Film
Milena
A taut 14-minute thriller about a woman confronted by violence in her own home. It's the kind of lean, visceral short that trusts the audience to feel tension without explanation. For viewers who love efficient storytelling and aren't squeamish about intimate danger.
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Hush2016
A deaf woman must survive a home invasion with only her wits and the killer's arrogance. Tense, clever, and genuinely frightening without relying on jump scares or gore.
But It's unrelentingly bleak and the premise—a woman alone under siege—is deliberately claustrophobic, which won't be fun for everyone.
Alone2020
A woman on the run is hunted by a kidnapper across the Pacific Northwest. Paranoia and pursuit distilled to their essence, with no wasted moments or dialogue.
But The pacing is grinding and deliberate. It's not interested in conventional story beats, which some will find exhausting rather than immersive.
Come True2020
A psychological thriller about a sleep study that goes wrong, building dread through atmosphere and body horror. Visually stunning and deeply unsettling in ways that linger.
But The ending is deliberately ambiguous and the pace is slow-burn meditative. If you need clear answers and constant momentum, this isn't it.
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The wildcard
Something you would not have found on your own.
The Guilty2018
Both are short-form exercises in intimate threat. Each traps you in a closed space with danger that cannot be escaped or explained away.
A disgraced cop takes emergency calls and becomes emotionally entangled in a possible kidnapping—all we see is him in a room. It's a chamber piece thriller that proves you don't need to show violence to create terror. Pure tension through voice and implication.
But The real-time constraint and single-location format feel gimmicky. If you need visual variety and external action, you'll feel claustrophobic.
More like this (8)
A Dark Song2016
Two people conduct a ritual in an isolated house over the course of a film that unfolds with excruciating patience. Intimate, strange, and emotionally devastating in ways thrillers usually aren't.
But It's about grief and spiritual yearning more than plot. If you're looking for conventional genre satisfaction, you'll feel frustrated by its slowness.
You're Next2013
A woman fights back when her boyfriend's family dinner becomes a home invasion nightmare. Darkly funny, economical, and features one of cinema's best final girls.
But The tone shifts between comedy and brutality, which can feel jarring. Some viewers hate when thrillers wink at the camera.
Prevenge2017
A pregnant woman murders people because her unborn child commands her to. A fever dream of a thriller—genuinely weird, shot with style, and refreshingly unpredictable.
But It's deliberately strange and refuses to explain itself logically. The horror is abstract and tonal rather than narrative-driven.
Under the Skin2014
An alien seduces men in Scotland using her feminine allure. Experimental, hypnotic, and explores predation and otherness with barely any dialogue or conventional plot.
But It's glacially paced and extremely abstract. If you need plot clarity and character motivation spelled out, you will hate this.
The Hidden Face2011
A man grieves his girlfriend's disappearance, but nothing in this Colombian thriller is what it seems. A masterclass in misdirection with a twist that actually earns itself.
But The first half is slow and plays with tones that don't quite land until the reveal. Patience required before the payoff arrives.
Goodnight Mommy2015
Two boys become convinced their post-surgery mother is an imposter. A slow-burn Austrian horror-thriller that gets under your skin through atmosphere and accumulated dread.
But The ending is cruel and offers no catharsis. It's bleak, methodical, and will leave you feeling disturbed rather than entertained.
Wounds2019
Like *Milena*, it trusts silence and sudden violation. Both are about a normal moment shattered by something the rules don't prepare you for.
A bartender picks up a phone and his life begins to disintegrate in ways that are biological, social, and psychological. Body horror meets relationship decay in a short, punishing film that feels like a nightmare you're remembering rather than watching.
But Nothing is explained, the logic is dream-logic, and it ends without resolution. It's deliberately frustrating and revels in incoherence.
Ultraviolet2006
Both explore what happens when a woman's body becomes the site of threat. Both are visceral rather than intellectual, asking you to feel danger before understand it.
A woman with a rare condition hunted by military forces becomes a weapon herself. A 90-minute adrenaline rush—stylized, violent, and genuinely original in how it visualizes action. Underrated cult object that plays like a live-action anime.
But It's visually overwhelming with constantly digital editing and the plot is paper-thin. If you want grounded realism or substance over style, it will exhaust you.
People
Cast
Directing
- Oleksandr Fraze-FrazenkoDirector
Writing
- Oleksandr Fraze-FrazenkoScreenplay
Production
- Oleksandr Fraze-FrazenkoProducer
- Olena JeningsProducer