Television series

The Guest

Other titles called The Guest: the 2014 film.

A psychic, a priest, and a detective form an unlikely team to solve crimes driven by supernatural forces. *The Guest* blends procedural momentum with genuine scares, building toward a mythology that demands your full attention. Korean genre television at its best: smart, stylish, and willing to go dark.

TVMaze rating3.9

Should you watch it?

Watch it if you enjoy supernatural crime stories where the mystery matters less than the people wrestling with what they see, and you like an emotional pull over tidy, puzzle-box answers.

Skip it if you want a fast, self-contained case each week; this one lingers on private wounds, and sixteen hour-long episodes need real commitment.

What it asks of you: Sixteen hour-long episodes at a deliberate pace, with a tone that swings from cold to sorrowful, so it rewards settling in over several evenings.

If you liked this

Alchemy of Souls2022

A mage, a former assassin, and a nobleman navigate a fantasy world's conflicts. Offers the same three-person-team dynamic and visual ambition, with mystery layered into every episode.

But Fantasy worldbuilding sometimes overwhelms character moments. The mythology can feel dense to newcomers.

Alchemy of Souls poster

Tale of the Nine Tailed2020

A nine-tailed fox and a human detective solve supernatural cases in contemporary Seoul. Shares *The Guest*'s blend of procedural storytelling with Korean folklore and real menace.

But The love plot occasionally takes centre stage when you want more mystery. Some pacing dips in the middle stretch.

Tale of the Nine Tailed poster

The Uncanny Counter2020

A team of supernatural hunters with hidden powers takes on demonic possession cases. High stakes, sharp characterisation, and the same commitment to both scares and team chemistry.

But Relies on action sequences that can feel repetitive. CGI is occasionally inconsistent across episodes.

The Uncanny Counter poster

Not sure tonight? Get a pick in a minute, starting from The Guest

The wildcard

Something you would not have found on your own.

Perfume: The Story of a Murderer2006

Both treat supernatural ability not as plot device but as a window into human monstrosity. Evil doesn't announce itself with obvious signs—it wears a beautiful mask.

A serial killer born with supernatural olfactory powers pursues victims across 18th-century France. Visually audacious, morally suffocating, and obsessed with the same question: can evil be understood? Shares *The Guest*'s willingness to inhabit a killer's psychology.

But Deliberately slow and painterly. The central character is irredeemable; there's no hero to root for.

Perfume: The Story of a Murderer poster
More like this (7)

The Master's Sun2013

A woman who sees ghosts partners with a powerful man to solve supernatural mysteries. Pioneer of the Korean drama-thriller blend; influenced everything that came after it.

But Older production values. Balances romance more heavily than *The Guest* does.

The Master's Sun poster

Beyond Evil2021

Two detectives—one by the book, one morally compromised—hunt a serial killer in a small town. Peak Korean crime drama: methodical, tense, and morally ambiguous.

But No supernatural element. Utterly bleak; there's no lightness anywhere in it.

Beyond Evil poster

The Time Tunnel1966

A detective emerges from a time tunnel to solve unsolved cases in the present day. Mystery procedural with emotional depth and the same appetite for darkness as *The Guest*.

But The sci-fi premise sits oddly; it's almost background noise to the detective work. Some viewers find it distracting rather than enhancing.

The Time Tunnel poster

Black2017

A grim reaper and a human detective partner to prevent deaths. Existential stakes, strong performances, and genuine supernatural tension woven into procedural cases.

But Melodrama creeps in during the back half. The emotional climax divides viewers on whether it earns its weight.

Black poster

Argon2017

Reporters and a disgraced detective investigate paranormal phenomena. Found-footage energy mixed with traditional drama; oddly hypnotic procedural structure.

But Very niche style; the documentary-ish approach doesn't land for everyone. Low production budget shows.

Argon poster

Holy Motors2012

Both dismantle the assumption that a person has one fixed self. Identity becomes the real supernatural element.

A man travels through Paris in a limousine, inhabiting different identities and lives. Surreal, hilarious, and genuinely unsettling. Asks what's real and what's performed—a formal experiment that somehow grips you like thriller.

But Wilfully obscure and non-narrative. If you need plot coherence, this will frustrate you profoundly.

Holy Motors poster

The Wailing2016

Both refuse to resolve their supernatural premises neatly. The mystery *is* the point; answers matter less than the questions it asks about faith and doubt.

A detective investigates supernatural murders in a remote village, unable to trust his own perceptions. Korean horror-mystery of astonishing control: every frame works. Shares *The Guest*'s architecture—cases build toward a mythology that rewrites everything.

But Two hours forty minutes and it ends in radical ambiguity. Some see profundity; others see evasion.

The Wailing poster

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