Television series
Girlboss
- Comedy
- Light-hearted
A scrappy, fast-talking comedy about Sophia, a directionless vintage-fashion obsessive who accidentally builds a resale empire. It's sharp and propulsive, full of millennial friction and fashion-world absurdity. For anyone who loves chaotic characters stumbling into success through sheer audacity and terrible decisions.
If you liked this
Schitt's Creek2015
A fish-out-of-water comedy about a wealthy family losing everything, learning humility through small-town life. Genuinely character-driven with perfect comedic timing and surprising emotional depth across its run.
But It starts slower than you'd like, and the first season takes a while to find its footing before becoming genuinely special.

Fleabag2016
A British comedy following a mess of a woman navigating family, relationships, and her struggling guinea-pig store. Sharp writing, genuine heart, and a protagonist you shouldn't like but completely do.
But It's only six episodes per season and the second season gets heavier and more emotional than the first, which might not be what you want from a comedy.

Veep2012
Viciously funny political comedy with rapid-fire insults and a cast of incompetent strivers climbing a ladder that only goes down. If you love characters being terrible at their jobs in entertaining ways.
But It's mean-spirited in a way that some find exhausting, and there's no character to root for or identify with—only to enjoy watching suffer.

Not sure tonight? Get a pick in a minute, starting from Girlboss
The wildcard
Something you would not have found on your own.
Halt and Catch Fire2014
Both center on protagonists driven by ego and vision rather than experience, learning that ambition requires sacrifice. The emotional core is about what you give up to build something, not the triumph itself.
A period drama following driven people building a computer empire in the '80s, with real stakes and genuine business struggle. Not a comedy, but shares Girlboss's obsession with ambition, failure, and people building something from nothing.
But It's slow-burn and serious—if you want quick jokes and lightness, this will feel like work. No laugh track or comedic relief, just pressure and consequence.

More like this (8)
Broad City2014
Two broke New York women navigating friendship, ambition, and failure with anarchic energy and genuine affection for each other. Chaotic and weird in ways that feel honest.
But It's deliberately absurdist and riffs on its own logic, so if you want grounded realism you'll find it frustratingly silly.

Crazy Ex-Girlfriend2015
A musical comedy-drama about an ambitious lawyer who moves across the country for a man and has to confront her own disasters. Genuinely ambitious storytelling that gets better as it deepens.
But The musical numbers are an acquired taste, and it demands more investment than a typical comedy—some people find that exhausting.

Silicon Valley2014
A tech-bro satire following a struggling programmer caught in a startup's chaos and ego. Perfectly calibrated absurdity about people who should fail but somehow don't.
But It's deeply cynical about innovation and entrepreneurship—there's no inspirational payoff, just sustained mockery of ambition.

Workaholics2011
Three friends waste their office jobs being stupid together, finding freedom in refusing to try hard. Dumb in the best way, with genuine chemistry between the leads.
But The humor is deliberately juvenile and lowbrow, and there's zero character development or narrative arc if you're looking for those things.

Living Single1993
A precursor to Friends about young Black professionals in Brooklyn finding their footing. Funny, warm, and way more interested in actual friendship and work dynamics than it gets credit for.
But It's from the '90s and styled accordingly, and some of the comedy feels dated even accounting for that—it's trying a little too hard sometimes.

30 Rock2006
Fast-paced comedy about a woman producing a sketch show while navigating chaos and mediocrity. Rapid jokes, good-hearted characters, and real affection for its world despite constant mockery.
But It's very of its moment and some of the jokes feel stuck in 2009, plus the protagonist's privilege often goes unexamined in ways that become visible over time.

I May Destroy You2020
Both are about young women claiming space in worlds that weren't built for them, using style and personality as weapons. Both make the personal political without being preachy.
A British comedy-drama about a young writer rebuilding her life after assault, set in London's creative scene. Genuinely funny and devastatingly honest about friendship, identity, and joy as a form of resistance.
But It toes a careful line between comedy and trauma—some episodes veer into grief, and the tone whips around. Not consistent escapism.

Godless2017
Both are about women building power structures in worlds that never intended to include them, mixing humor with genuine stakes. Style and attitude as actual survival tools.
A Western miniseries set in a town run entirely by women, mixing gunfights with genuine character work. Visually gorgeous and weirdly funny, with a real narrative arc that respects your time.
But It's only seven episodes and got canceled before a planned second season, so there's a sense of incompleteness. Also, if you hate Westerns you won't suddenly love this one.

People
Cast
Writing
- Kay CannonCreator
- Jen BraedenExecutive Story Editor
- Brian ShortallStaff Writer
Production
- Allison HooperAssociate Producer
- Kierke PanisnickAssociate Producer
- Caroline WilliamsCo-Executive Producer
- Sonny LeeCo-Executive Producer
- Jake FogelnestCo-Producer
- Joanna CaloCo-Producer
- Beth KonoExecutive Producer
- Brittney SegalExecutive Producer
- Charlize TheronExecutive Producer
- Christian DitterExecutive Producer
- Jane WisemanExecutive Producer
- Kay CannonExecutive Producer
- Kristen ZolnerExecutive Producer
- Laverne McKinnonExecutive Producer
- Sophia AmorusoExecutive Producer
- Chrisann VergesProducer
- Eben RussellProducer