Television series

Mobile Suit Gundam: The Witch From Mercury

A story about power, complicity, and survival wrapped inside a mecha anime. Suletta arrives at an elite space academy carrying secrets and a dangerous legacy, only to discover that everyone around her—including her—is part of a much larger machine. Gorgeous, deliberate, and morally complicated in ways that sneak up on you.

Should you watch it?

Watch it if you love mecha shows that treat corporate politics, school hierarchies and class resentment as seriously as the giant robots, and you enjoy a slow-building story where the big reveals arrive gradually.

Skip it if you want nonstop battles from the first episode, since the early stretch leans on school life, rivalries and characters settling in before the action starts to take over.

What it asks of you: Twenty-four episodes of roughly half an hour each, with patient setup and a heavy dose of dialogue; it rewards sustained attention more than a casual second screen.

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Revolutionary Girl Utena1997

A magical girl story that deconstructs its own genre while building something profound about agency and self. The visual language and thematic density echo Witch from Mercury's refusal to be simple.

But The surrealism gets abstract fast, and it demands you meet it halfway. Forty-six episodes is a commitment if you're not sure it's for you.

Revolutionary Girl Utena poster

Nana2006

Two girls with the same name navigate competing worlds and desires in Tokyo. It shares Witch from Mercury's gift for character depth, moral ambiguity, and the suffocating pressure of inherited systems.

But It stops mid-arc because the manga wasn't finished. That ending will haunt you—not always comfortably.

Nana poster

Code Geass: Hangyaku no Lelouch2006

A brilliant student gains the power to command anyone to obey him, and must decide what he's willing to become to change the world. The same questions about agency, manipulation, and cost drive both shows.

But The second season divides fans. Some find it sloppy; others think it's essential. You'll probably be angry at it.

Code Geass: Hangyaku no Lelouch poster

Not sure tonight? Get a pick in a minute, starting from Mobile Suit Gundam: The Witch From Mercury

The wildcard

Something you would not have found on your own.

A Letter to Momo2012

Both stories center on a girl carrying a dangerous legacy she didn't choose, learning to survive in a new world by understanding what was hidden from her.

A girl moves to a remote island to escape grief and encounters spirits and folklore. It shares Witch from Mercury's fascination with isolation, hidden lineages, and the cost of growing up—but through Japanese mythology and hand-drawn lyricism instead of mecha.

But It's a feature film with a dream logic that rewards patience. The supernatural elements might feel too oblique if you're looking for clarity.

A Letter to Momo poster
More like this (8)

Magia Record: Puella Magi Madoka Magica Side Story2020

Four episodes in, it reveals itself as a horror story about systems designed to exploit the young. The tonal shift and thematic ambition parallel Witch from Mercury's own betrayals.

But It's dark in ways that can feel cruel. The show doesn't soften its own pessimism, and neither does the ending.

Magia Record: Puella Magi Madoka Magica Side Story poster

Mobile Suit Gundam Wing1995

Five young pilots with giant robots are deployed against their will into a proxy war between Earth and space colonies. It's Gundam DNA, political intrigue, and shockingly human.

But The plot gets tangled and repetitive in the middle. The pacing stumbles in ways the newer show learned to avoid.

Mobile Suit Gundam Wing poster

Carole & Tuesday2019

Two girls meet on Mars and decide to become musicians while a corporate-controlled society tries to stop them. It's about friendship, art, and resistance to manufactured consent.

But The tonal shifts between light romance and darker political thriller can feel inconsistent. Some threads get dropped.

Carole & Tuesday poster

Ergo Proxy2006

A girl escapes her sealed city with a android and a proxy, wandering a post-apocalyptic world asking what it means to be alive. Slow, philosophical, and visually stunning in its desolation.

But It's deliberately paced and abstract. If you want plot clarity and forward momentum, this will frustrate you.

Ergo Proxy poster

Michiko e Hatchin2008

A woman on the run from her abusive husband steals a child and they journey across Brazil. Raw, unsentimental, about survival and unexpected tenderness in broken systems.

But It's sometimes hard to watch. The casual violence and poverty aren't aestheticized, and the story doesn't always resolve neatly.

Michiko e Hatchin poster

Darling in the FranXX2018

Teenagers pilot mecha in pairs to defend a mysterious authority they don't understand. It has similar DNA—youth exploited by systems, identity under pressure, questions about agency—though it takes different swings.

But The ending alienates a lot of people. The final act abandons much of what made it work.

Darling in the FranXX poster

Cyberpunk: Edgerunners2022

Both explore how charismatic young people become weapons for systems they believed they could resist, and what happens when love isn't enough to break free.

A street orphan and a corporate exile fall in love while being hunted by the system that shaped them. Gorgeous animation, terrible beauty, a love story about two people already too damaged to be saved.

But It's desperately dark. The ending doesn't offer comfort or redemption. If you need hope, don't watch this one.

Cyberpunk: Edgerunners poster

Toilet-Bound Hanako-kun2020

Both feature a young woman making a dangerous compact with someone who seems to offer salvation but is actually entangled with forces beyond her control—a trade-off between autonomy and connection.

A girl encounters a ghost living in a school bathroom and makes a supernatural deal. It's funny, gorgeously designed, and deeply sad—about loneliness, the deals we make with ourselves, and finding connection in the wrong places.

But It's surreal and whimsical in tone, which clashes with its dark thematic core. If you want your sadness presented straight, the comedy will feel jarring.

Toilet-Bound Hanako-kun poster

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