Film

Audrey

Name: Audrey
Genre: Documentary, History, TV Movie
Released: 2020
Cast: Alessandra Ferri, Francesca Hayward, Keira Moore, Michael Avedon, Peter Bogdanovich

A graceful documentary portrait of Audrey Hepburn that moves beyond the icon to examine her as a woman: her Dutch childhood, her ballet dreams, her struggles with perfectionism, and her quiet humanitarian work. Intimate without being invasive, it uses archival footage, interviews, and dramatized scenes to build a nuanced picture of someone the world thought it already knew.

TMDb rating

3.6

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The film that made Hepburn a star and defined her onscreen presence. Watching it after the documentary deepens everything—you'll recognize her real smile beneath the performance, her genuine grace.

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Hepburn's most serious dramatic role, exploring faith, duty, and the cost of idealism. It's where her perfectionism and inner life found their deepest expression on film.

But It's long, contemplative, and deeply Catholic in its preoccupations. If you want sparkle and romance, this will feel slow and introspective.

Breakfast at Tiffany's1961

The role most people associate with her, and deservedly—she's luminous and vulnerable as Holly Golightly, a character far more complicated than its surface charm suggests.

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The wildcard

Something you would not have found on your own.

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles1976

Hepburn spent decades playing versions of perfection and grace; this film is about the invisible, repetitive labour that creates that image for any woman. It's the unglamorous reverse side of the elegant woman.

A three-hour Belgian film showing a woman's domestic routines with absolute attention and respect. It's a radical act of cinema that makes ordinary life—cooking, cleaning, existing—feel profound and worthy of your full attention.

But Nothing happens in the conventional sense. It moves at the speed of real time. If you need plot momentum or conventional drama, this will feel impossibly slow.

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles poster

My Fair Lady1964

A masterclass in Hepburn's range and discipline. She transforms before your eyes, and her chemistry with Rex Harrison crackles. The documentary explains how much of this role was real effort, not just acting.

But It's a long, theatrical adaptation where the men get most of the philosophical meat. Eliza's arc is real, but the film doesn't always know that.

Two for the Road1967

A sophisticated, witty film about marriage that moves backward through time. Hepburn and Albert Finney have genuine adult chemistry, and it captures something honest about how couples really talk to each other.

But It's a relationship dissection, not a feel-good story. Some find it dated in style; others find it too focused on middle-class problems to care much.

Sabrina1954

Early Hepburn, playing the daughter caught between two brothers. She brings a lightness and intelligence to what could have been a thankless role, and the Audrey-Bogart-Holden triangle is genuinely entertaining.

But It's slighter than her later work—more of a lark than a statement. If you want substance, this is confection, though very good confection.

Wait Until Dark1967

Hepburn plays a blind woman terrorized in her own home. It's a thriller that plays to her strengths in precision and emotional honesty, and it shows her willingness to be unglamorous and frightened.

But It's genuinely tense and sometimes claustrophobic. If you're watching for elegance and charm, this will feel like a betrayal of what you came for.

Funny Face1957

A musical that lets Hepburn dance and sing with genuine joy. It's lighter than some of her work, but her partnership with Fred Astaire is electric, and the Paris setting is gorgeous.

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The Children's Hour1961

Hepburn and Shirley MacLaine as schoolteachers whose lives are destroyed by rumors. It's a rare serious drama where she plays someone morally compromised and deeply unhappy, showing depths many never see.

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