Film
Lord of Misrule
- Folk horror
- Very dark
A folk-horror film set in a Yorkshire village where a missing child during harvest festival unearths pagan rituals and ancient evil. Deliberately paced, steeped in dread rather than jump scares, it trades modern horror conventions for something slower-burning and genuinely unsettling. For viewers who want their scares to creep rather than jolt.
Should you watch it?
Watch it if you like folk horror that builds dread slowly through village rituals and whispered local history, where the unease comes from community secrets more than jump scares.
Skip it if the pace is patient and much of the runtime is spent wandering the village, so restless viewers wanting a brisk, tightly plotted chase may find it slow.
What it asks of you: Patience with a slow, deliberate unfolding and close attention to small details in dialogue and setting, across roughly 104 minutes that keep the unease simmering rather than releasing it.
Not sure? Find tonight's pick in a minute.
If you liked this
The Wailing2016
A Korean mystery-thriller where religious belief, community suspicion, and genuine supernatural dread collide. Like Lord of Misrule, it refuses easy answers and trusts you to sit with uncertainty and moral ambiguity.
But Intensely long at over two hours, and the deliberately obtuse plotting will frustrate anyone wanting clarity. Some find it more tedious than mysterious.

Midsommar2019
Daylight folk horror about a group visiting a Swedish festival that masks something deeply wrong. Shares the slow-burn dread and the sense of a community bound by ancient, terrible traditions that outsiders don't understand.
But Visceral and upsetting in specific ways. The pacing is glacial, and some will find it pretentious rather than genuinely scary.

The Ritual2017
A British folk-horror film where a forest hike becomes a nightmare rooted in old superstition and village secrets. That same creeping sense of place-as-character and the feeling that the land itself is hostile.
But The creature design divides viewers sharply. Some find it deflates the tension; others think the human drama is underdeveloped.

Not sure tonight? Get a pick in a minute, starting from Lord of Misrule
The wildcard
Something you would not have found on your own.
The Ascent1977
Both are fixated on the idea of ritual sacrifice and what communities believe they're owed. The Ascent approaches it through ideology and metaphysics; Lord of Misrule through rural superstition. Same thematic blood, utterly different eras and registers.
A Soviet sci-fi film about two cosmonauts stranded and descending into a nightmare landscape of religious imagery and psychological terror. Cold War-era, formally stark, and genuinely hallucinatory—folk horror from the Eastern Bloc, asking similar questions about faith, sacrifice, and what communities demand.
But Monochrome, subtitled, and philosophically abstract. The 'plot' is almost nonexistent; it's pure mood and symbol. Many will find it impenetrable rather than hypnotic.

More like this (6)
Hereditary2018
Generational horror with family secrets and occult underpinnings. It shares Lord of Misrule's interest in how trauma and ritual bind communities—in this case, a single bloodline—together across time.
But Extremely distressing with graphic loss. The horror comes from emotional devastation as much as scares, which isn't for everyone.

The Witch2016
A Puritan-era horror film that treats witchcraft with the seriousness and atmospheric dread Lord of Misrule brings to its pagan rituals. Both films care more about historical texture than modern sensibilities.
But Deliberately archaic dialogue takes real effort to parse. The pace is meditative to the point of testing patience.

Kill List2011
A British thriller that shifts into folk-horror territory, rooted in Yorkshire. It has that same sense of a community concealing something ancient and ritualistic beneath mundane surfaces.
But Bewilderingly cryptic and bleak. The ending enrages some viewers; others find the ambiguity hollow rather than haunting.

The Lighthouse2019
Two men isolated on an island, slowly unraveling through myth, ritual, and psychological pressure. That same atmosphere of dread building from isolation and the sense that old forces are at work.
But Deliberately difficult—black-and-white, strange aspect ratio, incomprehensible dialogue, and a third act that loses narrative coherence intentionally.

Lair2021
A recent British horror about a man stumbling on something ancient and ritual in rural isolation. If you want similar DNA but haven't already exhausted the obvious folk-horror canon.
But Genuinely obscure, which means less word-of-mouth and potentially poor quality if you find a bad stream. Extremely low budget shows.

A Field in England2013
A British civil war-era film about soldiers lost in a field where time, identity, and reality dissolve. Experimental and haunting, with that same commitment to atmosphere over conventional narrative satisfaction.
But Black-and-white, deliberately disorienting, and increasingly surreal. It's more art film than thriller, and patience is non-negotiable.

People
Cast
Tuppence MiddletonRebecca Holland
Jane WoodIda Tremlow
Evie TempletonGrace Holland
Matt StokoeHenry Holland
George KeelerDave Garfoot
Sally PlumbMarjorie Garfoot
Ralph InesonJocelyn Abney
Anton ValensiGeorge Furleigh- Catriona YuillCallie Furleigh
Alexa GoodallBryony Furleigh
Rosalind MarchMiri Tremlow
David LanghamDI Hythe
Directing
- William Brent BellDirector
Writing
- Tom de VilleWriter
Production
- Colin JonesCasting
- Adam NagelExecutive Producer
- Ed FraimanExecutive Producer
- John GleesonExecutive Producer
- Laura BrookExecutive Producer
- Mark FieldingExecutive Producer
- Oisín O'NeillExecutive Producer
- Richard MansellExecutive Producer
- Stephen KelliherExecutive Producer
- Yana GeorgievaExecutive Producer
- Alison BristerProducer
- Deepak NayarProducer
- James TomlinsonProducer
- Jason NewmarkProducer
- Laurie CookProducer
- Nik BowerProducer
- William Brent BellProducer