Film
The Invisibles
Other titles called The Invisibles: the 2014 film, the 2017 film, the 2019 film.
A quietly haunting film about a marriage ending and a man literally fading from the world. It's a metaphor made flesh—about invisibility, disconnection, and what we lose when relationships fail. Contemplative and strange, for people who want their fantasies to hurt.
Should you watch it?
Watch it if you like melancholy fables where an ordinary domestic crisis is quietly stretched into something strange, and you don't need the metaphor spelled out for you.
Skip it if you want the fantastical premise to lead somewhere bold, since it moves at a measured, dialogue-heavy pace and keeps its eye on the couple rather than on spectacle.
What it asks of you: Settle in for a feature-length, unhurried stretch of just under two hours, with long quiet scenes where grief and sadness sit alongside the strangeness.
Not sure? Find tonight's pick in a minute.
If you liked this
Eternal Sunshine of the Spotless Mind2004
A fractured love story told through impossible logic, where memory and identity dissolve. Like *The Invisibles*, it uses speculative elements to excavate the grief of losing someone while they're still there.
But Deliberately fragmented narrative can feel cold or withholding. Some find the central conceit more interesting than the characters living it.

The Fountain2006
Three timelines, one love story, the ache of impermanence woven through centuries. It shares *The Invisibles*' willingness to let metaphor carry the emotional weight of dissolution.
But Densely symbolic and visually demanding. If you want your grief straightforward, this will frustrate you.

A Ghost Story2017
A man returns as a ghost to watch his wife move on, powerless and present. Both films use speculative premise to explore how absence and presence coexist in a failed relationship.
But Minimalist and slow-paced. The famous pie-eating scene will either devastate you or test your patience severely.

Not sure tonight? Get a pick in a minute, starting from The Invisibles
The wildcard
Something you would not have found on your own.
The Curious Case of Benjamin Button2008
Both literalize emotional distance as physical impossibility—the thing preventing connection is not choice or circumstance, but the body itself refusing to cooperate.
A man experiences time differently, aging backward while his lover ages forward. Like *The Invisibles*, it uses impossible biology as metaphor for the way love fails when two people move through time at different speeds.
But Three-hour runtime and sentimentality that many find manipulative. The central effect is dated by modern standards.

More like this (8)
The Skeleton Twins2014
Siblings reunite to process loss and disconnection, with dark humor threading through genuine despair. Explores how people become invisible to each other within families, with rawness and tenderness.
But Suicide attempt and trauma depicted unflinchingly. Heavy subject matter that doesn't offer easy catharsis or resolution.

Swiss Army Man2016
A dead man and a living man form an impossible bond; loneliness and connection explored through absurdist magic. Both films use the fantastical to examine emotional states that feel isolating and surreal.
But Extremely weird and crude. If you need conventional story logic or can't embrace deadpan strangeness, this will alienate you immediately.

The Farewell2019
Family gathered around impending loss, caught between two worlds and cultural silences. Explores how we become strangers to those we love, with humor, warmth, and genuine sorrow in balance.
But Paced for reflection rather than momentum. The emotional core is subtle; if you need explicit emotional beats, you'll miss it.

Destroyer2018
Nicole Kidman as a woman erased by trauma, going through the motions of existence. A study in how pain makes us disappear into ourselves, visually and psychologically.
But Bleak and unglamorous throughout. Kidman's performance is deliberately ungraceful; there's no redemptive arc or transformation.

Her2013
A man falls in love with an absent presence; loneliness and connection examined through speculative technology. Both films ask what it means to love someone you cannot hold.
But Some find it precious or emotionally manipulative. The ending divides viewers sharply on whether it's earned or devastating.

Manchester by the Sea2016
Grief lived quietly, without resolution. A man haunted by what he's lost and what he cannot change. Shares *The Invisibles*' refusal to sentimentalize suffering or offer false comfort.
But Relentlessly bleak with no cathartic moments. Some viewers will find it punishingly slow and emotionally closed-off.

A Serious Man2009
Both explore how invisibility and erasure happen not through supernatural means but through the ordinary machinery of life—relationships, time, circumstance—and how that somehow makes it worse.
A man's life atomizes around him; he becomes increasingly peripheral to his own story. Like *The Invisibles*, it's about dissolution and powerlessness, but filtered through Coen Brothers bleakness and Jewish identity crisis.
But Nihilistic, plotless, and deliberately frustrating. The ending offers no resolution whatsoever and some find the tone flippant about genuine suffering.

Mulholland Drive2001
Both use fantastical narrative structures to explore the core truth: that we can disappear while still occupying physical space, erased by circumstance, identity, or the simple exhaustion of being seen.
A fragmented narrative about identity dissolving in Los Angeles; impossible to pin down but emotionally devastating once you sense the shape beneath. Uses dream logic to explore how people vanish into the roles they play.
But Deliberately obscure and resists singular interpretation. If you need clarity or linear narrative, this will infuriate you—it's a puzzle that has no single solution.

People
Cast
Tim Blake NelsonCharlie
Gretchen MolHannah
Bruce GreenwoodCarl
Nathan AlexisNick
Simon WebsterOskar
Rachel WilsonKara
Tennille ReadAngela
Juno RinaldiFranny
Courtenay J. StevensArthur
Rob RamsayJimmy
Elina Miyake JacksonSetsu
Directing
- Jonnie KatzAssistant Director
- Mark-Anthony Del BroccoAssistant Director
- Andrew CurrieDirector
- Jonnie KatzFirst Assistant Director
- Jenny MacScript Supervisor
Writing
- Andrew CurrieScreenplay
- Colin AussantScreenplay
- Ruth AtkinsonScript Consultant
Production
- Jason KnightCasting
- John BuchanCasting
- Lindsey LockwoodLocation Production Assistant
- Larry David WilsonProduction Coordinator
- Christopher J. DantonProduction Manager