Film
The Hunt
The Hunt is Blumhouse's gleefully nasty riff on Most Dangerous Game: twelve strangers wake in a clearing, hunted by masked elites for sport, until one of them turns the tables. Betty Gilpin anchors it with dry, coiled menace, and the film takes deliberate potshots at both sides of the culture war along the way. Fast, mean, and proudly tasteless — for anyone who wants their action movie with real bite.
If you liked this
Ready or Not2019
A bride hunted through a mansion by her own in-laws for sport, with the same pitch-black comedy and a scrappy final girl who turns predator herself — this is The Hunt's fun-house mirror twin.
But Confined to one house, so it's smaller in scale and less politically pointed than The Hunt's culture-war satire.

You're Next2013
A home invasion thriller that flips expectations hard when the supposed victim proves terrifyingly capable — the same gleeful subversion of who's actually in danger here.
But Rougher, lower-budget slasher trappings that feel dated next to The Hunt's slicker studio polish.

The Belko Experiment2017
Office coworkers locked in their building and forced to kill or be killed — same corporate-satire-meets-bloodbath energy, just cubicles instead of woods.
But Blunter satire and nastier violence, with less of The Hunt's specific political target.

The wildcard
Something you would not have found on your own.
The Most Dangerous Game1932
The Hunt's entire premise — rich sociopaths hunting people for sport — descends directly from this RKO thriller, adapted from the Richard Connell story that started it all.
The literal blueprint: a shipwrecked man stalked by a mad hunter on a private island, the trope The Hunt is riffing on nearly ninety years later, and still tense despite its age.
But Creaky pre-Code dialogue and a 63-minute runtime feel like a fossil next to modern gore and pacing.

More like this (8)
Battle Royale2000
The original teens-forced-to-fight-to-the-death classic, brutal and stylish and more emotionally devastating than nearly everything that copied it since.
But Subtitled and unapologetically grim — none of The Hunt's winking, self-aware comedy here.

The Purge2013
Kicks off a franchise built on the same core idea as The Hunt — legalized violence as society's pressure valve, wrapped in home-invasion horror.
But Claustrophobic and small-scale; the satire actually sharpens in the sequels, so this entry point undersells the concept.

Free Fire2017no page yet
A gun deal gone wrong collapses into ninety minutes of near-constant shootout among a scuzzy, hilarious ensemble — pure kinetic chaos with real wit.
But No larger satire here, just a warehouse and bullets — skip it if you wanted commentary, not just carnage.
Mayhem2017no page yet
Office drones infected with a virus that strips away inhibition go full bloody revenge on their corporate overlords — mean, gleeful, and satirical.
But Rougher edges and a lower budget than The Hunt's polished Blumhouse sheen.
Hard Target1993no page yet
Van Damme squares off against wealthy hunters stalking homeless veterans in New Orleans — lean, John Woo-directed 90s action cheese with the same DNA.
But Dated choreography and a much simpler moral universe than The Hunt's satirical ambitions.
Death Race2008no page yet
Convicts forced into a televised death sport for the entertainment of the elite — dumb, loud, unrepentantly fun if you just want the spectacle.
But All spectacle and no subtext — this one skips the political bite entirely.
Parasite2019
Both use a hunt between classes, literal or metaphorical, as their engine, but Parasite trades genre thrills for tragedy, showing how bleak the idea gets stripped of The Hunt's satirical wink.
A far more devastating take on the same nerve The Hunt scratches: what happens when the wealthy treat the poor as pieces on a board, right up until the board tips.
But No chases, no rifles — it earns its violence through slow-building humiliation rather than a body count.

Turkey Shoot1982no page yet
Same premise, none of the restraint — Turkey Shoot commits fully to human-hunting-as-blood-sport, showing exactly what it looks like without any political self-awareness.
An unhinged Australian exploitation film where dissidents are hunted through a jungle 're-education camp' by bored elites — gloriously trashy and utterly shameless.
But Cheap effects, wooden acting, and a level of gratuitous nastiness with zero interest in subtext.
People
Cast
Betty GilpinCrystal
Hilary SwankAthena
Ethan SupleeGary
Teri WybleLiberty
Ike BarinholtzStaten Island
Wayne DuvallDon
Emma RobertsYoga Pants
Christopher BerryTarget
Sturgill SimpsonVanilla Nice
Kate NowlinBig Red
Reed BirneyPop
Directing
- Alicia DeanAdditional Second Assistant Director
- Craig ZobelDirector
- Lars P. WintherFirst Assistant Director
- David BushScript Supervisor
- Steve LonanoSecond Assistant Director
- Harry BecksteadSecond Second Assistant Director
Writing
- Damon LindelofWriter
- Nick CuseWriter
Production
- Jess RichmondArt Department Production Assistant
- Jessica RaeAssociate Producer
- Terri TaylorCasting
- Jason EdwardsCasting Assistant
- Ally ConoverCasting Associate
- Amelia Chen MileyCasting Associate
- Sarah Domeier LindoCasting Associate
- Elizabeth CoulonCasting Director
- Jennifer Scudder TrentCo-Producer
- Julie GoldsteinCo-Producer
- Couper SamuelsonExecutive Producer
- Craig ZobelExecutive Producer
- Jeanette VolturnoExecutive Producer
- Nick CuseExecutive Producer
- Steven R. MolenExecutive Producer
- Adam HochfeldExtras Casting
- Blossom PetersExtras Casting
- Mary HuberExtras Casting
- Rae RobinsonExtras Casting
- David BojarskiFirst Assistant Accountant
- Yvette LaPlaceLocation Manager
- Clara DeWeeseLocation Production Assistant
- Ethan EstebLocation Production Assistant
- Jeff FlackLocation Production Assistant
- Kai WilliamsLocation Production Assistant
- Damon LindelofProducer
- Jason BlumProducer
- Nancy SchmittProducer's Assistant
- Sean CarvilleProduction Accountant
- Trish CallaisProduction Coordinator
- Rachel HardisonProduction Secretary
- Kevin RobertsProduction Supervisor
- John H. BristerUnit Production Manager
Recommended by
The Menu, Ready or Not, Triangle of Sadness, The Most Dangerous Game, The Belko Experiment