Film
The Retreat
A hiker encounters something monstrous in the Adirondacks and must survive both the creature and his own unraveling mind. The Retreat blends backpacking dread with folk-horror atmosphere, leaning into isolation and the disorienting terror of being hunted in wilderness. It's for people who find deep woods scarier than jump scares.
If you liked this
A Quiet Place2018
Masterclass in tension through minimal dialogue. Sound design becomes the entire language of fear, and the family's desperate resourcefulness in silence is genuinely gripping.
But Relies heavily on a plot device that, once you notice it, becomes hard to un-notice. Some find the logic holes distracting.

The Ritual2017
Four men on a hiking trip encounter something ancient and wrong in a Scandinavian forest. Atmospheric, genuinely unsettling, and the creature design is memorable without ever feeling cheap.
But The emotional stakes hinge on a backstory beat that some viewers find manipulative. Third act shifts tone noticeably.

Backcountry2015
A couple's wilderness trip goes catastrophically wrong when they encounter a bear. It's grounded, nasty, and doesn't flinch from the physical reality of what happens. Surprisingly brutal.
But The first half is very slow relationship drama. If you're here for immediate horror, you'll wait. The ending divides people.

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The wildcard
Something you would not have found on your own.
The Wailing2016
Both use wilderness/isolation to strip away certainty. In The Retreat you can't trust your mind; in The Wailing you can't trust your senses or beliefs. Both ask: what happens when reality becomes illegible?
A South Korean horror-thriller where a village is infected by something that might be demonic possession, might be disease, might be guilt. It refuses to settle into one mode—mystery, body horror, faith crisis, family drama—and the ambiguity is the point.
But Two hours and forty minutes of slow revelation that demands attention. Subtitled. The ending is deliberately inconclusive and can feel withholding rather than artful.

More like this (6)
Annihilation2018
A team enters a mysterious zone where physics and biology have warped into something beautiful and deeply wrong. Unsettling in ways that stick with you for days; visuals that don't repeat themselves.
But The plot intentionally refuses to explain itself fully. If you need concrete answers, you'll leave frustrated rather than satisfied.

The Blair Witch Project1999
Still holds up. Three filmmakers lost in the woods stalked by something unseen. It understands that what you don't see is worse, and it proved a phone camera can generate real dread.
But The found-footage format feels dated now. If shaky cam makes you queasy, don't even try. Also: very slow burn.

The Night House2021
A widow uncovers disturbing secrets about her husband and his connection to something malevolent. Psychological horror that respects your intelligence; deeply creepy without being loud about it.
But It's a grief film first, horror film second. If you want scares, you'll find atmosphere instead. Some scenes drag in service of mood.

Darkness Falls2003
A man returns to his hometown to confront the childhood terror he's been running from. High-concept creature design and practical scares. Pure genre fun without pretense.
But Logic problems multiply if you think for more than thirty seconds. Relies on jump scares rather than substance. Aging visibly now.

Troll Hunter2010
Both feature a solitary protagonist battling a cryptid from indigenous legend in remote, untamed geography. The Retreat is paranoid and psychologically fractured; this is straightforward and matter-of-fact about the impossible. Same DNA, opposite temperament.
A Norwegian found-footage film following a man who hunts mountain trolls for the government. It takes its absurd premise with complete seriousness, generating genuine creepiness and wonder. Witty without winking.
But Found-footage format (shaky, handheld). Subtitled. Slower than its premise suggests. The government bureaucracy subplot will bore you if you're only here for the creature.

The Brood1979
Both center on a male protagonist whose grip on reality fractures under psychological pressure. But The Brood externalizes the inner horror into something physical and vengeful, while The Retreat keeps you trapped in the deteriorating mind itself. One projects outward; one caves inward.
A man's estranged wife may be manifesting her rage into physical form—mutant children murdering her enemies. Cronenberg at his most disturbing, blending body horror with relationship toxicity. Hypnotic and deeply uncomfortable in ways modern horror rarely achieves.
But 1979 special effects and pacing. Misogynistic subtext is real (Cronenberg's work often is). The violence against children will alienate viewers who need distance from cruelty.

People
Cast

Dylan GrunnAdam
Chris CimpermanRyan- Rick Montgomery Jr.Marty
Peter StrayTherapist
Catharine DaddarioGirl at Bar 1- Nate VanDeusenWendigo 1
- Roger CornellWendigo 2
- Alex LaceyHiking Man
- Kristin KopachGirl at Bar 2
Directing
- Bruce WempleDirector
Writing
- Bruce WempleStory
- Bruce WempleWriter
Production
- Anna ShieldsExecutive Producer
- Cole PayneExecutive Producer
- Roger M. MayerExecutive Producer
- Bruce WempleProducer
- Dylan GrunnProducer
- Grant SchumacherProducer
- Nate VanDeusenProducer
- Ryan SloanProducer
- Joe HigginsProduction Coordinator