Television series
The ABC Murders
John Malkovich's Poirot hunts a methodical serial killer in 1930s Britain. This BBC adaptation leans into psychological tension and character study rather than puzzle-box plotting. It's moody, deliberately paced, and rewards patience. For fans of crime drama who appreciate atmosphere over exposition.
Should you watch it?
Watch it if you love a puzzle-box mystery carried by period manners and a vain, brilliant detective who treats every clue like a personal insult to his intelligence, and relish Christie's rigorous plotting.
Skip it if the mood is more polite than gripping, and the pace across three hour-long parts can feel brisk and stagey, with Malkovich's mannered Poirot doing most of the heavy lifting.
What it asks of you: Three one-hour episodes, unhurried in their interviews and dinner-table reasoning, so expect to sit still and hold the clues in your head rather than being swept along.
Not sure? Find tonight's pick in a minute.
If you liked this
Bodyguard2018
Gripping political thriller with a similarly taut narrative engine and strong ensemble cast. Builds dread through character vulnerability rather than action. Utterly compulsive watching.
But The pacing can feel relentless—some viewers find it exhausting rather than thrilling. The twist divides opinion sharply.

MINDHUNTER2017
Explores the psychology of serial killers with intelligence and restraint. Methodical investigation, 1970s mood, and superb character work. Respects the viewer's intelligence.
But Deliberately slow-burn. Dialogue-heavy episodes with minimal plot progression will frustrate anyone wanting traditional crime-show momentum.

Sherlock2010
Modern take on classic detective fiction with a similar puzzle-and-character balance. Malkovich's weary intelligence pairs well with similar intellectual detective work.
But Later seasons lose their way badly. Quality is wildly uneven, and some episodes feel more interested in style than story.

Not sure tonight? Get a pick in a minute, starting from The ABC Murders
The wildcard
Something you would not have found on your own.
Memories of Murder2003
Both refuse to give the audience the comfort of a tidy resolution. The killer's psychology matters less than what the hunt does to the hunters.
Bong Joon-ho's masterpiece about Korean cops hunting a serial killer across decades. Formally inventive, darkly funny, and morally anguished. One of cinema's greatest crime films.
But Subtitled, three hours long, and resistant to easy answers. The ending is deliberately unsatisfying in ways that frustrate viewers seeking closure.

More like this (8)
Line of Duty2012
Taut procedural about corrupt cops that builds paranoia brilliantly. Excellent ensemble work and a genuine sense of stakes. Each season improves on the last.
But The final season disappointed many loyal fans. Some plotting feels contrived by the end, and the mystery gets murkier than satisfying.

Agatha Christie Poirot1989
If you want more Poirot, David Suchet's definitive run (earlier seasons especially) offers elegant mysteries with warmth. A master class in adaptation.
But Very faithful to the source material—no darkness or innovation here. The cozy mystery tone might feel lightweight after Malkovich's grim take.

The Knick2014
Period medical thriller with visual brilliance and a relentless protagonist. Steven Soderbergh directs with obsessive control. Darkly compelling throughout.
But Deeply bleak and often gruesome. The second season loses momentum, and the resolution feels abrupt rather than earned.

Manhunt2017
Meticulous cat-and-mouse between an FBI profiler and his prey. Johnny Depp delivers a rare understated performance. Psychologically sophisticated.
But Depp fans may be disappointed by how little screen time he gets. The pacing is cerebral rather than propulsive, which tests patience.

The Fall2013
Stella Gibson hunts a charismatic killer across Belfast. Brilliantly acted, gorgeously shot, and morally complex. Stella is unforgettable.
But Uneven across its run—the third season feels stretched. Some viewers find the serial killer romanticized rather than explored.

Cagney & Lacey1982
Pioneering crime procedural that influenced every detective show since. Sharp writing, genuine character depth, and surprisingly modern sensibility for its era.
But 1980s production values and pacing feel slow by current standards. The cases are often routine, not the puzzle-box mysteries some viewers crave.

In Cold Blood1967
Both ground serial-killer narratives in period detail and ordinary cruelty rather than Gothic theatricality. The real world is far more disturbing.
Capote's masterwork treats a real crime with novelistic depth and no sensationalism. Stark, humane, and quietly devastating. A document of American darkness done with artistic integrity.
But Bleak and slow-moving. Based on a real killing of innocent people—not entertainment, but something weightier and harder to shake.

The Killing2011
Both understand that serial-killer stories are really about the detective's slow unraveling. The investigation changes the investigator in ways the crime itself never could.
Danish crime epic where a single murder is investigated with obsessive, seasons-long rigor. Sarah Lund is a protagonist for the ages. Atmospheric and narratively innovative.
But Notoriously slow—the first season's 20 episodes follow one case. If you want answers quickly, this will test your patience severely. Also relentlessly grim.

People
Cast
Production
- Basi AkpabioExecutive Producer
- Damien TimmerExecutive Producer
- Elizabeth KilgarriffExecutive Producer
- Helen ZieglerExecutive Producer
- James PrichardExecutive Producer
- Sarah PhelpsExecutive Producer
- Farah AbushweshaProducer
Recommended by
Agatha Christie's Tommy & Tuppence, And Then There Were None, The Mirror Crack'd, Agatha and the Truth of Murder, The Witness for the Prosecution, Ordeal by Innocence, Mapp and Lucia, Death Comes to Pemberley, The Doctor Blake Mysteries