Film
When We First Met
- Romantic comedy
- Time-travel sci-fi
- Fantasy
- Light-hearted
A charming time-loop romantic comedy where Adam Devine's lovably goofy Noah gets infinite chances to win over Alexandra Daddario's Avery through a magical photo booth. It's a warm, silly film that doesn't overthink its premise—just lets two charismatic leads riff on the fantasy of getting things right. Perfect if you want something light that makes you smile without demanding much of your brain.
If you liked this
About Time2013
A time-travel romance that balances genuine emotion with comedy, exploring how knowing the future changes what matters. It's sweet without being saccharine, and has real heart beneath the high-concept setup.
But The father-son subplot shifts the emotional weight away from the central romance in its final act, which might feel like tonal whiplash if you came for the meet-cute story.

Palm Springs2020
Another time-loop romance, but sharper and more cynical than this film—it asks harder questions about whether getting to do things over actually helps. Funny, romantic, and surprisingly thoughtful about depression and desire.
But It's more melancholic than comedic, and the central relationship is messier and less immediately likeable than a traditional rom-com setup.

The Proposal2009
Ryan Reynolds and Sandra Bullock have phenomenal chemistry doing rapid-fire banter and physical comedy. It's shameless about its formulaic charm, which is exactly why it works as pure entertainment.
But The plot beats are entirely predictable, and the Alaska subplot feels like filler designed to pad runtime rather than deepen character.

Not sure tonight? Get a pick in a minute, starting from When We First Met
The wildcard
Something you would not have found on your own.
The Adam Project2022
Both use time mechanics as a metaphor for second chances in romance, but Adam projects it outward into family reconciliation and cosmic stakes rather than inward into a single perfect night.
A time-travel film where Ryan Reynolds works with his past self—same core idea as When We First Met but structured as an action-comedy father story. It's the same emotional engine (getting a second chance at something you ruined) dressed in a completely different coat.
But The action sequences eat runtime and the maudlin ending about absent parents tries harder than a movie this silly can support.

More like this (8)
Groundhog Day1993
The gold standard of time-loop films—Bill Murray stuck in one day, gradually becoming a better person. Endlessly rewatchable, genuinely funny, and surprisingly moving about redemption and self-improvement.
But It's glacially paced by modern standards, and the romance subplot is secondary to Murray's internal journey, so it won't hit the same if you want swept-away love.

Set It Up2018
A breezy, plot-driven rom-com where the setup is the point rather than the obstacle. Glen Powell and Lucy Liu have genuine fun together, and it knows exactly what it is without apologizing.
But The characters don't have much depth, and the supporting cast exists mainly to say exposition aloud in coffee shop scenes.

Holidate2020
Emma Roberts and Luke Bracey in a holiday rom-com with real chemistry and jokes that occasionally land hard. The premise is silly but committed, and there's genuine warmth under the premise-driven comedy.
But The pacing is bloated, dragging a ninety-minute idea into two hours with montages that feel like filler.

Someone Great2019
Gina Rodriguez leads a surprisingly warm friendship-focused rom-com about processing grief and growing up. It balances humor with genuine stakes, and the supporting cast elevates every scene they're in.
But The central premise involves terminal illness, which gives it a melancholic undertone that can feel tonal-whippy with the comedy.

Crazy, Stupid, Love.2011
An ensemble rom-com where the multiple storylines mostly click together, with Ryan Gosling as a charmingly idiotic love machine. It's frothy but engineered to work, with enough sincerity to avoid feeling mean-spirited.
But It tries to do too much—the central couple's marriage drama gets sidelined for flashier supporting plots, so it loses focus halfway through.

Sleeping with Other People2015
Alison Brie and Jason Sudeikis have lovely, lived-in chemistry in this indie rom-com about two people allergic to commitment. It's genuinely funny and lets its characters breathe rather than forcing them into beats.
But The pacing is slack and it meanders; some scenes exist mainly because the actors had fun, not because they move anything forward.

Russian Doll2019
Flips the romantic photo booth premise into nightmare mode—what if reliving moments didn't bring you closer to love but instead revealed how trapped you actually are?
Natasha Lyonne trapped in a time loop, except it's dark, existential, and explores how repeating things hollows you out. Brilliantly written, visually inventive, and uses the time-loop premise as a genuine tool for character excavation rather than plot convenience.
But It's bleak and often depressing; the magical-romance-comedy tone is completely inverted into psychological horror and despair.

Predestination2014
Both explore what happens when you can change the past, but where When We First Met says 'you can optimize love,' Predestination asks 'what if you're doomed to repeat your own story no matter what?'
A time-travel thriller with one of the best twist endings in recent sci-fi, built on a premise of temporal loops and second chances like this film explores. Sarah Abraham and Ethan Hawke anchor a genuinely inventive time-paradox plot that earns its complexity.
But It's a serious, violent crime thriller—nothing like the zippy comedy of When We First Met—and the twist requires real attention to land.

People
Cast
Adam DevineNoah Ashby
Alexandra DaddarioAvery Martin
Shelley HennigCarrie Grey
Robbie AmellEthan
Dean J. WestPhil
Tony CavaleroAngus Young
Delfeayo MarsalisDanny
Daryn KahnDrunk Hulk
Peter Jaymes Jr.Chad
Martin Bats BradfordDevon
Noureen DeWulfMargo
Directing
- Ari SandelDirector
- Paul B. UddoFirst Assistant Director
- Sam SullivanScript Supervisor
- Mike De La VinaSecond Assistant Director
- Gerson PazSecond Second Assistant Director
Writing
- John WhittingtonWriter
Production
- Eyde BelascoCasting
- Adam DevineExecutive Producer
- Benji KohnExecutive Producer
- Bingo GubelmannExecutive Producer
- Daniella KahaneExecutive Producer
- Danny ZamostExecutive Producer
- James McGoughExecutive Producer
- Peter PastorelliExecutive Producer
- Steve EddyExecutive Producer
- Steven BelloExecutive Producer
- Eddie RubinLine Producer
- Adam SaundersProducer
- Mary ViolaProducer
- Mason NovickProducer
- McGProducer
- Michelle KnudsenProducer
- Peter PastorelliUnit Production Manager