Television series
WeCrashed
A prestige-drama retelling of WeWork's rise and collapse, built around Adam and Rebekah Neumann's messianic belief in their own genius. Jared Leto and Anne Hathaway go big and strange, playing charisma tipping into delusion against a backdrop of kombucha taps and cult-like company retreats. It's for anyone who enjoys watching confidence curdle into catastrophe, part tragedy, part dark comedy, part billionaire car-crash.
If you liked this
The Dropout2022
Amanda Seyfried's Elizabeth Holmes is the Neumanns' spiritual cousin, same true-crime-adjacent startup collapse, same year, same fascination with a founder who believed her own myth.
But If you just finished WeCrashed, the tonal and structural overlap might feel like more of the same rather than a change of pace.

Super Pumped2022
Uber's toxic-bro founding story, with Kyle Chandler bulldozing through boardrooms with the same reckless, messianic energy Neumann brought to WeWork.
But Less emotional depth and marriage drama than WeCrashed, and the pace can feel like a highlight reel rather than a character study.

Succession2018
The definitive portrait of wealth, ego and family curdling into disaster, with writing sharper and crueler than almost anything else on TV.
But It's fiction, so there's no schadenfreude of knowing it really happened, and four seasons is a much bigger commitment.

The wildcard
Something you would not have found on your own.
Wild Wild Country2018
WeWork's talk of elevated consciousness and community-as-mission echoes this real cult almost exactly: a charismatic leader, a devoted inner circle, and a world that mistakes belief for a business plan.
A genuinely stranger, darker true story of a guru and his followers building a self-contained utopia, told through jaw-dropping archival footage that feels almost too good to be real.
But It's a six-hour documentary with real violence and consequences, far heavier and weirder than anything WeCrashed's satire ever risks.

More like this (8)
Inventing Anna2022
Another real-life con artist charming her way into elite circles while journalists scramble to piece together what actually happened.
But Shonda Rhimes gloss makes it slicker and less grounded than WeCrashed, and it stretches a thinner story out too long.

The Social Network2010
The founding text of the brilliant-founder-betrays-everyone genre, tight, cold, and endlessly quotable, with Zuckerberg as the ur-Neumann.
But It's cerebral and clipped where WeCrashed is messy and emotional, so the temperature is very different.

Billions2016
Hedge-fund egos treating money like a drug and power like a personality trait, with the same fascination with people who can't stop needing more.
But It's more slow-building chess match than tragicomic collapse, and seven seasons is a serious ask.

The Big Short2015
Same 2008-era financial hubris, but scaled up to an entire broken system, told with real anger and dark, incredulous comedy.
But It's about systemic collapse rather than one couple's delusion, so it's less intimate and more polemical.

Barbarians at the Gate1993no page yet
A 90s HBO classic about corporate greed and ego run amok, basically the great-grandfather of every startup-collapse drama that followed.
But The style and pace feel dated now, and the corporate-raider world it satirizes is a world away from Silicon Valley mysticism.
The Playlist2022no page yet
Spotify's founding myth, another visionary-versus-money story about a founder convinced he's saving an industry.
But Less starry, more procedural than character-driven, and it can feel flat after WeCrashed's operatic melodrama.
Citizen Kane1941
Kane's rise, his need to be loved by everyone, and his slow isolation inside his own myth are WeCrashed's plot, just with newsprint instead of WeWork lanyards.
The original blueprint for the magnetic empire-builder whose grandiosity swallows his marriage and himself, told with technical daring that still startles decades later.
But Black-and-white, 1941 pacing, and no true-crime hook, so it asks for patience that WeCrashed's soapy momentum never does.

Silicon Valley2014
Same tech ecosystem of grandiose founders and empty jargon as WeCrashed, just played as farce instead of tragedy, proof the material was always a little bit ridiculous.
Pitch-perfect satire of startup culture's self-importance, pitch decks, incubators, and founders convinced they're changing the world by reinventing something mundane.
But It's a sitcom, jokes-per-minute instead of drama, so if you wanted more catastrophe you won't find real stakes here.

People
Cast
Writing
- Drew CrevelloCreator
- Lee EisenbergCreator
- Zenzele PriceStaff Writer
- Eleanor BurgessStory Editor
Production
- Eva AndersonCo-Executive Producer
- Margo Myers MasseyCo-Executive Producer
- Elissa KarasikCo-Producer
- Mark StasenkoCo-Producer
- Melissa OwenCo-Producer
- Aaron HartExecutive Producer
- Anne HathawayExecutive Producer
- Charlie GogolakExecutive Producer
- Drew CrevelloExecutive Producer
- Emma LudbrookExecutive Producer
- Glenn FicarraExecutive Producer
- Hernan LopezExecutive Producer
- Jared LetoExecutive Producer
- John RequaExecutive Producer
- Lee EisenbergExecutive Producer
- Marshall LewyExecutive Producer
- Natalie SandyExecutive Producer
Recommended by
The Dropout, Inventing Anna, The Inventor: Out for Blood in Silicon Valley, Super Pumped, Steve Jobs: The Man in the Machine, Physical