Film
American Teen
Nanette Burstein spent a year following five seniors in Warsaw, Indiana, and cut the footage until it looks suspiciously like scripted teen fiction — the jock, the princess, the artsy outsider, the heartthrob, the nerd. It's gossipy, tender, occasionally too neat to feel entirely honest, and it asks a real question: how much of adolescence was always a performance anyway. For anyone who still remembers exactly where they sat in the cafeteria.
If you liked this
Hoop Dreams1994
Steve James spent five years following two Chicago teenagers chasing basketball scholarships, and the film became the gold standard for turning real adolescence into something structured and dramatic without ever losing what's actually true.
But Nearly three hours long, and its stakes are poverty and survival, not prom — a heavier watch than Burstein's film.

Freaks and Geeks1999
One season, never resolved, but it nails the exact social taxonomy American Teen relies on — jocks, burnouts, drama kids — with more warmth and less cynicism than almost anything else made about American high school.
But It was cancelled after eighteen episodes, so you will fall for these kids and then it just stops.

Friday Night Lights2006
Texas instead of Indiana, football instead of prom, but the same small-town pressure cooker where everyone's future gets decided by seventeen. Warm, patient, and unexpectedly wise about how communities make and break their kids.
But Five seasons is a real commitment, and the football scenes can feel repetitive if you don't care about the sport.

The wildcard
Something you would not have found on your own.
High School1969
It's the ancestor of the whole genre — the first film to treat a real high school as a self-contained world worth simply observing, before anyone thought to cast it like a teen drama.
Frederick Wiseman's black-and-white document of a Philadelphia school, made forty years before Burstein's film, with no narration, no talking heads, and no attempt to give anyone a story arc — just institutions shaping kids in real time.
But Cold, formal, and deliberately uneventful — the opposite of a hangout movie, and it offers no one to root for.

More like this (7)
Boyhood2014
Richard Linklater filmed the same actor growing up over twelve real years, so adolescence happens on screen for real — a fictional cousin to Burstein's documentary conceit, just stretched across a decade instead of a school year.
But Nearly three hours, deliberately uneventful, and more interested in accumulation than drama — patience is the whole point.

Mean Girls2004
If American Teen's cliques made you want the same social ecosystem played for comedy instead of pathos, this is the sharpest, funniest version of high-school tribalism ever put on screen.
But It's broad satire, not documentary truth — don't expect the same ache of watching real teenagers navigate real consequences.

The Breakfast Club1985
The original archetype movie — jock, princess, brain, basket case, criminal — locked in a room until they admit the labels are a costume. Burstein's cast are basically these characters, twenty years on, unscripted.
But Eighties dialogue and pacing can feel dated, and its politics of identity are simpler than they'd be written now.

Dazed and Confused1993
Linklater's other high-school film, set on the last day of school in 1976 — looser and more forgiving than American Teen, and a reminder that every generation thinks it invented teenage cliques.
But Almost nothing happens on purpose — it's a hangout movie, not a story with stakes or an ending.

My So-Called Life1994
Nineties teen drama that treats its adolescent narrator's feelings as seriously as any adult's, with a rawness that clearly influenced how later shows and documentaries film teenagers instead of just writing about them.
But Only one season exists, and some of its earnestness now plays a little melodramatic by modern standards.

Undefeated2011
Another real Southern high school, another year of seniors under pressure — this time a struggling football team trying for its first playoff win, with the same eye for who gets to have a future and who doesn't.
But Sports documentary structure means you'll need to care at least a little about football to feel the payoff.

Capturing the Friedmans2003
Both films lean on real people's own footage and self-presentation for the camera, but Friedmans pushes that same idea — life edited into narrative — into far darker, more consequential territory.
Built from a real family's own home movies, about a father and son accused of terrible crimes, it asks far more urgently than Burstein ever needed to how much of a documentary's truth is shaped by what its subjects choose to film.
But This is genuinely disturbing material about real allegations of abuse, with no clean answers — nothing like a comfortable teen movie.

People
Cast
- Hannah BaileySelf
- Megan KrizmanichSelf
- Colin ClemensSelf
- Jake TusingSelf
- Mitch ReinholtSelf
Directing
- Nanette BursteinDirector
Writing
- Nanette BursteinWriter
Production
- Sharon BarnesAssociate Producer
- Tamra BarcinasCasting
- Ryan HarringtonCo-Producer
- Steven RosenbaumCo-Producer
- Elle KeyExecutive Producer
- Katie DellamaggiorePost Production Coordinator
- Rebecca MerlePost Production Coordinator
- Chris HuddlestonProducer
- Eli GondaProducer
- Jordan RobertsProducer
- Nanette BursteinProducer
- Alex J. JohnsonProduction Assistant
- Daniel MancoProduction Assistant
- Emily RadeckiProduction Assistant
- Erin OwensProduction Assistant
- Chris OhlsonProduction Coordinator
- Ted GesingProduction Coordinator
- Greg OrselliProduction Supervisor
Recommended by
PEN15, Dazed and Confused, Dawson's Creek, Mad Hot Ballroom, Pretty in Pink, High School