Television series
Naked Attraction
- Romance
- Light-hearted
- Dip in and out
A deliberately provocative dating show where contestants choose potential partners by viewing naked bodies revealed incrementally, stripping away the curated personas of modern dating. It's conceptually audacious but executed as straightforward spectacle, hosted with brisk professionalism by Anna Richardson. For viewers curious about whether raw physical attraction can bypass the noise of contemporary romance, or simply interested in how far reality TV will push boundaries.
If you liked this
Love Island2015
The definitive modern dating show: hot people in close quarters, genuine stakes (financial, emotional, reputational), and surprisingly complex relationship dynamics that evolve across a season. Addictive viewing that rewards investment.
But The format is exhausting and repetitive if you're not invested in the specific people. Requires significant time commitment and can feel shallow.
Dating Around2019
Netflix's stylish antidote to romance television: real first dates between strangers, edited with empathy and genuine curiosity about who these people are. Funny, sad, awkward, and human in ways reality dating usually isn't.
But Lacks the spectacle and manufactured drama. If you're watching for chaos or entertainment rather than actual connection, it may feel slow.
The Bachelor2003
The template for modern romance competition. Polished, theatrical, genuinely suspenseful, and oddly moving—the show knows exactly what it is and delivers it with commitment. Franchises exist worldwide for a reason.
But The format is deeply artificial and the gender dynamics are retrograde. Requires buying into its particular fantasy of love.
Not sure tonight? Get a pick in a minute, starting from Naked Attraction
The wildcard
Something you would not have found on your own.
Disclosure2020
Naked Attraction's entire premise rests on reducing people to bodies and immediate physical assessment. This film examines how entertainment has systematized that reduction and what the human cost actually is.
Documentary examining how trans people have been portrayed (and exploited) by cinema and television for decades. Rigorous, angry, necessary—clips of movies shown alongside trans activists and filmmakers deconstructing the damage. Clarifies what representation actually means.
But Heavy subject matter about real harm. Requires sitting with discomfort and complicity. Not entertaining in the traditional sense.
More like this (8)
First Dates2013
A British comedy-documentary where couples meet for the first time on hidden camera and their interactions unfold naturally. Warm, funny, and refreshingly low-stakes—dates fail and succeed without production interference.
But The production values are deliberately modest. No drama manufacturing means some episodes feel genuinely ordinary rather than entertaining.
Married at First Sight2014
Strangers marry immediately, then try to make it work over several weeks. Unexpectedly moving beneath the premise, with real emotional stakes and surprisingly thoughtful exploration of compatibility, communication, and compromise.
But The success rate is low and watching relationships fail can feel uncomfortable. Some seasons lean too heavily on manufactured conflict.
Indian Matchmaking2020
Sima Taparia, a matchmaker in Mumbai and New York, introduces singles across cultures and generations. Genuinely fascinating look at arranged marriage, family pressure, and what people actually want versus what they think they should want.
But Heavy focus on parental involvement and traditional values may feel restrictive if you're uncomfortable with that framework. Some episodes drag.
Too Hot to Handle2020
Attractive people are locked in a villa with a prize fund that decreases every time they kiss or have sex. Ludicrous premise but executed with genuine emotional honesty—people actually grow and form real connections despite the absurdity.
But The premise is fundamentally stupid and the premise is the whole thing. If you're not amused by it upfront, there's nothing else here.
Love Is Blind2020
Singles propose to people they've never seen, then live together to see if it works. The gimmick is genuinely interesting—without physical attraction as a filter, do people make better choices? Results are often surprising and occasionally touching.
But The premise strains credibility and some relationships feel performative for the cameras. Seasons get repetitive with diminishing returns.
Keeping Up with the Kardashians2007
If you want to see how wealth, beauty, fame, and family dysfunction intersect with dating and romance, this is the definitive document. Guilty pleasure that's more interesting than it has any right to be.
But Requires tolerance for extreme wealth, constructed narratives, and people who are famous primarily for being famous. Very long time commitment across many seasons.
The Girlfriend Experience2009
Both examine the commodification of bodies in contemporary dating—what happens when attraction becomes a transaction, when you're selling or purchasing physical presence. Naked Attraction plays this for entertainment; this film asks what it costs.
Sasha Grey in her only narrative film role: a high-end escort navigates the business of intimacy, performance, and connection. Formally experimental, morally complex, shot by Steven Soderbergh with precision and no judgment. Brilliantly uncomfortable.
But Explicit sexual content and a bleak view of transactional relationships. Slow-moving and deliberately unglamorous. Some viewers will find it exploitative despite its artistic intent.
Minx2022
Both shows foreground bodies and sexuality but come at it from opposite angles—Minx celebrates female desire and agency in looking, while Naked Attraction strips context and stakes from attraction entirely. Watching them back-to-back clarifies what each one actually believes about desire and choice.
Period comedy-drama about a woman launching the first erotic magazine for women in 1969. Witty, genuinely sexy, beautifully designed, and surprisingly moving about female desire, entrepreneurship, and the messy business of disrupting an industry. Criminally underrated.
But Cancelled after two seasons. Contains frequent nudity and explicit sexual content. The tone shifts between comedy and melodrama can feel uneven.
People
Cast
Production
- Darrell OlsenExecutive Producer
- Eve WinstanleyExecutive Producer
- Mike CottonExecutive Producer
- Tim HarcourtExecutive Producer
- Adam HutchinsonProducer
- Adam O'NeillProducer
- Charlotte FauxProducer
- Emma WillisProducer
- Mike GillaspyProducer
- Vickie AgerProducer