Film
Slap Her... She's French
- Comedy
- Light-hearted
A 2002 high school comedy that pits a Texas cheerleader queen against a French exchange student in a culture-clash battle for social supremacy. It's broad, silly, and utterly committed to its premise—think *Mean Girls* meets *Eurotrash*, with genuine affection for its ridiculous extremes. For anyone who loves trashy teen comedies that don't apologize for being exactly what they are.
If you liked this
Mean Girls2004
The definitive teen social-hierarchy comedy: sharper writing, better performances, and Tina Fey's genius screenplay that somehow makes bitchiness feel both earned and forgivable.
But It's been quoted to death and feels slightly more calculated than spontaneous, even though it's actually better constructed than messier alternatives.

Heathers1989
The dark comedy ancestor of all high school warfare. Acidic, genuinely dangerous-feeling, and proves that teen comedies can have real bite without losing their humor or heart.
But Made in 1989, it moves at a different tempo; some jokes land softer now, and the nihilism might feel distant if you want something lighter.

Jawbreaker1999
Trashy, unapologetic, and wildly committed to its premise: four best friends accidentally kill the prom queen and cover it up. Campy without winking at the camera.
But It's genuinely unpleasant in places and looks cheap on purpose; if you need your comedies to feel polished or sympathetic, this won't work.

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The wildcard
Something you would not have found on your own.
Absolutely Fabulous: The Movie2016
Both use exaggerated regional/national stereotypes and class anxiety as their engine; characters defined entirely by what they're supposed to be and their desperation to belong or stay on top.
British comedy about two middle-aged women behaving worse than any teenager: fashion obsession, social climbing, and moral bankruptcy played for laughs. Same DNA as *Slap Her* but with decades more confidence and cruelty.
But It's very British and very dated; if you don't find the shamelessness funny rather than annoying, it'll just feel mean-spirited and slow.

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Clueless1995
The gold standard: razor-sharp satire of Beverly Hills teen life, genuinely clever dialogue, and heart underneath all the designer labels. Amy Heckerling created something that works on every level.
But Its success has made it feel inevitable; watching it now, you're seeing every reference it inspired, which can flatten the original impact slightly.

The Craft1996
High school outsiders find power through witchcraft. Moody, atmospheric, and genuinely stylish—it takes itself seriously enough to create real stakes while still being deeply fun.
But It takes longer to warm up; the first act is more goth-teen-drama than comedy, so you need to commit to the tone shift.

Election1999
Savage satire that uses a student body president election to eviscerate ambition, vanity, and institutional corruption. Matthew Broderick is perfectly cast against type.
But It's pointed and bitter rather than warm; there are no real sympathetic characters, which makes it harder to root for anyone.

Bring It On2000
Cheerleading comedy that's smarter than it has any right to be: tackles appropriation, class, and competition while remaining genuinely fun and weirdly touching.
But Kirsten Dunst's character is still kind of insufferable, and the film doesn't entirely earn its own moral high ground by the end.

10 Things I Hate About You1999
Lightweight Shakespeare adaptation that somehow becomes both a solid romance and a genuine satire of high school social hierarchies, with Heath Ledger at peak charm.
But The feminism cracks a little on close inspection; it's more concerned with being cute than actually thinking through what it's saying.

Drop Dead Gorgeous1999
Beauty pageant mockumentary that commits fully to its darkness: ugly people doing ugly things, presented deadpan as a real documentary. Wildly ambitious and frequently hilarious.
But The mockumentary format ages poorly; it feels dated now in a way that pulls you out, and some jokes land as merely mean rather than satirical.

Kaguya-sama: Love Is War?2019
The same obsession with social hierarchy, strategic manipulation, and the gap between what people appear to be and who they actually are—but played as intellectual game rather than teen warfare.
Japanese anime about two brilliant students in a secret competition to make the other confess love first. It's a comedy about social performance and strategic manipulation played with genuine wit and surprising emotional depth.
But It's anime; if that format doesn't appeal to you, the show won't convert you. It also requires you to enjoy intricate comedic setups that build across episodes.

Helix2014
The same energy of French versus American characters in open conflict, competing value systems played as comedy and drama. Both are fundamentally about clashing cultural identity as the actual story.
Arctic biolab thriller where French and American scientists battle for control during a viral outbreak. Trashy, escalating, and genuinely committed to its own absurdity without irony.
But It's a sci-fi thriller, not a comedy, and it gets progressively weirder and more ridiculous; if you need coherence or realism, it abandons both.

People
Cast
Piper PeraboGenevieve Le Plouff
Jane McGregorStarla Grady
Trent FordEd Mitchell
Julie WhiteBootsie Grady
Brandon SmithArnie Grady
Jesse JamesRandolph Grady
Nicki AycoxTanner Jennings
Alexandra AdiAshley Lopez
Matt CzuchryKyle Fuller
Cristen CoppenDoreen Gilmore
Michael McKeanMonsieur Duke
Mary PortserKimmy Sue Sprinkle
Directing
- Melanie MayronDirector
- Eric Fox HaysFirst Assistant Director
- Lisa DemaineFirst Assistant Director
- Rebecca RobertsonScript Supervisor
- Courtney WulfeSecond Assistant Director
Writing
- Lamar DamonWriter
- Robert Lee KingWriter
Production
- Jeff ValeriAssistant Production Coordinator
- Elizabeth Wang-LeeAssociate Producer
- Rebecca DonagheAssociate Producer
- Justine ArtetaCasting
- Kim Davis-WagnerCasting
- Bernd EichingerExecutive Producer
- Matthias DeyleExecutive Producer
- Stefan SimchowitzExecutive Producer
- Thomas AugsbergerExecutive Producer
- Volker SchauzExecutive Producer
- Tina KerrExtras Casting
- Oliver HengstLine Producer
- Steven BrownLine Producer
- Liz KeigleyLocal Casting
- Beau FlynnProducer
- Jonathan KingProducer
- Martin MoszkowiczProducer
- Matthias EmckeProducer
- Heath BanksProduction Coordinator
- Todd LewisProduction Supervisor
- Steven BrownUnit Production Manager