Film

The Witches

Nicolas Roeg directs Roald Dahl's nastiest fairy tale straight, with Anjelica Huston relishing every syllable as a witch queen who peels off her human face like a Halloween mask. It's genuinely frightening for a kids' film — practical effects, real menace, a hero stuck as a mouse for most of the runtime — but it's also tender and very funny. For kids brave enough, and grown-ups who remember being scared by it.

TMDb rating7.0

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Matilda1996

Another Dahl adaptation with the same DNA: a child outmatched by monstrous adults, saved by cleverness and a decent grown-up on their side. Danny DeVito nails the tone — cruel, cartoonish, warm underneath.

But Less horror, more comedy — if you wanted more of the actual scares, this is gentler territory.

Matilda poster

Coraline2009

Stop-motion nightmare fuel for children, built on the same premise as The Witches — a kid alone against something that wears a friendly face and isn't. Genuinely eerie, gorgeously crafted, unforgettable.

But The button-eyes stuff has haunted more than one child for years. Know your audience.

Coraline poster

The Dark Crystal1982

Jim Henson's creature workshop at its most ambitious — no humans at all, just extraordinary puppetry telling a genuinely dark fantasy quest. If the practical effects in The Witches thrilled you, this is a whole film built from them.

But No jokes, no kid protagonist, and a slower, stranger rhythm than Roeg's film — this asks more patience.

The Dark Crystal poster

The wildcard

Something you would not have found on your own.

Suspiria1977

Same premise pushed all the way into adult horror: ordinary-seeming women who are actually a witch coven with a monstrous leader, preying on the young. Dahl's fairy tale with the safety rails removed.

Dario Argento's fever dream about a secret coven of witches hiding in plain sight, led by an ancient hag disguised as something civilised. Gorgeous, saturated colour, a nightmare logic, one of horror's genuine masterpieces.

But This is full adult horror — blood, dread, no kid hero to root for. Not remotely for children.

Suspiria poster
More like this (8)

Willy Wonka & the Chocolate Factory1971

The original Dahl-to-screen alchemy: whimsical, tuneful, and quietly savage about greedy children getting exactly what's coming to them. Gene Wilder is magnetic and a little unhinged, same as Huston.

But Musical numbers throughout — a dealbreaker if you came for horror rather than showtunes.

Willy Wonka & the Chocolate Factory poster

Labyrinth1986

Puppets, practical magic, and a charismatic villain (David Bowie, extremely committed) menacing a young protagonist through a fantasy world that keeps shifting the rules on her.

But Softer stakes and a dreamier plot — less body horror, more '80s fantasy pageantry.

Labyrinth poster

James and the Giant Peach1996no page yet

Another Dahl orphan escaping cruel guardians via stop-motion transformation and a found family of oddballs. Henry Selick's visual imagination matches Roeg's for sheer strangeness.

But Gentler and more whimsical throughout — the menace here is mostly in the rear-view mirror by the midpoint.

Gremlins1984

Family horror-comedy that also refuses to protect kids from real dread — cute creatures turn monstrous, chaos ensues, and it's fantastic fun watching adults fail to control it.

But More slapstick violence and less emotional core — this is about carnage, not a boy's courage.

Gremlins poster

Hocus Pocus1993

Three delightfully hammy witches terrorise a town on Halloween night. Broader and campier than Huston's Grand High Witch, but the same pleasure in watching a great actress go full villain.

But Played almost entirely for laughs — if you wanted the dread back, this leans hard into comedy instead.

Hocus Pocus poster

The NeverEnding Story1984

Practical-effects fantasy adventure from the same era, with a lonely boy, real peril, and creature design that still holds up as genuinely strange and wonderful.

But Melancholy rather than scary — it's sadness and wonder driving this one, not horror.

The NeverEnding Story poster

Jim Henson's The Storyteller1988no page yet

Jim Henson's Creature Shop built the animatronics for both — this is the format that lets their darker, folkloric instincts run loose without a studio softening the edges.

John Hurt narrates dark European folktales, brought to life with the same creature workshop craft behind The Witches' mice and hags. Genuinely unsettling, gorgeously made, told in bite-sized chunks.

But Anthology format means no single sustained story — some episodes land harder than others, and it's slower-paced television.

Häxan1922

The witch as ancient societal fear, made visual almost seventy years before Roeg's film — the same imagery of hags, transformation, and the persecution of the different, traced back to its unsettling root.

A wild Swedish silent film that mixes documentary lecture with dramatised reenactments of witch panic, hag transformation, and demonic ritual. Bizarre, disturbing, genuinely ahead of its time.

But Silent, slow, and structured like an essay film — a real patience test if you wanted narrative momentum.

Häxan poster

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