Film
The Suit
A punchy ten-minute dark comedy about an ex-con trying to land a job by borrowing a dead man's suit—only to discover his interviewer is the corpse's daughter. Sharp, tightly wound, and wickedly funny, it's the kind of short that proves timing and irony can do more than a feature-length setup. Perfect for anyone who likes their comedy with an edge and their stories lean.
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In Bruges2008
Two hitmen hide in a medieval town after a job goes catastrophically wrong. Colin Farrell and Brendan Gleeson deliver savage, character-driven comedy wrapped around genuine moral weight. The dialogue is caustic and the stakes feel real.
But It's deliberately paced and asks you to sit with awkwardness. Some will find it slow; others will think the profundity undercuts the laughs.
Kiss Kiss Bang Bang2005
Robert Downey Jr. and Val Kilmer riff through a noir comedy about an ex-con actor and a private detective in LA. Wickedly smart, self-aware without being smug, and genuinely hilarious. The twists land hard.
But It's aggressively fast-talking and layered. Miss a line and you'll miss a joke. Some find that exhausting rather than exhilarating.
Fargo1996
A kidnapping scheme spirals into absurdity and violence in Minnesota. The Coen Brothers balance pitch-black comedy with real horror—nobody here is quite who they seem, and the consequences are devastating. Endlessly quotable.
But It's bleak beneath the funniness. If you go in expecting laughs, the sudden brutality can feel tonal whiplash.
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The wildcard
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After Life2019
Both track characters trying to con their way out of crisis—Wayne with a borrowed suit, Tony with borrowed cruelty. Both find that theft has consequences you can't plan for.
Ricky Gervais plays a journalist processing his wife's death by becoming casually cruel to everyone around him. It's a show about grief that weaponises comedy as a defence mechanism. Dark, painful, and funny in ways that feel earned.
But It's aggressively bleak. The protagonist is genuinely unlikeable for most of it, and if you need your pain softened, this will feel cruel rather than cathartic.
More like this (7)
Four Lions2010
Chris Morris's film about incompetent jihadists is fearlessly funny and furious in equal measure. It finds comedy in stupidity and ideology without ever losing sight of real harm. Darkly brilliant and totally unique.
But The subject matter is explosive and deliberately provocative. It's easy to misread the tone if you're not paying close attention.
The Gentlemen2020
Guy Ritchie's interconnected crime stories feature Matthew McConaughey, Charlie Hunnam, and Hugh Grant having the time of their lives. Fast, funny, and packed with clever reversals. It's a heist film that knows exactly what it's doing.
But The pacing can feel frantic, and the overlapping narratives demand attention. If you're tired, you'll lose the thread.
Tucker and Dale vs. Evil2010
Two hillbillies are mistaken for killers by a group of college kids. A smart, affectionate deconstruction of horror tropes that's genuinely funny without ever punching down. The heart is real.
But If you hate horror-comedy hybrids, this won't change your mind. Some gore, some melodrama, uneven tonal balance.
Matchstick Men2003
Nicolas Cage and Sam Rockwell play con artists in a stylish, twisty caper. It's smart about deception and psychology, constantly keeping you off-balance. Darkly entertaining and genuinely surprising.
But The third act pivots in a way some find gimmicky. It's also a bit shiny and slick—less gritty than it thinks it is.
The Death of Dick Long2019
A small-town crime comedy-drama about two friends trying to cover up an accidental death. Deadpan, heartfelt, and wonderfully weird. It finds pathos in stupidity without being cruel.
But The humour is very dry and southern. If you like your comedy signposted, you'll miss it entirely.
Blood Simple1985
The Coen Brothers' debut: a jealous husband hires a private detective to kill his wife's lover. Pure noir cynicism. Everyone is competent and corrupt, and the mechanics are beautiful to watch unfold.
But It's deliberately distant and cold. You're watching clockwork, not rooting for anyone. Some find that alienating.
The Ballad of Little Jo1993
Both are about identity as a borrowed disguise—wearing something that doesn't belong to you because survival depends on it. Both ask what happens when the lie is discovered.
A woman in the 1880s survives frontier violence by disguising herself as a man. It's a Western that's patient, thoughtful, and genuinely angry. Quiet and powerful, with Suzy Amis delivering one of cinema's best underplayed performances.
But It moves slowly and refuses melodrama. There's no rousing score or easy catharsis. If you want a Western to move fast, look elsewhere.
People
Cast
Dearbháile McKinneyTrisha
Rosie McClellandSamantha
Dave ElliotWayne- Larry CowanNigel
- Corey MillarGordy
Directing
- Mark HamiltonDirector