)
Frank WelkerSharptooth (voice) (uncredited)
Directing
- David J. SteinbergAssistant Director
- Russell BolandAssistant Director
- Sue ShakespeareAssistant Director
- Don BluthDirector
- Fred A. ReillyLayout
Writing
- Stu KriegerScreenplay
- Judy FreudbergStory
- Tony GeissStory
Production
- Deborah Jelin NewmyerAssociate Producer
- Nancy NayorCasting
- Frank MarshallCo-Executive Producer
- Kathleen KennedyCo-Executive Producer
- George LucasExecutive Producer
- Steven SpielbergExecutive Producer
- Don BluthProducer
- Gary GoldmanProducer
- John PomeroyProducer
- Thad WeinleinProduction Manager
- Cathy GoldmanProduction Supervisor
Recommended by
Jurassic World, The Secret of NIMH, Watership Down, The Fox and the Hound, An American Tail, PAW Patrol: The Dino Movie