Television series
I'm Dying Up Here
Set in 1970s Los Angeles, this drama follows aspiring stand-up comedians navigating the Laugh Factory and its brutal, competitive scene. It's a character study wrapped in comedy—less about punchlines than about hunger, failure, and the damage that chasing laughs inflicts. For anyone who loved the darker side of entertainment stories.
If you liked this
Barry2018
A hitman discovers acting and becomes entangled in LA's theatre world. Like I'm Dying Up Here, it's about damaged people pursuing art in a cutthroat industry, with the same unflinching look at ambition's cost.
But Tonally darker and more violent. The comedy is more absurdist, and the show prioritizes existential dread over character warmth.

The Marvelous Mrs. Maisel2017
A housewife discovers stand-up comedy in 1950s New York. Shares the period-piece energy and deep dive into comedy's history, with Miriam Sansone delivering the same mix of charm and raw ambition.
But Significantly breezier and more optimistic in tone. The comedy lands more cleanly; the darkness is lighter touch.

Vinyl2016
An HBO music drama set in 1970s New York with the same appetite for era-specific detail, damaged protagonists, and the messy collision of art and commerce in a specific scene.
But Only lasted two seasons and ends abruptly. Some find the protagonist exhaustingly terrible rather than compellingly flawed.

Not sure tonight? Get a pick in a minute, starting from I'm Dying Up Here
The wildcard
Something you would not have found on your own.
Boogie Nights1997
Both use a specific 1970s LA subculture as a backdrop for exploring how performance and validation corrupt character. The ensemble structure, the fatalism, the way the scene itself becomes a character.
A 1997 ensemble film set in 1970s-80s LA's porn industry, but it's really about a community of damaged people seeking validation through performance. Same texture of period excess, same tragic architecture of ambition and belonging.
But Extremely explicit and long. The subject matter is hardcore; the violence is brutal. It's a three-hour commitment to watching people make terrible choices.

More like this (8)
Californication2007
A struggling writer navigates LA's entertainment industry while self-destructing. Same DNA of talent meeting self-sabotage, and a city that promises everything while demanding everything.
But Becomes increasingly gratuitous as it goes on. The protagonist's behaviour stops being tragic and starts feeling self-indulgent.

Feud2017
A limited series about Truman Capote's destruction of his social circle. Brilliantly explores how success and art can corrupt relationships, with the same unflinching look at damaged ambition.
But Very different world—wealthy socialites, not struggling comedians. The pace is deliberate; some find it slow.

The Comeback2005
A mockumentary following a fading actress trying to revive her career in Hollywood. The cringe-comedy energy and behind-the-scenes view of entertainment's fragile ecosystem resonate deeply.
But The humour is extremely awkward and uncomfortable. It's intentional, but it can be exhausting to watch.

Halt and Catch Fire2014
Set in the 1980s tech industry, it's a character study of driven, flawed people building something in a specific scene. Same obsessive focus on ambition, loyalty, and what success costs.
But First season is slow. Some plots feel dragged out; patience is required to see the payoff.

The Larry Sanders Show1992
A sitcom about a late-night talk show that treats the machinery of comedy with real respect. Shows how funny people handle the gap between public persona and private damage.
But It's from 1992 and shot on video; the aesthetic is dated. The humour is gentler than I'm Dying Up Here's bite.

Crashing2017
A comedian's loosely autobiographical show about sleeping on friends' couches and starting comedy from nothing. Captures the precarity and community of the struggling comic life.
But Runs only three seasons and feels incomplete. Pete Holmes' neurotic energy isn't for everyone; some find it grating.

Lenny1974
A real-world portrait of what I'm Dying Up Here fictionalizes: a genius comedian broken by the collision between art and industry, with no compromise possible.
A biopic of Lenny Bruce, the stand-up who was prosecuted for obscenity. It's about a real comedian destroyed by his own uncompromising nature. A direct ancestor of what I'm Dying Up Here is doing.
But Black and white, 1974, deliberately grim. The sex scenes are frank for the era. Heavy, difficult viewing—not entertainment, but provocation.

Punch-Drunk Love2002
Both films explore vulnerability and damage in male characters with surgical precision. Both find tragedy and comedy in the same moment, and refuse to choose sides.
A Paul Thomas Anderson film about a lonely, fractured man finding love and safety. It's funny and devastating in close-up, with the same precision about how damaged people navigate the world.
But Anderson's style is maximalist and jarring—sudden violence, aggressive sound design. Not linear; not comforting. The protagonist is frustrating for much of the runtime.

People
Cast
Writing
- David FlebotteCreator
- Jim CarreyCreator
Production
- Christina WayneExecutive Producer
- David FlebotteExecutive Producer
- Jim CarreyExecutive Producer
- Michael AguilarExecutive Producer