Television series
Solar Opposites
- Comedy
- Alien contact
- Strange
Four aliens crash-land in suburban America and argue constantly about whether humans are worth saving. Solar Opposites is absurdist sci-fi comedy that finds joy in its core contradiction: two aliens love Earth's junk food and television; two despise it utterly. Sharp, silly, and gleefully uninterested in making anyone learn a lesson.
Should you watch it?
Watch it if you like your sitcom jokes crude and your sci-fi premise turned sideways, with a bickering alien family that finds Earth both appalling and irresistible.
Skip it if the humor leans hard on gross-out bits and crude adult jokes, and its cynicism about humanity can grate if you want warmth.
What it asks of you: Episodes run a brisk twenty-three minutes, and the whole run is long at fifty-nine episodes over six seasons, so it rewards settling in.
Not sure? Find tonight's pick in a minute.
If you liked this
Rick and Morty2013
Created by Justin Roiland, it shares the same anarchic energy and sci-fi absurdism. Misanthropic genius paired with genuine affection for its characters, dark jokes landing beside sincere emotional beats.
But Much denser and more arc-heavy than Solar Opposites. The fanbase can be exhausting, and some episodes collapse under the weight of their own cynicism.

Futurama1999
Found family structure in a deliberately broken world. Balances sitcom warmth with genuine sci-fi weirdness, and knows when to pull back from jokes to let heart show through.
But Cancelled and revived multiple times; the later seasons feel uneven. Animation is deliberately lo-fi, which won't appeal if you want polish.

Schitt's Creek2015
Another found-family comedy about weird people trapped in a place they didn't choose. Grows warmer and more generous as it goes, finding real depth in ridiculous situations.
But Very different tone—heartfelt rather than absurdist. Takes several episodes to find its rhythm, and some early jokes haven't aged well.

Not sure tonight? Get a pick in a minute, starting from Solar Opposites
The wildcard
Something you would not have found on your own.
The Mitchells vs. the Machines2021
Two alien/AI forces with apocalyptic potential held back by family units who disagree fundamentally on what matters. Both find depth in the contradiction between apocalypse and domestic irritation.
Aliens vs. a dysfunctional family who must protect something precious from technological annihilation. Same structural stakes and the same split perspective—some characters read the situation one way, others entirely differently. Visually inventive animation with real heart.
But Animated family film with a sincere emotional core. If you're watching Solar Opposites for pure snark, the genuine warmth might feel saccharine.

More like this (8)
BoJack Horseman2014
Animated series that pivots from silly premise (talking horse) into something genuinely excavating. Uses comedy as camouflage for real darkness, and means what it says about consequence.
But Heavy in ways Solar Opposites isn't. Rewarding, but it can feel relentless if you're watching for laughs.

Harley Quinn2019
Same anarchic energy and willingness to be trashy and sincere simultaneously. Two characters at odds philosophically but bound together, learning to care about each other.
But More aggressively crude than Solar Opposites, and the animation style is intentionally messy. DC continuity stuff may confuse newcomers.

The Good Place2016
Premise-driven comedy that never stops evolving. Characters quarantine together and argue about morality while the show pulls the ground out repeatedly. Genuinely inventive.
But Requires attention and rewards repeated viewing. Some find the philosophy lectures heavy-handed compared to the lighter episodes.

Undeclared2001
Judd Apatow's college sitcom with real affection for its characters despite their chaos. Warm and messy at once, interested in actual friendships forming under duress.
But Short-lived and dated in specific ways. Less science fiction, more grounded reality, which might feel slow if you want weirdness.

The Midnight Gospel2020
Absurdist animation that pairs surreal scenarios with genuinely moving conversations. Episodes are small but accumulate emotional weight. Ceiling for ambition is genuinely high.
But Only eight episodes total, and two seasons. Some find the format—conversation-driven comedy—repetitive or slow.

Community2009
Found family in an unlikely place; characters divided on philosophy but stuck together. Playful with genre, willing to be earnest, operates on pure affection for its cast.
But Quality varies wildly across seasons. Later seasons lose their footing, and the show's meta-humor can feel self-congratulatory.

What We Do in the Shadows2014
Four incompatible beings forced into close quarters, each believing their way is correct. Comic friction that becomes unexpectedly touching. Split perspective on how to live.
Mockumentary about paranormal flatmates in Wellington, New Zealand. Four radically different personalities share a house and clash constantly while genuinely caring. Anarchic but never mean-spirited, absurd but rooted.
But Found its best expression in the subsequent TV series (which is also excellent). The film is smaller and feels like an extended sketch compared to the show's depth.

The Adam Project2022
Two characters at odds about values—protection vs. revenge—protecting something that will terraform the world. Tone that swings between goofy and grave without asking permission.
Ryan Reynolds and Mark Ruffalo as a man and his younger self protecting a world-changing technology. Absurdist tonal whiplash—jokes land beside genuine stakes. Treats the domestic and apocalyptic with equal weight, finding comedy in the collision.
But Blockbuster action-comedy aiming at broad appeal. Familiar plot beats executed smoothly but not reinvented. Pure entertainment, not art.

People
Cast
Writing
- Justin RoilandCreator
- Mike McMahanCreator
- Ariel LadensohnExecutive Story Editor
- Garrick BernardExecutive Story Editor
- Joe SaundersExecutive Story Editor
- Ariel LadensohnStaff Writer
- Garrick BernardStaff Writer
- Jen McCartneyStaff Writer
- Vidhya IyerStaff Writer
- Jen McCartneyStory Editor
Production
- Danielle UhlarikCo-Executive Producer
- Dominic DierkesCo-Executive Producer
- Jen D'AngeloCo-Executive Producer
- Matt McKennaCo-Executive Producer
- Grace ParraCo-Producer
- Joe SaundersCo-Producer
- Daniel LibmanConsulting Producer
- Dave JeserConsulting Producer
- Matt SilversteinConsulting Producer
- Matthew LibmanConsulting Producer
- Sean O'ConnorConsulting Producer
- Andrew DaviesExecutive Producer
- Anthony ChunExecutive Producer
- Josh BycelExecutive Producer
- Juan Cruz BaldassarreExecutive Producer
- Justin RoilandExecutive Producer
- Mike McMahanExecutive Producer
- Paul RiggExecutive Producer
- Richard GrieveExecutive Producer
- Rick MischelExecutive Producer
- Erica Z. TuckerLine Producer
- Nathalie LevesqueLine Producer
- J. Michael MendelProducer
- Joe SaundersProducer
- Sydney RyanProducer