Film
I Will Follow
A seventy-six-minute chamber piece about grief, set in a single apartment across one day. Maye has just lost her partner; twelve visitors arrive, each bringing different forms of comfort, collision, memory, and love. It's a film about how we survive loss through the presence of others—intimate, conversational, sometimes funny, often tender. For anyone who's sat in a room with people after someone died.
Should you watch it?
Watch it if you want a quiet, unhurried drama where small conversations carry the emotional weight, and you're content with a story that moves by feeling more than by plot.
Skip it if you need brisk momentum or a clear through-line, because this is patient and loose, built from encounters rather than a building arc, and its gentleness can feel slight.
What it asks of you: Its shape is a single day and a run of visits, so you settle into stillness and let grief sit in the room without any push toward resolution.
Not sure? Find tonight's pick in a minute.
If you liked this
Moonlight2016
Three chapters of a Black man's life—boyhood, adolescence, adulthood—told with such visual poetry and emotional intelligence that it rewires how you think about intimacy, masculinity, and the people who save us.
But Very quiet and internal; there's no plot to hang onto, and it moves at the pace of memory rather than narrative momentum.

The Last Black Man in San Francisco2019
A meditative film about place, identity, and friendship between two Black men navigating a changing city. Gorgeously shot, wonderfully acted, and it says more about home and loss in ninety minutes than most films manage in two hours.
But Deliberately paced and elliptical; if you need clear story beats and conflict, this will feel like watching someone's notebook rather than a movie.

Pariah2011
Dee, a closeted Black lesbian, navigates family, faith, sexuality, and self-discovery in Brooklyn. Intimate and unflinching, with characters you believe completely and a world that feels lived-in.
But Deals with parental rejection and internalized shame; it's emotionally demanding and doesn't offer easy resolution.

Not sure tonight? Get a pick in a minute, starting from I Will Follow
The wildcard
Something you would not have found on your own.
Amarcord1973
Both films understand that grief and resilience live inside community. Neither isolates their protagonist; both know that we survive through the people who show up, who speak, who remember with us.
Fellini's masterpiece: a small Italian town during fascism, seen through the eyes of its people—their fantasies, their rituals, their survival through community and spectacle. It's joyful and suffocating at once, a film about how we endure through presence and performance.
But Italian neorealist cinema from the '70s moves at its own pace; it requires patience and tolerance for ambiguity and visual digression.

More like this (6)
The Farewell2019
A Chinese-American family gathers to say goodbye to their matriarch without telling her she's dying. Funny, heartbreaking, and a brilliant exploration of cultural difference, family obligation, and how we actually grieve.
But Some find the tonal shifts between comedy and sorrow jarring; the film refuses to pick one register.

Marriage Story2019
Adam Driver and Scarlett Johansson navigate the end of their marriage across locations and conversations. It's about how two people can love each other and still hurt each other irreparably.
But Long, emotionally exhausting, and deliberately unglamorous about how relationships fall apart.

Eighth Grade2018
Bo Burnham's camera follows Kayla through the last weeks of middle school—awkward, funny, sad, real. It's a film about vulnerability and the courage required to be a human being.
But A lot of secondhand embarrassment; Kayla's cringe moments are designed to make you uncomfortable.

Tiny Beautiful Things2023
Kathryn Hahn as an advice columnist helps people navigate heartbreak, loss, and confusion. Each episode is a contained story about how we survive, how we reach out, how we're not alone.
But Depends entirely on whether you connect with each person's problem; some episodes will land, others might feel distant from your own experience.

Daughters of the Dust1991
Both are chamber pieces about people gathering to mark a threshold—a departure, a death, a change. Both trust conversation and presence over action; both understand that what's said between people IS the story.
Julie Dash's radical, fragmentary masterpiece: three generations of Gullah women on a South Carolina island prepare to migrate north. Told in multiple voices, temporal layers, and dreamlike sequences—it's a film about memory, diaspora, and what we carry with us.
But Densely poetic, non-linear structure; it refuses conventional plot and demands active attention. Some find it impenetrable.

A Prophet2009
Structurally opposite but thematically close: where I Will Follow shows how one person is held together by community across a single day, A Prophet shows how an individual is remade by the system around them. Both are stories about transformation through the presence—or absence—of others.
Malik, nineteen, enters a French prison as a vulnerable kid and emerges as a dangerous man. Brilliant, brutal, and hypnotic—a film about how systems shape us and how we survive by any means necessary.
But Violent, prison brutality depicted unflinchingly; it's hard to watch and meant to be.

People
Cast

Tracie ThomsTiffany
Omari HardwickTroy
Dijon TaltonRaven
Beverly ToddAmanda- Damone RobertsSelf
- Phalana TillerChristine
Royale WatkinsGoodwill Roy- Owen SmithGoodwill Chuck
Tony PerezTuliau
Directing
- Ava DuVernayDirector
Writing
- Ava DuVernayWriter
Production
- Ava DuVernayProducer
- Denise SextonProducer
- Howard BarishProducer
- Lena WaitheProduction Coordinator
Recommended by
Being Mary Jane, Bessie, Selena, Down in the Delta, The Color Purple, Woman Thou Art Loosed, Robin Roberts Presents: Mahalia, Joyful Noise, Crazy Sexy Cool: The TLC Story, Ferry Cross the Mersey, Middle of Nowhere