Film

Kids from Shaolin

A 1984 Hong Kong action-comedy where young martial artists from rival Shaolin and Wudang families fall in love and must unite against bandits. Jet Li was still in his teens here, and the film rides a giddy energy mixing slapstick, romance, and genuine kung-fu spectacle. It's pure escapism for anyone who wants charm and acrobatics over plot.

TMDb rating3.1

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Kung Fu Hustle2004

Same blend of comedy, romance, and inventive action choreography. Stephen Chow's film has the same anarchic joy and treats kung-fu as visual comedy that earns every laugh.

But Heavier on absurdist humour and cartoonish violence. If you want grounded martial arts, this goes the opposite direction.

Kung Fu Hustle poster

Police Story1985

Jackie Chan's masterpiece from the same era: action sequences that feel dangerous and real, with comedy that comes from character rather than mugging. The stunts are breathtaking.

But Darker and more serious in its second half. The tone shifts away from lighthearted fun into genuine peril and a grimmer ending.

Police Story poster

My Young Auntie1981

Similar Hong Kong action-comedy spirit with strong martial arts sequences and genuine warmth between characters. Kwan Tak-hing is charismatic, and the film balances humour with real stakes beautifully.

But Slower paced in places. The plot takes time to breathe, which some will find meandering.

My Young Auntie poster

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The Blade1995

Both are Hong Kong martial arts films from the same creative ecosystem, but The Blade asks what happens when that youthful joy hardens into nihilism. They're separated by a decade and a chasm.

Tsui Hark's ultraviolent cyberpunk reimagining of a Chinese folk hero. It's how Hong Kong action cinema looked back at its own past and remade it as science fiction. Jet Li does bleak better than anyone.

But Gruesome and graphically bloody. The 1980s charm is gone; this is alienated and brutal, a complete tonal departure.

The Blade poster
More like this (6)

The 36th Chamber of Shaolin1978

The definitive Shaolin kung-fu film. Gordon Liu's transformation from cocky student to disciplined master is thrilling, and the action sequences are the template that influenced everything after.

But More serious and methodical. There's comedy, but it's dryer; this is about dedication and suffering, not romance and capers.

The 36th Chamber of Shaolin poster

Drunken Master1978

Jackie Chan's breakthrough, where drunken-style kung-fu becomes a vehicle for slapstick brilliance. The climactic fight is a masterclass in comedic action choreography.

But The first half is genuinely mean-spirited. Chan's character gets beaten around a lot before charm settles in.

Drunken Master poster

The Young Master1980

Jackie Chan's love letter to Hong Kong action cinema. Multiple styles, multiple fights, genuine comedy woven through, and a sense that no idea is too mad to try.

But Chaotic and sometimes incoherent. Plot takes a back seat to set pieces, which works brilliantly until it doesn't.

The Young Master poster

Five Element Ninjas1982

Peak 1980s Hong Kong action excess: colourful costumes, creative kills, element-based fighting styles, and total commitment to the absurd. Never takes itself seriously for a moment.

But Exploitation film sensibilities mean some questionable moments. Also genuinely cartoonish, which some find dated.

Five Element Ninjas poster

Once Upon a Time in China1991

Jet Li twelve years older in a different universe. Where Kids from Shaolin is about youth overcoming barriers, this is about a master figure wrestling with time and obsolescence.

Jet Li as the real-world folk hero Wong Fei-hung, directed by Tsui Hark. Enormously ambitious action cinema that treats martial arts as history, philosophy, and heartbreak, not just spectacle.

But Serious and elegiac in a way that Kids from Shaolin is not. You're watching a man trying to hold onto a culture as it dies, not kids falling in love. Heavy film.

Once Upon a Time in China poster

Kiss of the Dragon2001

The plot mirror is exact: families/worlds in opposition, forced unity against external threat, love as rebellion. But executed in a completely different register, proving the skeleton works anywhere.

A French-American noir about corruption and survival, directed by Chen Kaige. Different genre entirely—no kung-fu—but the same elegant camera work and the same sense of two people from opposite worlds finding unlikely connection amidst chaos.

But Dark and sexual in ways that have nothing to do with the innocent romance here. Also very much an adult film about adult violence and trauma.

Kiss of the Dragon poster

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