Film

Silver City

A 19-minute documentary meditation on grief and memory set in Silver City, New Mexico. The filmmaker retraces her father's footsteps, collecting conversations with local men about loss, love, and sacrifice. Intimate, contemplative, and quietly moving—for anyone who's ever wondered about the stories we carry forward.

Should you watch it?

Watch it if you like short documentaries that let strangers talk at their own pace, and you don't mind a quiet portrait of grief that trusts listening more than plot.

Skip it if you need a clear arc or a lot of context, since it offers mostly open conversation and a loose sense of place rather than a story that builds.

What it asks of you: Nineteen minutes, unhurried and mostly quiet, giving each person room to take their time before reaching the hard part.

If you liked this

The Farewell2019

Explores family, cultural expectation, and unresolved grief through a deeply personal lens. Like *Silver City*, it's about how we carry our loved ones forward, told with tenderness and specificity rather than sentiment.

But Some find its tonal shifts between humour and emotion jarring. It demands patience for quieter moments of reflection.

The Farewell poster

Still Processing2021

A thoughtful docuseries about two writers examining grief, race, and memory through conversations and archival material. Shares the intimacy and conversational depth of *Silver City*'s approach to loss.

But Deliberately paced and meditative. If you need plot momentum or easy answers, this will feel slow.

Still Processing poster

The Truffle Hunters2020

Documentary following elderly men in Northern Italy sharing stories, expertise, and lifelong partnerships. Captures memory and meaning through small human moments, much like *Silver City*'s approach.

But Subtitled. The pacing is unhurried and the stakes feel small if you're looking for dramatic revelation.

The Truffle Hunters poster

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The wildcard

Something you would not have found on your own.

The Act of Killing2012

Both use intimate conversation with men as a pathway to excavate meaning from loss and complicity. Both trust the camera to sit with silence and contradiction.

A documentary where the filmmaker coaxes confessions and reflections from men responsible for mass violence. Like *Silver City*, it sits with difficult memory and the gap between what people say and what they remember, but it asks much darker questions about how men narrate their own lives.

But Morally disturbing and confrontational. You watch perpetrators revise their own atrocities. Many find it too uncomfortable to finish.

The Act of Killing poster
More like this (3)

My Winnipeg2008

Guy Maddin's idiosyncratic documentary-essay about memory, place, and loss in his hometown. Surreal and deeply personal—grief processed through cinema rather than conventional narrative.

But Deliberately strange and playful. If you need straightforward sincerity, its tone will feel inappropriate.

My Winnipeg poster

In Pursuit of Silence2016

Documentary exploring quietude, memory, and listening across landscapes and cultures. Offers the same contemplative, sensory approach to place and loss as *Silver City*.

But Wordless in stretches. Some find the ambient approach to storytelling vague rather than moving.

In Pursuit of Silence poster

The Death of Louis XIV2016

Both are formally austere meditations on aging, loss, and what remains. Both treat mortality as a visual and sensory experience rather than a dramatic one.

An avant-garde fiction film—not a documentary—that observes an old king's final days with formal precision and silence. It shares *Silver City*'s preoccupation with mortality and memory, but approaches it through colour, texture, and stasis rather than conversation. Radically different medium, same emotional frequency.

But A fiction film masquerading as a documentary experience. Almost entirely static. If you need narrative or character development, this is punishment, not cinema.

The Death of Louis XIV poster

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