Television series
The Supersizers Go...
- Comedy
- Light-hearted
- Dip in and out
Sue Perkins and Giles Coren dress up and eat their way through British food history, sampling the actual recipes of different eras. It's part culinary time travel, part comedy sketch show, entirely charming. Perfect for anyone who loves food, history, or just watching clever people have genuine fun together on television.
If you liked this
Great British Menu2006
Professional chefs compete by creating menus inspired by British history. Same appetite for food history and national identity, but with higher stakes and genuine culinary ambition on display.
But Less comedy and more serious craft focus—if you're here for Perkins and Coren's banter, this tilts harder toward cooking show territory.
An Idiot Abroad2010
Karl Pilkington eats his way through different cultures, visibly uncomfortable. Brilliant fish-out-of-water food comedy with a deadpan lead—different premise, same joy of watching someone pushed outside their comfort zone.
But The humor is more pointed and occasionally mean-spirited; it lacks Supersizers' warmth and mutual affection between hosts.
The Great British Bake Off2010
British food culture at its heart, with genuine charm and the pleasure of watching people do something beautifully. No pretension, real stakes, and that same comfort-food television feeling.
But It's about making food, not eating it or exploring history—if you specifically want culinary time travel, this misses the mark entirely.
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The wildcard
Something you would not have found on your own.
Jiro Dreams of Sushi2011
Both films treat food as a gateway to understanding culture and history, but where Supersizers entertains by sampling the past, Jiro asks what it means to preserve and perfect a single tradition across a lifetime.
A meditation on mastery, tradition, and perfectionism told through an 85-year-old sushi chef's daily practice. It's food as philosophy and obsession—the spiritual opposite of Supersizers' comedy but shares that deep reverence for culinary tradition and what it means.
But Deliberately paced and contemplative; no banter, no jokes, no time-traveling—just quiet observation of someone's life's work. It requires patience.
More like this (4)
MasterChef2005
Professional cooking competition that showcases British ingredients and culinary traditions. The rigor and ambition will appeal if you loved Supersizers' food focus but want less comedy and more skill.
But Repetitive format across seasons; lacks the charm of character-driven food exploration, feeling more like sport than adventure.
Nigella Express2007
Accessible, warm cooking show from someone who genuinely loves food and entertaining. That same unpretentious pleasure in eating well, presented with Nigella's particular brand of ease and joy.
But It's instruction-focused rather than exploratory—you'll learn to cook, not travel through food history or watch comedy unfold.
Salt Fat Acid Heat2018
Both shows are hosted by charismatic people genuinely excited to share what they've learned, but Nosrat teaches you to think like a cook while Supersizers teaches you to think like a historian.
Samin Nosrat makes cooking theory joyful and accessible, traveling to different regions to understand food foundations. Perkins and Coren's warmth and curiosity are here too—that same 'let me understand this thing' energy applied to principles rather than history.
But It's educational instruction rather than comedy or historical entertainment—if you want laughs or narrative, this is serious and earnest about cooking.
La Grande Bouffe1973
Both make food the vehicle for exploring identity and excess, but where Supersizers asks 'what did people eat?', La Grande Bouffe asks 'what does eating say about us?'—the same question turned inside out and made grotesque.
Four wealthy men hole up in a house to eat themselves to death. A transgressive, surreal satire on consumption and excess that takes the Supersizers' celebration of eating to its logical and devastating extreme.
But It's genuinely bleak and disturbing beneath the dark comedy, ending in real degradation and death—nothing like Supersizers' warmth, and deeply uncomfortable.
