Film
The Fish That Saved Pittsburgh
- Comedy
- Light-hearted
A 1979 basketball comedy where a failing Pittsburgh team hires an astrologer to rebuild through zodiac compatibility. It's genuinely weird—part sports movie, part disco fever dream, featuring real NBA stars alongside improv legend Jonathan Winters. Chaotic, silly, and fascinatingly committed to its bonkers premise. For anyone curious about oddball '70s cinema or sports comedy history.
Should you watch it?
Watch it if you enjoy goofy, slightly creaky studio comedies where real basketball stars mug through a ridiculous premise, and you find a cheerfully daft tone more charming than polished.
Skip it if you need fast, sharp jokes or a tight runtime, since the gags are broad and the pace wanders across its full hundred-plus minutes.
What it asks of you: Settle in for a loose, forgiving hour and a half where the silliness runs long and the plot rarely tightens its grip between gags.
Not sure? Find tonight's pick in a minute.
If you liked this
White Men Can't Jump1992
Buddy comedy with real basketball chops—two con-artist friends scheme and play street ball. Witty, charming, and understands that sports movies work best when they're about the chemistry between people, not just winning.
But The romance subplot feels obligatory and slows the momentum. Some of the humour hasn't aged as gracefully as the basketball itself.

Semi-Pro2008
Will Ferrell's underdog sports comedy with similar energy: absurd, earnest, and packed with real athletes. Cheerleader comedy mixed with genuine love for the game's messiness and failure.
But Ferrell's particular brand of broad comedy won't land for everyone. The '70s setting is just window-dressing, not a real historical interest.

Kingpin1996
Farrelly Brothers' bowling comedy about a has-been and a naive Amish kid. Trashy, ridiculous, genuinely funny, and totally unpretentious about loving a goofy sport.
But The humour is intentionally crude and mean-spirited. Not interested in being clever—just wants to make you laugh at ridiculous situations.

Not sure tonight? Get a pick in a minute, starting from The Fish That Saved Pittsburgh
The wildcard
Something you would not have found on your own.
The Harlem Globetrotters on Gilligan's Island1981
Same era, same willingness to let sports and comedy and complete weirdness live in the same space without explanation. Both are essentially fever dreams that happened to get filmed.
Made-for-TV movie where the Globetrotters visit the island. It's aggressively silly in a way only '70s/'80s TV could be—pure, unapologetic nonsense played completely straight.
But The production value is genuinely terrible and the plot makes no sense. If you need things to make sense or look polished, you're in for a rough time.

More like this (7)
Major League1989
Ensemble baseball comedy with genuine affection for the sport and its characters. Sharp writing, great one-liners, and a team of misfits you actually want to succeed.
But Structured pretty conventionally—you know where this is going. Settles into sports-movie predictability by the second half.

Slap Shot1977
Paul Newman in a hockey comedy that's funnier and nastier than it sounds. Captures actual locker-room camaraderie and treats the sport with real knowledge.
But Pretty male-centric and the humour can be aggressively crude. Takes longer to find its rhythm than you might expect.

Ghostbusters II1989
Ensemble comedy with the same chaotic energy—multiple big personalities crashing together, gags stacked on gags, never takes itself seriously. Better chemistry than you'd expect.
But Famously divisive sequel. The supernatural stuff distracts from why people loved the first film. Feels looser in a way that might annoy instead of charm.

Rocky III1982
Stallone at peak charm, dealing with fame and relevance—the boxing scenes are excellent, and it has genuine humour and heart underneath the action.
But The training montage and Mr. T dynamic feel very dated now. Transitions into straight action movie that leaves the comedy behind halfway through.

Stripes1981
Bill Murray in a military comedy ensemble where the focus is on the characters and their ridiculous dynamics. Improvisational and weird, commits fully to its absurdity.
But Uneven pacing and the plot eventually falls apart. The ending goes full action-movie in a way that undercuts what made it fun.

Coming Home1978
Jon Voight and Bruce Dern in a serious drama about Vietnam, marriage, and masculinity. Thoughtful, sexy, and genuinely moving without sentimentality.
But Not a comedy at all—completely different register from what you're after. Slow and introspective, not entertaining.

Matilda1996
Both use fantastical, slightly unhinged logic to solve real problems. The astrology and the telekinesis work the same way—totally absurd solutions that somehow fit the emotional truth of the story.
Danny DeVito's film where a brilliant girl survives her terrible family and school through sheer force of mind. Funny, strange, shot beautifully, and genuinely about something real underneath the whimsy.
But Tonal whiplash—lurches from dark to silly to sincere in ways that don't always work. Won't satisfy anyone looking for consistent genre clarity.

People
Cast
Julius ErvingMoses Guthrie
Jonathan WintersH.S. / Harvey Tilson- Meadowlark LemonRev. Grady Jackson
Jack KehoeSetshot
Kareem Abdul-JabbarKareem Abdul-Jabbar
Margaret AveryToby Millman
James Bond IIITyrone Millman
Michael V. GazzoHarry the Trainer- Peter IsacksenDriftwood
Nicholas PryorGeorge Brockington
M. Emmet WalshWally Cantrell
Stockard ChanningMona Mondieu
Directing
- Gilbert MosesDirector
Writing
- David DashevStory
- Gary StrombergStory
- Edmond StevensWriter
- Jaison StarkesWriter
Production
- David DashevProducer