Film
Together
Other titles called Together: the 2000 film.
A couple confined to their home during lockdown confronts decades of accumulated resentment, miscommunication, and the small kindnesses that might still save them. It's tender and bruising by turns, funny without being glib about real pain. For anyone who's ever wondered if their relationship could survive actual proximity.
Should you watch it?
Watch it if you like a couple's marriage picked apart in tight rooms, where the jokes come from exhausted, bickering intimacy and the stakes stay small and specific.
Skip it if you want the pandemic kept at arm's length, since this one lives entirely inside lockdown, two people in one flat, and the bickering can grind on.
What it asks of you: Ninety-two minutes, mostly indoors and mostly talk, with the mood swinging between sharp laughs and a slow ache; patience matters more than attention.
Not sure? Find tonight's pick in a minute.
If you liked this
Marriage Story2019
Nuanced portrait of two people who love each other and can't make it work. Tackles the specifics of partnership—how you hurt the person closest to you, how you might repair it—with devastating honesty and surprising gentleness.
But Watching a marriage dissolve is exhausting. It's long, emotionally taxing, and the ending won't comfort you if you came for resolution.

Before Sunrise1995
Two strangers share one night of conversation. It trusts dialogue completely and makes you believe in the possibility of real connection through talking, really talking, to another person.
But Nothing happens. If you need plot momentum or cinematic spectacle, you'll find the pacing glacial and the stakes invisible.

Fleabag2016
Sharp, inventive look at how we perform versions of ourselves for different people, and what happens when those masks slip. Painfully funny and genuinely moving, especially about family and the people we're stuck with.
But The fourth-wall breaking and anarchic pacing might feel like stylistic showing-off if you prefer straightforward storytelling.

Not sure tonight? Get a pick in a minute, starting from Together
The wildcard
Something you would not have found on your own.
Stalker1979
Both films understand that the crisis—lockdown, or the journey—is just scaffolding for the real story: two people trying to be truthful with each other and mostly failing.
Tarkovsky's science fiction film is about desire, meaning, and the distance between what we say we want and what we actually need. Two characters, long conversations, and the question of whether connection is possible when we're not honest with ourselves or each other.
But It's 163 minutes of deliberate, meditative cinema with minimal plot. Watching it requires the kind of surrender most people reserve for sleep.

More like this (7)
Scenes from a Marriage2021
Bergman's miniseries is a masterclass in how two people wound and forgive each other across time. Every scene is a conversation; every conversation rewrites what you thought you understood about their bond.
But It's deliberately slow, shot in close-up, and emotionally bleak for long stretches. Swedish and from 1973—patience is non-negotiable.

The Farewell2019
Family gathering built on a lie, where love and deception are impossible to separate. It's warm and funny but never soft about the complications of caring for people across distance and culture and difference.
But The tone shifts unpredictably. If you want a film to choose between comedy and drama and stick with it, this will feel like tonal whiplash.

Boyhood2014
Shot over twelve years with the same actors, it captures how relationships evolve not through crisis but through small moments, absence, accumulated disappointment and unexpected grace. Time itself is the story.
But It moves at a glacial pace and nothing dramatic happens. Some find it boring; others find it transcendent. There's no middle ground.

Who's Afraid of Virginia Woolf?1966
Two couples. One long night. A masterpiece of emotional brutality and wit, where every line is a small violence and connection feels possible only through combat. Taylor and Burton are extraordinary.
But It's relentlessly dark and vicious. The couple's relationship reads as toxic in ways that might feel dated or exhausting rather than cathartic.

Seek2020
Portrait of a marriage in crisis, told with visual economy and emotional precision. What could feel claustrophobic instead feels intimate—a genuine attempt to understand why two people stay together or don't.
But It's spare to the point of abstraction. If you need conventional narrative or explanation, you'll find the approach frustratingly opaque.

Hysterical2021
Couple stuck together during pandemic tries to keep their relationship alive through humor and improvisation. It's lighter than Together but shares the setup—two people, confinement, nowhere to hide.
But The tone is uneven, veering between genuine tenderness and forced comedy. It sometimes feels like it's trying too hard to make lockdown feel like an adventure.

A Separation2011
Both films refuse to let either partner off the hook or declare one the villain. Both trust that nuance and contradiction are the truest things about love.
Iranian masterpiece about a marriage ending, told through legal proceedings and family conflict. It's a thriller disguised as a drama, morally complex, and genuinely suspenseful about whether understanding is possible.
But It's culturally specific and demands you follow complex class and religious dynamics. The ambiguity might feel frustrating if you want clarity about who's right.

People
Cast


Samuel LoganArtie
Directing
- Justin MartinCo-Director
- Stephen DaldryDirector
Writing
- Dennis KellyWriter
Production
- Julia HoranCasting Director
- Dennis KellyExecutive Producer
- Gaynor HolmesExecutive Producer
- Rose GarnettExecutive Producer
- Guy HeeleyProducer
- Sonia FriedmanProducer
Recommended by
Catastrophe, A Million Little Things, Private Life, Lovesick, The Single Moms Club