Film
Hacksaw Ridge
Mel Gibson's WWII film splits neatly in half: a tender, almost corny courtship in small-town Virginia, then eighty unbroken minutes of the most visceral combat filmmaking since Saving Private Ryan. Andrew Garfield plays Desmond Doss, a medic who won't carry a weapon, and the film asks what courage looks like when it refuses to kill. Brutal, sincere, unashamedly old-fashioned in its faith.
If you liked this
Saving Private Ryan1998
The template for everything Hacksaw Ridge does with sound and chaos — Spielberg's Omaha Beach opening set the bar for combat this immersive and this frightening.
But You've probably already seen it, and its moral centre is more conventional than Doss's story.

19172019
A different war, a different trick — real-time, single-take urgency — but the same commitment to making you feel every step of a soldier's terror.
But The gimmick of the continuous shot can feel like showmanship over storytelling to some viewers.

Fury2014
Same theatre of war, same grime and moral exhaustion, with Brad Pitt leading a tank crew through the collapsing days of the Reich.
But Bleaker and more cynical than Hacksaw Ridge — there's little of Doss's hope here.

The wildcard
Something you would not have found on your own.
Silence2016
Same actor, same director's-eye interest in conviction under extreme pressure, but here the test is passive endurance rather than active heroism — the inverse of Doss.
Andrew Garfield again, this time as a Jesuit priest whose faith is tested not by combat but by torture and doubt in feudal Japan — quieter, slower, devastating.
But Nearly three hours of spiritual anguish with almost no action — a real tonal gear-change.

More like this (8)
We Were Soldiers2002
Another true story where faith and duty sit uneasily beside slaughter, with Mel Gibson this time in front of the camera as a devout commander.
But More conventionally patriotic in tone, with less interest in moral complication.

Dunkirk2017
Christopher Nolan strips war down to pure survival and dread, told across land, sea and air — a masterclass in tension without much dialogue.
But Cold and structurally puzzle-like where Hacksaw Ridge is warm and character-driven.

The Pianist2002
A quieter, more devastating true story of survival against impossible odds, carried by Adrien Brody's extraordinary, near-wordless performance.
But Almost no action — this is about endurance and hiding, not combat heroics.

American Sniper2014
Clint Eastwood's study of a man defined by killing rather than refusing to, making an uneasy but illuminating companion piece to Doss's story.
But Its politics are murkier and more contested than Hacksaw Ridge's clean moral line.

The Thin Red Line1998
Terrence Malick's meditative, almost spiritual take on the Pacific war asks the same big questions about violence and conscience, just more slowly.
But Dreamlike and philosophical rather than propulsive — patience required, action is secondary.

Unbroken2014no page yet
Another real WWII figure whose faith and endurance carried him through unimaginable suffering, directed with the same reverence for true heroism.
But More conventional biopic filmmaking, without Gibson's stylistic extremes in the combat scenes.
Restrepo2010
Strips away Gibson's craft entirely to show what the chaos of the ridge actually looks like without a camera crane or a script.
A documentary shot embedded with American soldiers in Afghanistan's Korengal Valley — no reenactment, no score, just the exhausting, terrifying reality Hacksaw Ridge dramatises.
But No narrative arc or catharsis, just raw footage — bleaker and less shaped than a feature film.

To Hell and Back1955no page yet
The same true-hero, medal-of-honor story told by an era that hadn't yet learned to show war's horror the way Gibson does — a fascinating before-and-after.
Audie Murphy, America's most decorated WWII soldier, plays himself in this Technicolor account of his own combat heroics — strange, sincere, and made while the war was still recent memory.
But Dated studio filmmaking with none of the visceral violence modern audiences expect from war films now.
People
Cast
Andrew GarfieldDesmond T. Doss
Sam WorthingtonCaptain Glover
Vince VaughnSgt Howell
Teresa PalmerDorothy Schuttle
Luke BraceySmitty Ryker
Hugo WeavingTom Doss
Rachel GriffithsBertha Doss
Ryan CorrLieutenant Manville
Richard RoxburghColonel Stelzer
Goran D. KleutAndy 'Ghoul' Walker
Luke PeglerMilt 'Hollywood' Zane
Firass DiraniVito Rinnelli
Directing
- Mel GibsonDirector
- P.J. VoetenFirst Assistant Director
- Jo WeeksScript Supervisor
- Sophie Fabbri-JacksonScript Supervisor
- Mic RodgersSecond Unit Director
Writing
- Andrew KnightScreenplay
- Robert SchenkkanScreenplay
Production
- Joe CappellettiADR Voice Casting
- Joel KramerAssociate Producer
- Nikki BarrettCasting
- James H. PangCo-Executive Producer
- Leo Shi YoungCo-Executive Producer
- Elexa RuthCo-Producer
- Gregory CrosbyCo-Producer
- Helen Ye ZhongCo-Producer
- Jason SeagravesCo-Producer
- Steve LongiCo-Producer
- Tina Xiuli ChenCo-Producer
- Zak MechanicCo-Producer
- Buddy PatrickExecutive Producer
- Christopher WoodrowExecutive Producer
- David S. GreathouseExecutive Producer
- Eric GreenfeldExecutive Producer
- James M. VernonExecutive Producer
- Lauren SeligExecutive Producer
- Lawrence BenderExecutive Producer
- Len BlavatnikExecutive Producer
- Leonard KornbergExecutive Producer
- Mark C. ManuelExecutive Producer
- Michael BassickExecutive Producer
- Rick NicitaExecutive Producer
- Stuart FordExecutive Producer
- Suzanne WarrenExecutive Producer
- Ted O'NealExecutive Producer
- Tyler ThompsonExecutive Producer
- Barbara GibbsLine Producer
- Mary BarltropLocation Manager
- Bill MechanicProducer
- Brian OliverProducer
- Bruce DaveyProducer
- David PermutProducer
- Paul CurrieProducer
- Terry BenedictProducer
- William D. JohnsonProducer
- Lorelle AdamsonProduction Manager
Recommended by
Saving Private Ryan, Dunkirk, 1917, The Pacific, Lone Survivor, Letters from Iwo Jima, Land of Mine, Flags of Our Fathers