Film
The Awakening
Other titles called The Awakening: the 1971 film, the 1980 film, the 2011 film, the 2014 film.
- Supernatural horror
- Very dark
A military horror film set in the South American jungle where an elite unit confronts an ancient supernatural force. It's visceral and atmospheric—part creature feature, part war movie—blending action and genuine dread. For fans of immersive genre hybrids who want their scares grounded in tactical tension and practical effects.
Should you watch it?
Watch it if you want a lean, blood-and-dread creature feature where a squad of soldiers gets pinned down by something it cannot outgun, and you enjoy jungle horror that leans on atmosphere and grit more than explanation.
Skip it if you need characters you can settle into before the trouble starts, or you tire of genre mashups where war action, fantasy myth and horror all compete for the same runtime.
What it asks of you: Ninety-six minutes of mostly tense, sweaty momentum with little breathing room, so you need to be willing to hold on to the thread of who is where and what is hunting them.
Not sure? Find tonight's pick in a minute.
If you liked this
Predator1987
The template: elite soldiers in hostile jungle terrain hunted by an invisible, lethal force. Schwarzenegger and the ensemble create real camaraderie before everything goes wrong. Pure '80s adrenaline and invention.
But Dated effects and some clunky dialogue. The pacing sags in the middle act before the action kicks into high gear.

Apocalypto2006
Gibson's jungle chase film is brutal and propulsive, with indigenous Mesoamerican setting and supernatural dread woven through. The action is kinetic, the atmosphere genuinely oppressive, the violence means something.
But Extremely graphic and violent. The film is also controversial for its treatment of indigenous peoples, which remains difficult.

A Quiet Place2018
Creature horror that respects military/tactical thinking. Tense, economical storytelling with strong ensemble work. Proves you can scare audiences with restraint and clever sound design instead of gore.
But The premise is simple and the plot thin if you examine it closely. Some viewers find the reliance on silence and jump scares repetitive.

Not sure tonight? Get a pick in a minute, starting from The Awakening
The wildcard
Something you would not have found on your own.
Embrace of the Serpent2015
Both films treat the South American jungle as a place where ancient forces remain active and indifferent to human intention. Where the landscape itself becomes antagonist.
Colombian film shot in black and white following two river journeys through the Amazon jungle decades apart. Mythic, hypnotic, steeped in indigenous cosmology and colonial violence. It's a vision of the jungle as a conscious, vengeful entity.
But Slow-burn meditative cinema with minimal plot. The monochrome cinematography and philosophical pacing will feel inaccessible to those seeking conventional narrative or action.

More like this (8)
Aliens1986
Combat horror at its finest. Ripley and a unit of marines descend into a hive. Perfect pacing, perfectly cast, endlessly quotable. The blend of action and terror has never been better executed.
But Nearly two-and-a-half hours. If you haven't seen it, the opening hour is slower than modern audiences expect before the action erupts.

Annihilation2018
A military expedition into a mysterious zone encounters a force that defies explanation. Visually stunning, deeply unsettling, with a philosophical weight beneath the action. Smart science fiction horror.
But Deliberately cryptic and ambiguous. If you need clean narrative answers, the film will frustrate you. The pacing is meditative in places.

30 Days of Night2007
Alaskan town under siege by vampires during polar darkness. Visceral, claustrophobic, action-packed without sacrificing atmosphere. The creatures feel genuinely threatening, not romanticized.
But Extremely violent and bloody. The plot is straightforward survival with limited character depth beyond the immediate threat.

The Descent2005
Women caving expedition goes horribly wrong when they encounter creatures in the depths. Claustrophobic, relentless, with genuine scares and character dynamics that matter. Practical tension and real blood.
But Not for anyone with claustrophobia or those squeamish about gore. The creature design is intentionally grotesque, and the film doesn't look away.

Cannibal Holocaust1980
The prototype found-footage jungle horror. Transgressive, deeply disturbing, genuinely innovative in how it constructs dread. It's formally ambitious in ways most modern horror refuses to attempt.
But Notoriously graphic depictions of real animal violence and human brutality. It's an endurance test, not entertainment. Many won't finish it.

The Ritual2017
Hikers in a Swedish forest pursue a shortcut and encounter something ancient and hungry. Atmospheric creature design, good ensemble work, and a final act that commits to its mythology without apology.
But The setup requires buying some questionable character choices. The creature reveal divides viewers—some find it inspired, others derivative.

The Empty Man2020
Both films feature military or tactical characters confronting a force older than human understanding, where standard responses fail because the rules have changed fundamentally.
Underrated cosmic horror about a detective unraveling a cult mystery. Visually inventive, deeply unsettling mythology, and a final act that expands into genuinely transcendent strangeness. It commits to its weirdness.
But Plotty and deliberately obtuse. The mythology requires attention and won't hold your hand. Some find it incoherent; others find that incoherence is the point.

Let the Right One In2008
Both explore how an ancient supernatural presence judges intruders and claims territory—but this one interrogates whether the monster has humanity, turning the encounter into moral crisis rather than simple survival.
Swedish vampire film about a bullied boy and an ancient creature. Atmospheric and intimate, it treats the supernatural matter-of-factly within a human story. Slow, precise, devastating. Cinema as meditation on isolation and connection.
But It's quiet and introspective rather than action-driven. The vampire mythology is understated. If you need movement and spectacle, this will feel static and sad.

People
Cast
Directing
- Federico Durán AmorochoCo-Director
- José Luis RugelesCo-Director
- Jaime Osorio MárquezDirector
Writing
- Federico Durán AmorochoCo-Writer
- Guillermo EscalonaCo-Writer
- Jaime Osorio MárquezIdea
- Jaime Osorio MárquezWriter
Production
- Fernando ChicaAssociate Producer
- Guillermo EscalonaAssociate Producer
- Óscar NavarroAssociate Producer
- Carlos Fagua MedinaCasting
- Ana María TarazonaExecutive Producer
- Jader Rangel HenaoExecutive Producer
- Jaime Osorio MárquezExecutive Producer
- José Luis RugelesExecutive Producer
- Gabriela RemirezProducer
- Luis F PerazaProducer
- Paul DragoProducer
- Roberto RiosProducer
- Catherine VillarrealProduction Manager