Film

Freak Out

A soldier arrives at a remote Israeli base and becomes the target of relentless hazing. When supernatural horror begins infecting the unit, the bullies and bullied must reckon with forces beyond hierarchy and cruelty. A darkly comic Israeli film that blends nasty comedy with genuine dread, asking whether a group can be redeemed when something worse than themselves arrives.

Should you watch it?

Watch it if you like military-camp bullying played as deadpan absurd horror, where the cruelty is petty and the strangeness creeps in sideways until the laughs and the dread start trading places.

Skip it if you need tight plot logic or a steady tone, since its scrappy budget and abrupt shifts from crude humour to gore can feel uneven.

What it asks of you: Brisk at about eighty-four minutes, it keeps its scenes short and its mood jumpy, so you should stay alert for sudden shifts rather than settle into a slow build.

Not sure? Find tonight's pick in a minute.

If you liked this

Hereditary2018

Family trauma and supernatural horror collide in a film that earns every gasp. Ari Aster's masterpiece treats grief and possession with equal weight, building from intimate dread to cosmic terror.

But Relentlessly bleak and deliberately paced. No catharsis, only escalation into nightmare. Some scenes are deliberately hard to witness.

Hereditary poster

The Lighthouse2019

Two men trapped in close quarters, sanity unraveling, reality becoming negotiable. Robert Eggers creates isolation and madness with hypnotic precision and darkly funny dialogue.

But Experimental structure and black-and-white cinematography won't appeal to everyone. The second half becomes deliberately abstract and demanding.

The Lighthouse poster

Tucker and Dale vs. Evil2010

A horror-comedy that flips the script: two harmless hillbillies mistaken for killers. Smart, funny, and genuinely charming while still delivering scares and laughs.

But Relies heavily on subverting horror tropes, so if you love straightforward scares, it might feel too clever for its own good.

Tucker and Dale vs. Evil poster

Not sure tonight? Get a pick in a minute, starting from Freak Out

The wildcard

Something you would not have found on your own.

Starship Troopers1997

Both explore how group conformity and dehumanization spread through military hierarchies, and what happens when external threats force a community to confront itself.

Paul Verhoeven's militaristic sci-fi satire: young soldiers ground down by authority, stripped of individuality, then thrown at an alien enemy. Brutal group psychology wrapped in action and fascist propaganda aesthetics.

But Campy tone and dated CGI will alienate viewers seeking serious sci-fi. The satire is blunt, and some read it as endorsing what it mocks.

Starship Troopers poster
More like this (7)

The Killing of a Sacred Deer2017

Yorgos Lanthimos creates suffocating dread from a simple premise: a surgeon's family targeted by a patient's vengeful son. Clinical, ritualistic, utterly haunting.

But Deliberately artificial performances and pacing will feel cold and detached. Some find it pretentious rather than profound.

The Killing of a Sacred Deer poster

Let the Right One In2008

A vampire film told through the eyes of isolation and bullying. Swedish, intimate, achingly sad, with genuine horror underneath profound loneliness.

But Quiet and slow-burn. The pacing won't satisfy anyone craving jump scares or action. Subtitled.

Let the Right One In poster

A Tale of Two Sisters2003

Korean horror that builds from domestic claustrophobia into psychological dissolution. Beautiful and sickening, with twist-layer storytelling that rewards attention.

But Abstract and ambiguous, especially toward the end. Some viewers will find it confusing rather than clever. Subtitled.

A Tale of Two Sisters poster

Martyrs2008

Extreme French horror that treats violence and suffering as philosophical questions. Brutal, intelligent, unflinching examination of trauma and meaning.

But Genuinely difficult to watch. Graphic torture and psychological cruelty. Not entertainment; a gauntlet.

Martyrs poster

Dracula Untold2014

A horror film that makes the monster sympathetic without excusing cruelty. Luke Evans delivers charm and menace in equal measure as a Dracula with an actual cause.

But Leans into superhero action and spectacle over horror atmosphere. Melodramatic plotting undermines the darker elements.

Dracula Untold poster

Requiem for a Dream2000

Both trap their characters in spaces where internal breakdown mirrors external chaos—isolation compounds psychological fragility, and no escape appears possible.

Four people, four addictions, one synchronized descent into hell. Aronofsky's formal brilliance and Clint Mansell's score create hypnotic dread. Nightmare logic, perfect execution, utterly devastating.

But Visually and emotionally exhausting. The film uses repetition and distortion deliberately to disorient. No relief, no recovery, only spiral.

Requiem for a Dream poster

Come True2020

Both use confinement and shared space to explore how collective trauma and paranoia warp perception—what's real becomes irrelevant when everyone's watching for danger.

A sleep-study horror film that feels like a fever dream. Slow-burn sci-fi terror built on abstraction, digital glitch, and existential dread. Hypnotic and genuinely alien.

But No conventional plot, dialogue, or structure. The horror is formless and abstract. Many will find it pretentious or simply boring rather than scary.

Come True poster

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