Film

I'm So Excited!

Pedro Almodóvar's airborne comedy traps a planeload of Spanish eccentrics in a flying metal tube with broken landing gear. It's a high-camp musical fever dream—gorgeous, ridiculous, occasionally touching—where every passenger has a secret and the cabin crew treats imminent disaster as a styling opportunity. For anyone who loves colour, melodrama, and characters who wear their neuroses like couture.

TMDb rating2.8

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Something you would not have found on your own.

Ichi the Killer2001

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More like this (7)

Singin' in the Rain1952

The ur-text for musicals where the artifice *is* the point. Unbearably charming, technically brilliant, and proof that a perfect movie can be made just to make you smile.

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Singin' in the Rain poster

The Adventures of Priscilla, Queen of the Desert1994

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The Adventures of Priscilla, Queen of the Desert poster

After Hours1985

Scorsese's fever-dream comedy about a man's surreal night in downtown Manhattan. It's strange, precise, funny in ways that catch you off-guard, and thoroughly original.

But The humour is deliberately alienating and uncomfortable. The pacing is deliberately chaotic. It's not designed to make you relax.

After Hours poster

What's Up, Doc?1972

Barbra Streisand and Ryan O'Neal in a screwball romance that's genuinely funny, propulsively paced, and proof that big comedies can still have genuine charm and chemistry.

But It leans hard on slapstick and romantic-comedy tropes that feel familiar now. The plot is deliberately thin.

What's Up, Doc? poster

The Palm Beach Story1942

Preston Sturges at peak form: witty, beautifully constructed, with wonderful character work and performances that make dialogue sparkle. A perfect example of how comedy should move.

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The Palm Beach Story poster

A Lot Like Love2005

A romantic comedy about two people who keep running into each other over a decade. It's silly and sweet without pretence, with genuine chemistry and heart underneath the froth.

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Dancer in the Dark2000

Both films use musical form and performance as a way to excavate emotional truth beneath surfaces. Almodóvar's characters perform to survive; Selma performs to endure. Same tool, opposite registers.

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Dancer in the Dark poster

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