Film
The Best of Me
A sweeping romance about two people who fell in love young, drifted apart, and find themselves pulled back together when they return home. It's earnest and emotional, unafraid of grand gestures and the messy overlap of nostalgia with present-day reality. For anyone who's ever wondered what might have been.
Should you watch it?
Watch it if you want a slow-burning romance where past and present tangle in a small town, and you don't mind sentiment turned up loud.
Skip it if you find earnest, syrupy melodrama hard to sit through, since it leans on sentiment and its pace rarely surprises.
What it asks of you: Settle in for just under two hours, with long stretches that jump between two timelines and let quiet glances carry as much weight as dialogue.
Not sure? Find tonight's pick in a minute.
If you liked this
The Notebook2004
The template for modern romantic drama: two lovers separated by circumstance, reconnecting across time with all the tenderness and longing intact. It treats the material seriously and lets emotion breathe.
But The pacing is deliberate and the tragedy is signposted early. If you need plot momentum over feeling, this will test your patience.

Nights in Rodanthe2008
Another Nicholas Sparks adaptation with the same DNA: mature actors, a concentrated time frame, regret and second chances. Diane Lane and Richard Gere anchor it with real weariness and hope.
But Sparks adaptations can feel like they're checking boxes. The emotional beats are familiar if you've seen more than one of his films.

The Time Traveler's Wife2009
A couple separated not by circumstance but by impossible physics, finding ways to love across time. It has the same ache of longing and the same commitment to making their relationship feel like the centre of the world.
But The science fiction concept is more interesting than the emotional execution. It can feel like the premise does the heavy lifting.

Not sure tonight? Get a pick in a minute, starting from The Best of Me
The wildcard
Something you would not have found on your own.
Moonlight2016
Both films are about people returning to transformative first loves and having to reconcile who they were with who they've become, but Moonlight does it through fragmentation and silence rather than grand reunion scenes.
Three chapters of a man's life, three actors playing the same person, all circling back to a first love that shaped him. It's a reunion of a different kind—quieter, more searching, more true about what it means to come home.
But The narrative is oblique and dialogue minimal. If you need exposition and clear emotional beats spelled out, this will feel opaque and slow.

More like this (7)
Dear John2010
Channing Tatum and Amanda Seyfried as sweethearts torn apart by military service and bad timing. It's unironic about heartbreak and doesn't apologize for asking you to feel things.
But The plot hinges on misunderstandings that a five-minute conversation could solve. Contrivance can feel frustrating if you're watching for story logic.

Safe Haven2013
Josh Duhamel and Julianne Hough in a Sparks romance that layers in mystery and danger alongside the reunion narrative. It has more plot momentum than pure emotional wallowing.
But The thriller elements feel grafted on rather than integral. Tone shifts can jolt you out of the romantic haze.

Crazy, Stupid, Love.2011
A smarter take on love and marriage that deconstructs romantic comedy while still believing in connection. It's funny and surprising without losing sincerity about what love actually costs.
But It's busy with multiple storylines. If you want a focused romance, the ensemble approach can dilute emotional intensity.

The Age of Adaline2015
Blake Lively caught outside time, reuniting with the man she loved decades ago. It's gorgeously shot, deeply romantic, and genuinely moves the needle on what's possible within the genre.
But The fantasy element asks a lot of credibility. Some scenes prioritize visual beauty over character logic.

About Time2013
A romance wrapped in a family story, with time travel that serves character rather than plot. It sneaks genuine philosophical weight into what looks like a rom-com, and lands its emotions quietly.
But The first half feels like a lark before it shifts into something more serious. The tonal whiplash works for some, frustrates others.

The Fault in Our Stars2014
Young people grappling with mortality and meaning, finding love and humor in the wreckage. It's whip-smart, genuinely funny, and it trusts its audience to understand that sadness and joy are not opposites.
But The dialogue can feel overly articulate for teenagers. Some find the quirk forced or the tragedy manipulative.

Portrait of a Lady on Fire2019
A different kind of reunion—two women finding each other across time and circumstance—told with the same ache about what's possible versus what's allowed, and the price of choosing love when it costs everything.
A woman painting a woman she's falling in love with, trying to capture her essence before she marries a stranger. It's sensual, intelligent, and builds an entire world of longing in a few days. Luminous cinematography, period detail, and real passion.
But It's French, it moves at its own pace, and the ending is not a comfort. If you want resolution and conventional closure, you won't find it here.

People
Cast
Michelle MonaghanAmanda Collier
James MarsdenDawson Cole
Luke BraceyYounger Dawson Cole
Liana LiberatoYoung Amanda Collier
Gerald McRaneyTuck Hostetler
Caroline GoodallEvelyn
Clarke PetersMorgan Dupree
Sebastian ArcelusFrank Reynolds
Jon TenneyHarvey Collier
Sean BridgersTommy Cole
Rob MelloTed Cole
Hunter BurkeAbee
Directing
- Michael HoffmanDirector
- Ann C. SalzerFirst Assistant Director
- Eric Fox HaysFirst Assistant Director
- John M. WhiteSecond Assistant Director
- Derek HallSecond Second Assistant Director
- Steven RitziSecond Unit Director
Writing
- Nicholas SparksNovel
- J. Mills GoodloeWriter
- Will FettersWriter
Production
- Ronna KressCasting
- D. Scott LumpkinCo-Producer
- Ken HalsbandExecutive In Charge Of Production
- Andrew C. RobinsonExecutive Producer
- Jared UnderwoodExecutive Producer
- Robbie BrennerExecutive Producer
- Tucker TooleyExecutive Producer
- Patrick PeachLine Producer
- Theresa ParkLine Producer
- Joaquín Brú de AragónLocation Assistant
- Alison GreenspanProducer
- Denise Di NoviProducer
- Justin BurnsProducer
- Nicholas SparksProducer
- Russ KavanaughProducer
- Ryan KavanaughProducer
- Cristen MartemucciProduction Assistant
- S.J. 'JoJo' FiegerProduction Supervisor
- D. Scott LumpkinUnit Production Manager