Film
Reel Injun
Reel Injun rides through a century of Hollywood mythmaking, tracing how the movies invented the 'Indian' long before they bothered asking any actual Native people. Funny, generous and quietly furious, it mixes archive clips, road-trip footage and candid interviews with the actors and directors who lived inside the stereotype. Essential for anyone who's laughed at a western without noticing what it was laughing at.
If you liked this
Smoke Signals1998
The first major studio film written, directed and acted entirely by Native artists, and it's warm, funny and specific in ways the movies Reel Injun dissects never managed. Chris Eyre, who appears in the documentary, made this five years earlier.
But It's a quiet, low-key road movie — don't expect drama or spectacle, just two guys and a lot of unresolved feeling.

Reservation Dogs2021
A joyous, all-Native-written comedy-drama set on an Oklahoma reservation that feels like the corrective this documentary was praying for — specific, silly, sad, and entirely lived-in.
But The humour is dry and hyper-local; if you want Indigenous stories delivered as capital-I issues, this will wrongfoot you.

Killers of the Flower Moon2023
Scorsese's sprawling true-crime epic about the murder of Osage people for oil money puts Native actors and the Osage language at its centre, and openly wrestles with who gets to tell this story.
But It's three and a half hours long and deliberately implicates its own gaze — not a brisk or comfortable watch.

The wildcard
Something you would not have found on your own.
Nanook of the North1922
Robert Flaherty's 'documentary' staged its Inuit subjects into a fictional past, inventing the noble-vanishing-native template that Reel Injun spends ninety minutes dismantling — this is where the con started.
The great-grandfather of ethnographic documentary, still astonishing to look at, and a direct ancestor of nearly every stereotype Reel Injun spends its runtime cataloguing.
But Silent, staged and now largely discredited as authentic ethnography — you're watching a landmark and a cautionary tale at once.

More like this (8)
Rumble: The Indians Who Rocked the World2017no page yet
A companion piece in spirit — the same excavation of erased Native contribution, this time to rock and blues, told through musicians like Link Wray and Jimi Hendrix's grandmother.
But It's more a music-history clip show than a rigorous documentary; breadth over depth throughout.
Little Big Man1970
Dustin Hoffman anchors a shaggy, satirical anti-western that mocks Custer and Hollywood myth-making four decades before Reel Injun did the same work as a documentary.
But It's a product of 1970, made mostly by non-Native filmmakers — progressive for its time, but still filtered through a white lens.

Powwow Highway1989
A scruffy, funny road movie about two Cheyenne men on a rescue mission, made with real Indigenous involvement well before that was standard practice in American cinema.
But The pacing and low budget show its age; this is a cult favourite, not a polished one.

Dances with Wolves1990
The film Reel Injun keeps circling back to — the sweeping, Oscar-winning epic that tried to be sympathetic and became the textbook case of noble-savage cinema instead.
But Knowing the documentary's critique going in makes it hard to watch uncritically — you'll spend three hours spotting the problem.

Wind River2017
A bleak, gripping thriller set on a Wyoming reservation that treats the epidemic of missing and murdered Indigenous women as the crime story it actually is.
But It's grim and unresolved by design — not an easy or comforting watch.

Atanarjuat: The Fast Runner2002no page yet
An Inuit-made epic shot entirely in Inuktitut, proving at feature length what Reel Injun argues for: what Indigenous cinema looks like when a culture tells its own story from scratch.
But It's long, slow and unfamiliar in rhythm to anyone used to Hollywood pacing — patience required.
Reel Bad Arabs: How Hollywood Vilifies a People2006no page yet
The same structural documentary, aimed at a different stereotype machine — proof that Hollywood runs an identical playbook on whichever group it needs a villain, a mystic or a punchline from.
If Reel Injun made you angry in a productive way, this scratches the identical itch — a century of Hollywood clip evidence aimed at a different caricature.
But It's plainer and more academic in style — no road trip, no jokes, just relentless clip evidence.
Apache Gold1963no page yet
The stereotype Reel Injun tracks didn't stay in America — Germany turned it into beloved pulp adventure, casting a French actor as a stoic noble chief for millions who'd never met a Native person.
A genuinely bizarre artifact — kitschy, sincere, wildly popular European westerns that show just how far and how strangely the Hollywood Indian travelled once it left America.
But It's dubbed pulp adventure with zero self-awareness — pure spectacle, not critique, and some of it will make you wince.
People
Cast
Adam BeachSelf- Norman CohnSelf
Clint EastwoodSelf
Chris EyreSelf
Graham GreeneSelf- Charlie HillSelf
Jim JarmuschSelf
Zacharias KunukSelf
Russell MeansSelf
Robbie RobertsonSelf
Directing
- Catherine BainbridgeDirector
- Jeremiah HayesDirector
- Neil DiamondDirector
Writing
- Catherine BainbridgeWriter
- Jeremiah HayesWriter
- Neil DiamondWriter
Production
- Catherine BainbridgeExecutive Producer
- Christina FonExecutive Producer
- Ernest WebbExecutive Producer
- Linda LudwickExecutive Producer
- Lisa M. RothLine Producer
- Catherine BainbridgeProducer
- Christina FonProducer
- Linda LudwickProducer
Recommended by
Smoke Signals, Dances with Wolves, Little Big Man, Pocahontas, Powwow Highway