Film

The Blues Brothers

John Landis's 1980 crime comedy is really a soul revue wearing a heist plot as disguise — Jake and Elwood wreck roughly a hundred cars and flatten a mall while reassembling their old band. Deadpan and joyous, it's startlingly generous with its musical numbers, letting Aretha Franklin, James Brown and Ray Charles each get a full showcase. For anyone who wants car chases set to a killer horn section.

TMDb rating7.7

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Animal House1978

Belushi at his most gloriously undisciplined, in the film that basically invented the modern gross-out comedy — the same anarchic spirit, the same total disregard for consequences, just fewer horns and more toga parties.

But Looser and meaner in tone, with a nastier streak of frat-house cruelty that hasn't aged as gracefully.

Animal House poster

Ghostbusters1984

Aykroyd again playing deadpan straight man to total chaos, only now it's ghosts instead of a Cadillac — the same dry comic engine wearing a completely different genre's clothes.

But More special-effects spectacle than musical set-piece — if it was the soul numbers you loved, this won't scratch that itch.

Ghostbusters poster

Trading Places1983

Aykroyd and Eddie Murphy running an elaborate con through Philadelphia high society, with the same sly delight in watching pompous institutions get thoroughly, deservedly humiliated.

But A colder, more cynical comedy overall — the laughs come from schadenfreude rather than joy.

Trading Places poster

The wildcard

Something you would not have found on your own.

It's a Mad, Mad, Mad, Mad World1963

Same engine, decades earlier: a sprawling ensemble cast set loose in a comedy built entirely around real vehicular carnage and a race against the clock, cameo after cameo crammed into every scene.

A dozen comedy legends chasing buried treasure across California, smashing real cars and real buildings for real, seventeen years before Jake and Elwood tried the same trick with a mall.

But Nearly three hours long, broad to the point of exhausting, and paced like nobody had invented the edit yet.

It's a Mad, Mad, Mad, Mad World poster
More like this (8)

Smokey and the Bandit1977no page yet

Practically this movie's evil twin from three years earlier — cars smashed by the dozen, cops humiliated at every turn, a soundtrack that never lets up.

But Trades the soul revue for country twang and Burt Reynolds' grin — less music, more mustache.

The Muppet Movie1979

A road trip stuffed with celebrity cameos and genuinely good musical numbers, gentler and stranger, but built on the same idea of a band assembling itself across America.

But Puppets instead of people means a softer, more whimsical register — nobody here is getting arrested.

The Muppet Movie poster

The School of Rock2003

Jack Black channels the same manic conviction that music can save absolutely everyone involved, just wrapped in a much sweeter, considerably more family-friendly package for the kids.

But No car chases, no crime plot — just a teacher and some kids learning power chords.

The School of Rock poster

Hairspray2007

All the joyful noise of soul and R&B, choreographed rather than chased through the streets, with a candy-colored optimism that's completely infectious and impossible not to grin at.

But A musical in the full singing-and-dancing sense, which is a much bigger tonal leap than it sounds.

Hairspray poster

Tommy Boy1995no page yet

A mismatched pair thrown together on a chaotic cross-country mission, riffing off each other with that same deadpan-versus-chaos comic rhythm that made the brothers work so well.

But Nineties buddy-comedy energy rather than musical spectacle — no horn section, no Aretha in sight.

Wayne's World1992

SNL alumni turning music-obsessed basement slackers into unlikely folk heroes, with that same anything-for-a-laugh commitment to a bit, no matter how dumb it gets or how long it runs.

But Small-scale suburban comedy rather than citywide destruction — the ambition here is much, much smaller.

Wayne's World poster

The Warriors1979

Same underlying shape — outsiders racing across a city while every faction in it wants them stopped — stripped of the jokes and the horn section and played entirely for stakes.

A gang forced to fight and run their way across an entire hostile city in one long night, told with the same comic-book energy but played dead straight instead of for laughs.

But Genuinely tense and occasionally brutal — there's no soul band waiting at the end of this chase, just survival.

The Warriors poster

Muscle Shoals2013

Same reverence for soul music's originators, minus the comedy — a straight, loving look at the studio and musicians that got turned into a joyful cameo parade.

A documentary about the real Alabama studio and musicians who shaped Southern soul, including several of the actual legends this film borrowed its music and its reverence from.

But No jokes, no chases — just a quiet, moving history lesson about the music you just watched get gleefully plundered.

Muscle Shoals poster

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