Film
Lawman
Other titles called Lawman: the 1958 series (ABC).
A methodical Western about the cost of law in frontier towns. Bannock's marshal pursues murderers into Sabbath, where a powerful rancher prefers money to justice. Burt Lancaster and Robert Ryan anchor a tense examination of whether rules matter when money and power say they shouldn't. Deliberate, intelligent, occasionally brutal.
Should you watch it?
Watch it if you like westerns where the moral argument matters as much as the gunplay, and where every character has a reasonable case for being wrong.
Skip it if you want a hero to root for, since nearly everyone here is compromised and the mood stays cold and talky for long stretches between the flashes of violence.
What it asks of you: Ninety-nine minutes, unhurried and dialogue-heavy, with a dry, grim tone that rewards patience and wants you to sit with uncomfortable arguments rather than hunting for a payoff.
Not sure? Find tonight's pick in a minute.
If you liked this
High Noon1952
Gary Cooper's marshal faces down killers alone while the town he's sworn to protect abandons him. A tight, moral Western about duty when duty costs everything. The template for lawman-versus-power stories.
But It can feel stagy and slow by modern standards. The political allegory is sometimes heavy-handed.

Rio Bravo1959
Hawks' masterpiece: John Wayne and Dean Martin hole up in a jail, waiting. Relaxed, funny, confident—a Western that trusts character over gunfights. Shows what happens when a town closes ranks against the law.
But Nearly three hours. Plot is minimal; it's all conversation and mood. Some may find it meandering.

Johnny Guitar1954
Joan Crawford and Sterling Hayden face off over land and principle in a weird, dreamlike Western. Nicholas Ray directs with operatic intensity. Strange and hypnotic in ways most Westerns aren't.
But Surreal and eccentric—not a conventional shoot-'em-up. The gender dynamics are progressive but will read oddly to modern viewers.

Not sure tonight? Get a pick in a minute, starting from Lawman
The wildcard
Something you would not have found on your own.
Z1969
A lone official chasing accountability through a system built to deny it. The personal cost of insisting that justice matters when power prefers forgetting.
Costa-Gavras' masterpiece: a political thriller disguised as a murder investigation. Yves Montand pursues truth through layers of corruption and intimidation. Gripping, morally urgent, formally ingenious.
But Explicitly political and didactic—not subtle. The editing is disorienting. Set in Greece, not the American West, so nothing will feel familiar.

More like this (7)
The Man Who Shot Liberty Valance1962
John Ford's elegiac masterpiece. James Stewart and Lee Marvin in a story about what you sacrifice to build law and order. Melancholy and wise about myth versus truth.
But Shot in black-and-white on a studio set, it looks theatrical. Ford's pacing is glacial and meditative, not action-driven.

Ride the High Country1962
Two aging lawmen, Joel McCrea and Randolph Scott, take one last job guarding a gold shipment. A quietly moving examination of honor and loyalty among men. Smaller in scope but enormous in feeling.
But Focuses on aging and regret rather than heroics. The climax is understated. Some find the pace slow.

The Naked Spur1953
James Stewart and Robert Ryan hunt a killer in the mountains. Anthony Mann directed this lean, tense expedition where morality corrodes under pressure and proximity. Efficient and gripping.
But Confined setting and a small cast. Moral ambiguity about who deserves what may frustrate viewers wanting clear heroes.

Butch Cassidy and the Sundance Kid1969
Paul Newman and Robert Redford as charming outlaws fleeing consequence. Witty, modern, full of personality—a Western that feels alive. The finale is unforgettable.
But Sympathizes with the criminals rather than the law. Tone is sometimes flippant about serious violence.

Gunfight at the O.K. Corral1957
Burt Lancaster and Kirk Douglas in Wyatt Earp's most famous showdown. A solid, entertaining procedural about the build-up to violence. John Sturges directs with clarity and muscle.
But The plot is straightforward—not interested in moral complexity. Feels like a well-made classic rather than a revelation.

The Ballad of Little Jo1993
Suzy Amis as a woman passing as a man in the Old West. A feminist revisionist Western that's both tender and tough. Maggie Greenwald made something genuinely surprising.
But Low budget and independent, so it looks and feels deliberately modest. Slow pacing and quiet register will bore action fans.

Contempt1963
Two people bound by rules neither wrote, watching the system that created those rules warp under pressure. Dignity meets money meets survival.
Godard's film about filmmaking, marriage, and power. Brigitte Bardot, Michel Piccoli, Jack Palance. Abstract, funny, gorgeous, devastating. Watches like a Western: two people facing off, the law unwritten but absolute.
But Not a narrative film—it's an essay. Long takes, philosophical dialogue. Demands active attention. Ends not with resolution but with a final insult.

People
Cast
Burt LancasterBannock Marshal Jared Maddox
Robert RyanSabbath Marshal Cotton Ryan
Lee J. CobbVincent Bronson
Robert DuvallVernon Adams
Sheree NorthLaura Shelby
Albert SalmiHarvey Stenbaugh
Richard JordanCrowe Wheelwright
John McGiverSabbath Mayor Sam Bolden
Ralph WaiteJack Dekker
John BeckJason Bronson
William WatsonChoctaw Lee
Walter BrookeLuther Harris
Directing
- Jaime ContrerasAssistant Director
- Malcolm StampAssistant Director
- Michael DryhurstAssistant Director
- Pamela CarltonContinuity
- Michael WinnerDirector
Writing
- Gerald WilsonWriter
Production
- Lynn StalmasterCasting
- Timothy Pitt MillerLocation Manager
- Michael WinnerProducer
- Alberto A. FerrerProduction Manager
- Carlos Terron GarciaProduction Manager
- Clifton BrandonProduction Manager