Film
Jurassic World
A theme park finally works, which is the problem. Twenty-two years after the original disaster, Isla Nublar has genetically engineered attractions, a bored corporate clientele, and a hybrid super-predator built for spectacle rather than science. It's a big, glossy, self-aware blockbuster that knows exactly what you came for — running, screaming, a raptor-whisperer in khaki — and delivers it without much pretense of being anything deeper.
If you liked this
Jurassic Park1993
The original, and still the one that gets the awe right — Spielberg lets you actually see the dinosaurs before he lets them chase anyone. Every subsequent film in this franchise is arguing with this one.
But You almost certainly know exactly how it ends, and the restraint can feel quaint after the noisier sequels.

King Kong2005
Peter Jackson's version treats its monster as a tragic character, not just a threat, and builds to some of the most purely thrilling creature setpieces ever put on film. Skull Island alone is worth the ticket.
But It's over three hours, and the first act on the boat takes its time getting anywhere near an island.

Godzilla2014
Gareth Edwards understands that a monster is scarier glimpsed than gawked at, and builds real dread before finally letting Godzilla loose in full, thunderous scale.
But The human characters are paper-thin, and some viewers found the famous restraint frustrating rather than tense.

The wildcard
Something you would not have found on your own.
Okja2017
Same premise — a corporation engineers a creature for profit and loses control of both the animal and the story — but played as pointed satire and tragedy instead of spectacle.
Bong Joon-ho's genetically engineered super-pig story starts as a girl-and-her-animal fable and turns into a furious satire of corporate exploitation, with Jake Gyllenhaal doing a broad, unsettling parody of exactly the swaggering company-man energy this franchise usually plays straight.
But It swings hard between whimsy and horror, and the industrial-farming material is genuinely upsetting, not popcorn fun.

More like this (8)
The Lost World: Jurassic Park1997no page yet
Spielberg's own sequel, meaner and more chaotic, with dinosaurs let loose on the mainland and a genuinely unhinged energy the first film never risked.
But It's messier and darker in tone, closer to a monster rampage movie than the wonder-driven original.
War for the Planet of the Apes2017no page yet
A blockbuster with genuine weight — motion-capture performance work that's quietly extraordinary, and a moral seriousness rare in a summer tentpole.
But It's slow, somber, and more interested in grief and command than in spectacle for its own sake.
Jumanji: Welcome to the Jungle2017
Same jungle-adventure engine, dialed toward comedy — Dwayne Johnson and a game ensemble having a genuinely fun time inside a video-game world full of stampeding wildlife.
But It's broader and goofier, with real laughs replacing any sense of actual danger.

Pacific Rim2013
Giant monsters, giant robots, and a director in Guillermo del Toro who clearly loves both — the visual imagination here is enormous and unashamed.
But The plot and characters are simple by design; you're here for the scale, not the story.

San Andreas2015no page yet
Pure disaster-movie spectacle with Dwayne Johnson hauling his family across a collapsing California — dumb in the way a good rollercoaster is dumb.
But The plot is thinner than a fault line and everyone knows it, including the filmmakers.
Rampage2018
A gorilla, a wolf, and a crocodile get supersized by rogue genetics and level a city — gleefully stupid monster-movie comfort food.
But It has no real ambitions beyond noise and scale, and it doesn't pretend otherwise.

The Lost World1925
This is the literal ancestor of the 'humans bring dinosaurs back to civilization and it goes wrong' plot — the theme-park-gone-loose idea in its earliest cinematic form.
A silent film with stop-motion dinosaurs that predates every dinosaur blockbuster you've ever seen — including the one that shares its name — and still has moments of genuine wonder ninety-plus years on.
But It's a silent film with the pacing and melodrama of its era; patience for the format is required.

The Land Before Time1988
Strips the same dinosaur-awe down to its most sincere, family-scaled form — no theme park, no chase, just the wonder and danger of the creatures themselves.
An animated dinosaur odyssey about orphaned young dinosaurs crossing a dangerous world to find safety — gorgeous, mournful, and far more emotionally direct than its cute reputation suggests.
But It's a children's film with real grief in it, and adults expecting spectacle may find it small and slow by comparison.

People
Cast
Chris PrattOwen
Bryce Dallas HowardClaire
Irrfan KhanMasrani
Vincent D'OnofrioHoskins
Ty SimpkinsGray
Nick RobinsonZach
Jake JohnsonLowery
Omar SyBarry
BD WongDr. Henry Wu
Judy GreerKaren
Lauren LapkusVivian
Brian TeeHamada
Directing
- Zack SmithAdditional Second Assistant Director
- Colin TrevorrowDirector
- Chris CastaldiFirst Assistant Director
- Jason RobertsSecond Assistant Director
- David LeitchSecond Unit Director
Writing
- Michael CrichtonCharacters
- Amanda SilverScreenplay
- Colin TrevorrowScreenplay
- Derek ConnollyScreenplay
- Rick JaffaScreenplay
- Amanda SilverStory
- Rick JaffaStory
Production
- Christopher RaimoAssociate Producer
- John PapsideraCasting
- Ty WarrenExecutive In Charge Of Production
- Steven SpielbergExecutive Producer
- Thomas TullExecutive Producer
- Frank MarshallProducer
- Patrick CrowleyProducer
- Pei'an LauProduction Manager
- Anthony ChiarantanoProduction Supervisor
- Russell AllenProduction Supervisor
- Scott TrimbleProduction Supervisor