Film

The Fish That Saved Pittsburgh

A 1979 basketball comedy where a failing Pittsburgh team hires an astrologer to rebuild through zodiac compatibility. It's genuinely weird—part sports movie, part disco fever dream, featuring real NBA stars alongside improv legend Jonathan Winters. Chaotic, silly, and fascinatingly committed to its bonkers premise. For anyone curious about oddball '70s cinema or sports comedy history.

Should you watch it?

Watch it if you enjoy goofy, slightly creaky studio comedies where real basketball stars mug through a ridiculous premise, and you find a cheerfully daft tone more charming than polished.

Skip it if you need fast, sharp jokes or a tight runtime, since the gags are broad and the pace wanders across its full hundred-plus minutes.

What it asks of you: Settle in for a loose, forgiving hour and a half where the silliness runs long and the plot rarely tightens its grip between gags.

If you liked this

White Men Can't Jump1992

Buddy comedy with real basketball chops—two con-artist friends scheme and play street ball. Witty, charming, and understands that sports movies work best when they're about the chemistry between people, not just winning.

But The romance subplot feels obligatory and slows the momentum. Some of the humour hasn't aged as gracefully as the basketball itself.

White Men Can't Jump poster

Semi-Pro2008

Will Ferrell's underdog sports comedy with similar energy: absurd, earnest, and packed with real athletes. Cheerleader comedy mixed with genuine love for the game's messiness and failure.

But Ferrell's particular brand of broad comedy won't land for everyone. The '70s setting is just window-dressing, not a real historical interest.

Semi-Pro poster

Kingpin1996

Farrelly Brothers' bowling comedy about a has-been and a naive Amish kid. Trashy, ridiculous, genuinely funny, and totally unpretentious about loving a goofy sport.

But The humour is intentionally crude and mean-spirited. Not interested in being clever—just wants to make you laugh at ridiculous situations.

Kingpin poster

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The wildcard

Something you would not have found on your own.

The Harlem Globetrotters on Gilligan's Island1981

Same era, same willingness to let sports and comedy and complete weirdness live in the same space without explanation. Both are essentially fever dreams that happened to get filmed.

Made-for-TV movie where the Globetrotters visit the island. It's aggressively silly in a way only '70s/'80s TV could be—pure, unapologetic nonsense played completely straight.

But The production value is genuinely terrible and the plot makes no sense. If you need things to make sense or look polished, you're in for a rough time.

The Harlem Globetrotters on Gilligan's Island poster
More like this (7)

Major League1989

Ensemble baseball comedy with genuine affection for the sport and its characters. Sharp writing, great one-liners, and a team of misfits you actually want to succeed.

But Structured pretty conventionally—you know where this is going. Settles into sports-movie predictability by the second half.

Major League poster

Slap Shot1977

Paul Newman in a hockey comedy that's funnier and nastier than it sounds. Captures actual locker-room camaraderie and treats the sport with real knowledge.

But Pretty male-centric and the humour can be aggressively crude. Takes longer to find its rhythm than you might expect.

Slap Shot poster

Ghostbusters II1989

Ensemble comedy with the same chaotic energy—multiple big personalities crashing together, gags stacked on gags, never takes itself seriously. Better chemistry than you'd expect.

But Famously divisive sequel. The supernatural stuff distracts from why people loved the first film. Feels looser in a way that might annoy instead of charm.

Ghostbusters II poster

Rocky III1982

Stallone at peak charm, dealing with fame and relevance—the boxing scenes are excellent, and it has genuine humour and heart underneath the action.

But The training montage and Mr. T dynamic feel very dated now. Transitions into straight action movie that leaves the comedy behind halfway through.

Rocky III poster

Stripes1981

Bill Murray in a military comedy ensemble where the focus is on the characters and their ridiculous dynamics. Improvisational and weird, commits fully to its absurdity.

But Uneven pacing and the plot eventually falls apart. The ending goes full action-movie in a way that undercuts what made it fun.

Stripes poster

Coming Home1978

Jon Voight and Bruce Dern in a serious drama about Vietnam, marriage, and masculinity. Thoughtful, sexy, and genuinely moving without sentimentality.

But Not a comedy at all—completely different register from what you're after. Slow and introspective, not entertaining.

Coming Home poster

Matilda1996

Both use fantastical, slightly unhinged logic to solve real problems. The astrology and the telekinesis work the same way—totally absurd solutions that somehow fit the emotional truth of the story.

Danny DeVito's film where a brilliant girl survives her terrible family and school through sheer force of mind. Funny, strange, shot beautifully, and genuinely about something real underneath the whimsy.

But Tonal whiplash—lurches from dark to silly to sincere in ways that don't always work. Won't satisfy anyone looking for consistent genre clarity.

Matilda poster

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