Film
Undine
A Berlin historian who gives museum tours about the city's water systems falls for a diving engineer. Their underwater-threaded romance is beautiful and strange—half contemporary drama, half fairy tale retelling, shot with crystalline precision. For anyone who loves character-driven cinema that trusts you to follow its logic without explaining it.
If you liked this
A Ghost Story2017
Intimate, metaphysical romance about time, loss, and what we leave behind. Casey Affleck and Rooney Mara create devastating depth from restraint. You'll think about it for weeks.
But Deliberately paced and strange. The famous scene under the sheet will either move you or test your patience severely.

The Farewell2019
Awkwafina and Tzi Ma anchor a story about family, translation, and what we owe each other. Funny, tender, and structurally surprising. A film that respects your intelligence.
But The tonal shifts between comedy and grief can feel jarring if you're not attuned to how people actually talk across cultures.

Moonlight2016
Three chapters of a Black man's life, told in whispers and glances. Achingly beautiful cinematography. Barry Jenkins shows you that intimacy and restraint are not the same thing as coldness.
But Not much happens in plot terms. If you need narrative momentum, this will feel like watching paint dry.

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The wildcard
Something you would not have found on your own.
The Shape of Water2017
Both films use water and fairy tale structure to tell stories about outsiders forming impossible bonds. Both treat the fantastical element as real emotional architecture, not decoration.
Guillermo del Toro's Cold War fairy tale. Like *Undine*, it braids fantasy logic into contemporary romance, but here the fantasy is explicit—a woman falls for a creature from the Black Lagoon. Lush, strange, and unapologetically romantic.
But Tilts much harder toward magical realism. If you want your cinema grounded in the mundane, this will feel overstated.

More like this (6)
After the Storm2016
Hirokazu Koreeda's portrait of a gambling addict and his ex-wife reconnecting. Gentle, funny, sad—mostly interested in how people *are* together rather than what they do.
But Very slow. The emotional payoff is small and quiet. Some find that profound; others find it thin.

You Can Count on Me2000
Laura Linney and Mark Ruffalo as siblings who never quite learned how to be adults. Intimate, credible, and funny about loneliness in a way that doesn't feel sorry for itself.
But Deliberately unglamorous and small-scale. If you want plot you can feel propelling you, look elsewhere.

A Bigger Splash2015
Two couples at a Sicilian villa. Luca Guadagnino's camera luxuriates in bodies, water, and the spaces between people. Tilda Swinton and Ralph Fiennes are magnificent.
But Very style-forward. Some find it gorgeous; others find it hollow. The emotional core is deliberately murky.

A Woman Under the Influence1974
A woman rebuilds her life after leaving her family in Poland. Magda Hulevičová directs with terrifying empathy. It sits with contradictions rather than resolving them.
But Genuinely difficult to watch. It's about suffering and compromise without offering easy catharsis. The ending won't feel like an ending.

Toni Erdmann2016
Both films distrust plot and explanation. They unfold through small moments and accumulated silences. Both are about people trying to connect across a gap that won't quite close.
Maren Ade's three-hour portrait of a father and daughter failing to understand each other. Improvisational, digressive, alive. It's about the comedy in loving someone you don't quite know.
But Brutally long and seemingly formless. The humour is often uncomfortable. You might feel like you're watching a home video rather than a film.

The Danish Girl2015
Both films are visually exquisite retellings of fairy-tale structures (the undine myth, the Lili Elbe story) that treat genre material with art-house seriousness. Both have glacial beauty and wounded romance at their center.
Tom Hooper's lush period film about one of the first gender-transition journeys. Eddie Redmayne and Alicia Vikander are hypnotic. Visually ravishing in a way that matches *Undine*'s crystalline beauty.
But Takes real historical complexity and smooths it into romance. Trans audiences often find it sentimental and reductive. Mainstream cinema doing its thing.

People
Cast
Paula BeerUndine
Franz RogowskiChristoph
Maryam ZareeMonika
Jacob MatschenzJohannes
Anne Ratte-PolleAnna
Rafael StachowiakJochen
Gloria de OliveiraAntonia
José BarrosMiguel
Enno TrebsServer
Christoph ZrennerUsher
Stefan WalzPolice Officer
Directing
- Ires JungAssistant Director
- Christian PetzoldDirector
Writing
- Christian PetzoldScreenplay
Production
- Simone BärCasting
- Margaret MénégozCo-Producer
- Florian Koerner von GustorfProducer
- Michael WeberProducer
- Dorissa BerningerProduction Manager
- Gustave ShaimiPublicist
- Kordula Marisa HildebrandtTravel Coordinator
- Matthias RuppeltUnit Manager
- Anton KaiserUnit Production Manager