Film
Major League
Major League is the loosest, funniest baseball movie ever made about a team designed to lose. Cleveland's new owner wants a terrible season so she can move the franchise south, so she's stocked the roster with has-beens, headcases and one wild-armed convict. It's raunchy, quotable, and unashamedly silly — a beer-and-nachos comfort watch for anyone who wants their sports movie to make them laugh more than cry.
If you liked this
Bull Durham1988
Ron Shelton's minor-league classic swaps Major League's gags for something wiser and sexier, but it's the same love letter to baseball's beautiful losers, told with sharper dialogue and more heart.
But It's slower and more romantic than raucous — if you came for a voodoo-worshipping catcher, this one plays it cooler.

Slap Shot1977
Swap bats for sticks and you get the foul-mouthed granddaddy of the misfit-team comedy — Paul Newman leading a minor-league hockey squad through brawls, bribes and one gloriously filthy trio of brothers.
But The humour is cruder and meaner-spirited than Major League's, with less sentiment to soften the edges.

The Bad News Bears1976
Walter Matthau's drunk, foul-mouthed Little League coach turns a team of no-hopers into something resembling a unit — the original blueprint for every underdog sports comedy that followed.
But It's a product of its decade: politically incorrect in ways that will make some viewers wince rather than laugh.

The wildcard
Something you would not have found on your own.
The Battered Bastards of Baseball2014
Rachel Phelps wants her team to fail; the Mavericks' real owner built a team the baseball establishment wanted destroyed. Same fight against a hostile league, told as true story instead of farce.
A documentary about the real Portland Mavericks, an independent minor-league team owned by a maverick actor who thumbed his nose at Major League Baseball and somehow won anyway — Major League's plot, but it actually happened.
But It's a documentary, not a comedy — funny in places, but its pleasures are nostalgic and historical rather than laugh-a-minute.

More like this (8)
A League of Their Own1992
Same underdog shape, different diamond — women drafted into pro baseball during WWII face doubters at every turn, with Tom Hanks doing career-best work as a coach who couldn't care less.
But It leans harder into sentiment and history than Major League ever does, so don't expect wall-to-wall gags.

Necessary Roughness1991no page yet
College football's answer to Major League: a disgraced program scrapes together a team of oddballs, including a 34-year-old quarterback, to save a season nobody expects them to survive.
But It's broader and goofier, with less of the sharp characterisation that makes Major League's cast so memorable.
The Replacements2000no page yet
Keanu Reeves quarterbacks a ragtag crew of strikebreakers into an unlikely playoff push — the same joy of watching nobodies become somebodies, just with more explosions on the soundtrack.
But It's glossier and more Hollywood than Major League's scruffy charm, with less bite in the jokes.
Semi-Pro2008no page yet
Will Ferrell as a one-hit-wonder singer turned basketball owner-player brings the same disreputable-league energy, just louder, sillier, and shamelessly committed to the bit.
But The gags are broader and the plot thinner — this is comfort trash, not a well-crafted comedy.
DodgeBall: A True Underdog Story2004
A gym full of misfits with nothing to lose enters a tournament for a shot at redemption — pure underdog-sports-comedy mechanics, cranked up to cartoon levels.
But It trades Major League's grounded characters for pure absurdism; if you wanted realism, this isn't it.

Talladega Nights: The Ballad of Ricky Bobby2006
Different sport, same shameless commitment to a ridiculous premise — Will Ferrell's disgraced NASCAR driver chasing redemption, played with the same go-for-broke silliness.
But It's more character-comedy than team comedy, so the ensemble underdog feeling is thinner here.

Angels in the Outfield1951no page yet
Same premise, forty years earlier: a terrible team, an owner who doesn't believe in them, a season that turns on belief — just with divine intervention instead of foul language.
Decades before Major League, this black-and-white oddity gave a hopeless, cellar-dwelling ball club a reason to believe — literal angels rooting for them — and ran the underdog formula with real sweetness.
But The pace and humour are gentle and old-fashioned; anyone expecting raunch or cynicism will find this almost quaint.
Slings & Arrows2003
Swap the diamond for the stage: a scrappy institution nobody respects, undermined by people who want it gone, held together by people who love it anyway. Same shape, entirely different costume.
A dysfunctional Shakespearean theatre festival, run on no money and less sanity, fights to put on a season despite a board that would rather shut it down — the same ragtag-team-against-the-odds engine, dressed as prestige drama.
But It's Canadian drama-comedy about theatre, not baseball — the laughs are quieter and the tone far more melancholic.

People
Cast
Tom BerengerJake Taylor
Charlie SheenRick Vaughn
Corbin BernsenRoger Dorn
Margaret WhittonRachel Phelps
James GammonLou Brown
Rene RussoLynn Wells
Wesley SnipesWillie Mays Hayes
Charles CyphersCharlie Donovan
Chelcie RossEddie Harris
Dennis HaysbertPedro Cerrano
Andy RomanoPepper Leach
Bob UeckerHarry Doyle
Directing
- David S. WardDirector
- Jerry GrandeyFirst Assistant Director
- Louis D'EspositoFirst Assistant Director
- Christine LarsonSecond Assistant Director
- Richard PatrickSecond Assistant Director
- Irby SmithSecond Unit Director
Writing
- David S. WardWriter
Production
- Joanne ZaluskiCasting
- Joe RothCo-Producer
- Julie Bergman SenderCo-Producer
- Mark RosenbergExecutive Producer
- Chris ChesserProducer
- Irby SmithProducer
- Edward D. MarkleyUnit Production Manager
- Irby SmithUnit Production Manager
Recommended by
DodgeBall: A True Underdog Story, Slap Shot, Kingpin, Cool Runnings, Bull Durham, The Battered Bastards of Baseball, The Longest Yard, The Bad News Bears