Television series
Giri/Haji
A Tokyo detective hunts his estranged brother through London's underworld, where yakuza debts and family honour collide with British crime. Beautifully shot, deliberately paced, and genuinely moving—a story about loyalty and shame that refuses easy answers. For anyone who loved slow-burn thrillers with real emotional weight.
Should you watch it?
Watch it if you like crime stories driven by awkward family loyalty and culture clash, where the mood of two cities matters as much as the plot, and you don't mind reading subtitles to catch it.
Skip it if you want the plot to move briskly, since this one lingers on silences and wounded pride, and a noir mood with a slow middle can wear thin.
What it asks of you: Eight episodes of roughly an hour, paced patiently, with long scenes where people say less than they mean and you track who speaks which language.
Not sure? Find tonight's pick in a minute.
If you liked this
The Bridge2010
A Scandinavian detective chases a killer across the Denmark-Sweden border, building the same methodical tension and exploring how damaged people do damaged work. Excellent acting, genuinely unsettling.
But Bleak throughout. If you need warmth or resolution in your crime drama, this will exhaust you.

Bodyguard2018
British thriller with the same propulsive narrative momentum and real stakes—a protection officer gets tangled in forces bigger than him. Taut, intelligent, utterly gripping.
But The ending divides people sharply. Some find it earned; others feel cheated. No middle ground.

Killing Eve2018
A brilliant Eve pursues Villanelle, a psychopath with style. Dark, funny, and endlessly inventive—the cat-and-mouse never gets old because the writing stays sharp.
But Tonal shifts between camp and cruelty can feel inconsistent. The show knows it's fun in ways *Giri/Haji* doesn't.

Not sure tonight? Get a pick in a minute, starting from Giri/Haji
The wildcard
Something you would not have found on your own.
Tokyo Godfathers2003
Both love Tokyo as a character and understand that honour and shame operate differently there than in the West. Both find grace in small gestures and damaged people trying.
Three homeless people in Tokyo find an abandoned baby and try to return her to her parents, discovering the city's hidden sorrows along the way. Animated, funny, and devastating—a perfect marriage of tenderness and grit.
But It's anime, which some dismiss. The tone whips between comedy and tragedy in ways that can feel tonal rather than earned.

More like this (7)
Severance2022
A man enters a corporate conspiracy that fragments his sense of self. Visually stunning, genuinely unsettling, and built on the same slow-reveal structure of moral corruption.
But Deliberately obscure. If you need answers, you won't get them. The pacing can feel glacial.

The Leftovers2014
When 2% of the world vanishes, a small town spirals into grief and obsession. Devastatingly beautiful, morally complex, and unafraid of sadness.
But Relentlessly heavy. Not a comfort watch. Some episodes prioritise emotional devastation over plot.

Slow Horses2022
British spies in a dumping ground for MI5 failures navigate real threats and institutional betrayal. Smart, funny, and grounded in genuine tradecraft and character.
But Dense with plot. Missing an episode means losing the thread. The humour is dry enough to miss entirely.

The Americans2013
Two Soviet KGB officers pose as an American couple during the Cold War, slowly losing themselves in the lie. Phenomenal acting and a premise that generates endless moral conflict.
But Six seasons is a commitment. It gets darker, not lighter. If you need hope, look elsewhere.

Taboo2017
Tom Hardy as James Delaney, navigating 1814 London's criminal and imperial underworlds. Visceral, strange, and utterly confident in its own weirdness.
But Deliberately obscure. Hardy mumbles. The plot rewards close attention and rewards it inconsistently.

In Bruges2008
Both are about men defined by what they've done, seeking redemption or escape in a city that doesn't belong to them. Both use their setting as moral landscape.
Two hitmen hide in a medieval Belgian town after a job goes catastrophically wrong. Gorgeous, funny, and built on the tension between beauty and violence—a meditation on guilt dressed as a crime story.
But Violence is sudden and brutal. The philosophy can feel self-conscious. Some find it precious.

Chungking Express1994
Both understand that crime and love stories operate in the same emotional space. Both use cities as places where strangers become intimate. Both trust mood over explanation.
Two Hong Kong cops, two separate love stories, one ravishing visual style. Wong Kar-wai's masterpiece—dreamy, melancholic, and utterly alive. A film about loneliness and connection that moves like music.
But Plot barely exists. If you watch for story, it will frustrate you. The colour and pacing work against traditional narrative.

People
Cast
Writing
- Joe BartonCreator
Production
- Ben IrvingExecutive Producer
- Chris FryExecutive Producer
- Jane FeatherstoneExecutive Producer
- Joe BartonExecutive Producer
- Susie LiggatProducer