Television series

I Dream of Jeannie

A genie in a bottle, found on a deserted island by an astronaut who can't quite believe his luck, moves into his house and devotes herself entirely to loving and infuriating him. It's frothy, gorgeously silly sixties fantasy-com, powered by Barbara Eden's comic timing and the sheer chaos of unlimited wishes in the wrong hands. Pure escapism, best watched loose and unbothered by plot logic.

TVMaze rating7.8

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Bewitched1964

The obvious sibling show and honestly the sharper one — a witch married to a mortal, same premise of magic wreaking domestic havoc, but with better scripts and a more equal marriage.

But If you've already seen Jeannie, the formula will feel very familiar, fast.

Bewitched poster

My Favorite Martian1963

Swap the genie for a stranded Martian professor and you get the same secret-houseguest-with-powers engine, running a couple years earlier and just as gently absurd.

But Slower pace and more one-note than Jeannie's love-triangle chaos.

My Favorite Martian poster

Mork & Mindy1978

Robin Williams as an alien learning to be human, living with an ordinary woman who has to hide him from the world — same fish-out-of-water sweetness, turned up to eleven.

But Williams's improvisational energy is a completely different comic register than Eden's controlled mischief.

Mork & Mindy poster

The wildcard

Something you would not have found on your own.

I Married a Witch1942

This is the direct ancestor of both Jeannie and Bewitched — the same template of a powerful magical woman devoting herself, chaotically, to an ordinary man, decades before television got hold of it.

A screwball black-and-white gem where a centuries-old witch falls for the mortal descendant of the man who wronged her, and chaos, devotion and magic tangle together exactly as they do in Jeannie's living room.

But 1940s pacing and dated gender jokes will feel stiff if you're not used to the era.

I Married a Witch poster
More like this (8)

Gilligan's Island1964

Same network, same era, same gleeful disregard for realism — castaways stuck in absurd situations played entirely straight-faced for laughs.

But No fantasy element at all, just pure sitcom silliness with a rotating cast of stock characters.

Gilligan's Island poster

The Munsters1964

A supernatural family trying to pass as normal suburbanites, mining the exact same joke Jeannie does — magical beings colliding with 1960s domestic conformity.

But Horror-movie makeup and monster gags instead of genie sparkle; a different flavour of weird.

The Munsters poster

Green Acres1965

No magic here, but the same anything-goes sixties sitcom logic, where the world bends to absurd rules and nobody in it seems to notice.

But Farm comedy instead of fantasy romance — a bigger tonal jump than it looks.

Green Acres poster

Get Smart1965

Same NBC decade, same appetite for gadget-based nonsense and a devoted, competent woman propping up a chaotic hero — this time via spy comedy instead of magic.

But Espionage parody rather than fantasy; the romance is more of a slow burn.

Get Smart poster

Sabrina the Teenage Witch1996

A later, teen-pitched cousin — magic causing chaos in an otherwise ordinary household, with the same wish-fulfilment comfort food appeal.

But Aimed squarely at teenagers, so the romance and stakes feel much lower-key.

Sabrina the Teenage Witch poster

3rd Rock from the Sun1996

Aliens posing as an ordinary family, baffled by human customs — the fish-out-of-water engine again, this time with a sharper, more absurdist nineties edge.

But Faster, weirder, and more overtly satirical than Jeannie's gentler charm.

3rd Rock from the Sun poster

Urusei Yatsura1981no page yet

Same structural joke — a superpowered woman attaches herself to an ordinary man and won't be dislodged — but told in a wildly different medium, culture, and comic register.

A Japanese anime about an alien princess who electrocutes her way into a hapless earthling's life and refuses to leave, played for the exact same jealous-devotion comedy Jeannie mines every episode.

But Subtitled, episodic, and steeped in a very different sense of humour and pacing than American sitcoms.

Wishmaster1997no page yet

It's the dark mirror of Jeannie's whole engine: the same bottle, the same master-servant wish logic, but played as nightmare instead of romance, which makes you notice how much power the original was quietly joking about.

A schlocky nineties horror movie that takes the genie-grants-wishes premise Jeannie plays for cuteness and asks what it looks like if the genie is malevolent and the wishes are traps.

But Gory, campy, deliberately nasty — about as far from cosy sixties sitcom comfort as it gets.

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