Film
Aftermath
- Drama
- Very dark
Aftermath is a stark grief drama about two men shattered by a plane crash from opposite sides of tragedy. Arnold Schwarzenegger plays a widowed father consumed by rage; Scoot McNairy is the air traffic controller drowning in guilt. It's a quiet, punishing film about how catastrophe can hollow people out, and whether forgiveness or vengeance fills that void. Deliberately paced. Not easy.
Should you watch it?
Watch it if you want a slow, grim two-hander about grief and guilt, where the moral weight sits on two men who cannot look away from each other.
Skip it if you need a clean thriller engine or a hero to root for, since it is bleak and talky and its leads are hard to warm to.
What it asks of you: Expect a lean 94 minutes of mostly unhurried scenes with little relief, and the patience to stay with discomfort rather than be carried along.
Not sure? Find tonight's pick in a minute.
If you liked this
Mystic River2003
Clint Eastwood's masterpiece about trauma's long shadow over three childhood friends. Explores how grief warps men into versions of themselves they don't recognize, with the same moral weight and refusal to offer easy answers.
But Bleak and deliberately slow. The ending provokes rather than satisfies, which some find infuriating.

Manchester by the Sea2016
Kenneth Lonergan's portrait of a man unmade by loss, moving through his days as a shell. Casey Affleck gives a performance of such understated devastation it feels like watching someone actually grieve, not perform grief.
But Nearly three hours of a man saying almost nothing. The film trusts you to sit with profound sadness without distraction.

The Killing2011
Sarah Lund hunts for a girl's killer across a Danish city slowly rotting with suspicion and secrets. Methodical, morally complex, and interested in how crime poisons entire communities—not just the immediate victims.
But Four seasons is a commitment. Some viewers find the pacing glacial; others call that realism.

Not sure tonight? Get a pick in a minute, starting from Aftermath
The wildcard
Something you would not have found on your own.
The Hunt2012
Both are about ordinary people destroyed by a moment outside their control, and how rage and guilt consume everyone nearby.
Thomas Vinterberg's Danish film about a man falsely accused of child abuse in a small town. Like Aftermath, it's about how trauma spreads through a community and how quickly people become convinced of a terrible story. Same slow, crushing moral despair.
But The false accusation is infuriating and agonizing to watch. Some find the town's hysteria too depressing to sit through.

More like this (8)
Requiem for a Dream2000
Aronofsky's brutal portrait of four people destroyed by their own hungers. Stylistically audacious and devastatingly empathetic—it makes addiction and desperation feel like the loneliest possible experience.
But Designed to be emotionally and visually overwhelming. Some scenes are genuinely hard to watch; not for people seeking catharsis.

The Night Of2016
HBO miniseries about a murder case that methodically undoes everyone it touches. Steven Zaillian's writing is masterful; it asks what justice actually means when the system is indifferent and cruel.
But Eight hours to resolve a case that stays murky. If you need answers wrapped up neatly, this will frustrate you.

There Will Be Blood2007
Paul Thomas Anderson's biblical epic about a man driven by ambition into monstrosity. Daniel Day-Lewis disappears into Daniel Plainview; watching ambition corrode a human being is hypnotic and awful.
But Aggressively strange and deliberately paced. Some of it is deliberately dull. Day-Lewis's performance is unsettling by design.

Prisoners2013
Denis Villeneuve's thriller about a father who crosses into darkness searching for his missing daughter. It's about how desperation justifies anything, and what that does to your soul.
But Violent and morally uncomfortable. Refuses to tell you whether the protagonist is right, which disturbs people who prefer clearer heroes.

The Invisible Guest2017
Spanish thriller about a man accused of murder, revealing layer after layer of secrets and betrayals. Brilliantly constructed; watching the truth fracture and reform is genuinely fun in the way a puzzle is.
But Relies entirely on twist mechanics. Once you've solved it, there's almost nothing to come back to.

In the Fade2017
Fatih Akin's film about a mother transformed by grief and rage after a terrorist attack destroys her family. Diane Kruger delivers a career-best performance; it's about how trauma can calcify into something unrecognizable.
But The second half pivots into a kind of justice story that some find less powerful than the first. German, so subtitled.

Irreversible2002
Uses formal innovation to make grief feel like something that rewires how you see the world—past and future collapse into a single, devastating present.
Gaspar Noé's formally radical film told in reverse chronology—you watch the aftermath first, then slowly understand what led to destruction. Unsparing, brutal meditation on grief and causality that makes conventional narrative feel dishonest.
But Extremely graphic violence. The reverse chronology is disorienting by design. Very difficult viewing; this is punishment as art.

The Missing2003
Like Aftermath, a film about someone trying to act when the only real damage is internal. The journey matters less than what it costs the searcher.
Ron Howard's Western about a man and his daughter searching for a kidnapped girl across harsh terrain. Unlike most Westerns, it's genuinely interested in how violence traumatizes women and children, and in what forgiveness looks like when the system has failed you entirely.
But Three-hour Western that refuses heroic myth-making. If you want a triumphant adventure, this isn't it. Methodical, morally uncertain.

People
Cast
Arnold SchwarzeneggerRoman Melnyk
Scoot McNairyJacob "Jake" Bonanos
Maggie GraceChristina
Judah NelsonSamuel Bonanos
Larry SullivanJames Gullick
Jason McCuneThomas Fichman
Glenn MorshowerMatt
Mariana KlavenoEve Sanders
Martin DonovanRobert
Hannah WareTessa
Christopher DargaAndrew Berg
Teri ClarkAirline Supervisor
Directing
- Elliott LesterDirector
- Jeremy PhoenixFirst Assistant Director
- Sarah HortonScript Supervisor
- Jared BrileySecond Assistant Director
Writing
- Javier GullónWriter
Production
- Reed HarveyADR Voice Casting
- Arnaud LannicAssociate Producer
- Lindsay Graham AhanonuCasting
- Mary VernieuCasting
- Lavonna CupidCasting Associate
- Anthony CallieCo-Producer
- Timothy C. SullivanCo-Producer
- Barry BrookerExecutive Producer
- Corey LargeExecutive Producer
- Josh SternExecutive Producer
- Mark StewartExecutive Producer
- Robert JonesExecutive Producer
- Stan WertliebExecutive Producer
- Steven SaxtonExecutive Producer
- Tarek Anthony JabreExecutive Producer
- Ted FoxExecutive Producer
- Vance OwenExecutive Producer
- Wayne Marc GodfreyExecutive Producer
- William B. SteakleyLine Producer
- Donna BelajacLocal Casting
- Missy FinnellLocal Casting
- Nicholas DerooLocation Manager
- Arnold SchwarzeneggerProducer
- Darren AronofskyProducer
- Eric WatsonProducer
- George FurlaProducer
- Peter DealbertProducer
- Randall EmmettProducer
- Scott FranklinProducer
- Jerry LambertProduction Accountant
- Susan J. Bonno-BucknerProduction Accountant
- Mary C. RolfesUnit Production Manager