Film
Palm Trees in the Snow
A Spanish drama that braids together two timelines—a man's youth on a colonial plantation in 1950s Equatorial Guinea and his daughter's return decades later—to explore how colonialism entangles love, loyalty, and identity across generations. Visually lush, emotionally demanding, and unafraid of moral ambiguity.
Should you watch it?
Watch it if you like a long, old-fashioned love story where the romance is tangled up with a country's history and the past keeps reaching into the present.
Skip it if you want a brisk film; at nearly three hours it lingers, and its sentiment runs thick, so the melodrama may feel heavy going.
What it asks of you: Settle in for well over two and a half hours, with a deliberate pace that moves between two eras and two continents.
Not sure? Find tonight's pick in a minute.
If you liked this
Out of Africa1985
Epic colonial romance that asks what we owe to the places and people we've loved, set against the slow dissolution of an empire. Meryl Streep gives one of her finest performances.
But Three and a half hours, and it moves with the pace of someone remembering rather than rushing. The romance can feel distant.

The Remains of the Day1993
A man confronts a lifetime of choices made in service to something larger than himself, and what those choices cost him personally. Anthony Hopkins is devastating.
But Extremely restrained. If you need your emotions stated plainly, this film will not do it for you.

The Last King of Scotland2006
A young Scottish doctor becomes physician to Ugandan dictator Idi Amin, a relationship that becomes a study in complicity and moral corruption. James McAvoy is magnetic.
But Violent and deeply uncomfortable. The second half trades nuance for horror, which some find gratifying and others exploitative.

Not sure tonight? Get a pick in a minute, starting from Palm Trees in the Snow
The wildcard
Something you would not have found on your own.
Lust, Caution2007
Both use romance as a lens to examine complicity under systems of power. Both ask: can you love someone whose politics you oppose, and what does that love cost you?
Ang Lee's masterpiece about a woman seduced into and then broken by an affair with a Shanghai intelligence officer during Japanese occupation. Sex and politics as the same act. Visually and emotionally devastating.
But Explicit sex scenes and graphic violence that many find gratuitous rather than necessary. The pacing is glacial. You must be patient and forgiving.

More like this (6)
Blow the Man Down2019
A mother and daughter navigate secrets and inheritance in a small Maine fishing town. Less exotic than Palm Trees, but shares its interest in how family trauma gets passed down.
But Tonally uneven—lurches between thriller and character study. Some viewers find it confused about what it wants to be.

The Nightingale2018
Two sisters navigate survival and complicity under Nazi occupation. Like Palm Trees, it asks difficult questions about how good people survive bad times.
But Extremely dark. There are scenes of sexual violence that some find necessary and others find gratuitous.

In Love and War1996
Young Hemingway falls for a nurse in WWI Italy. A romance that understands how history intrudes on intimacy, and how desire doesn't stop just because the world is breaking.
But Sentimental in places. The film is gentler than its material probably deserves, which some find refreshing and others find evasive.

The English Patient1996
A mysterious burned man in an Italian monastery during WWII tells the story of a doomed love affair. Sumptuous cinematography and Ralph Fiennes at his most romantic and tragic.
But Nearly three and a half hours, and the central love story is told in fragments. Some find it glacially paced; others find the structure frustrating rather than elegant.

Suite Française2015
A French widow and a German officer fall in love during the Nazi occupation. It takes the risk of treating an enemy soldier with humanity without absolving him of context.
But Many find the romance morally indefensible. The film's attempt at nuance reads to some as moral relativism dressed up as sophistication.

Memories of Murder2003
Both films centre on men who discover their complicity too late, and ask whether personal integrity matters when the systems you serve are broken. Both are ultimately about powerlessness dressed up as duty.
Bong Joon-ho's masterpiece about South Korean detectives hunting a serial killer in the 1980s. A crime thriller that becomes a meditation on institutional failure, moral compromise, and what justice means when the system is corrupt.
But Bleak and structurally unusual—it doesn't resolve neatly. The violence is sudden and shocking. Some find the lack of closure more frustrating than profound.

People
Cast
Mario CasasKilian
Adriana UgarteClarence
Macarena GarcíaJulia
Alain HernándezJacobo
Berta VázquezBisila
Djédjé ApaliIniko
Daniel GraoManuel
Fernando CayoGaruz
Celso BugalloOld Kilian
Petra MartínezOld Julia
Luis CallejoGregorio
Directing
- Daniela FornAssistant Director
- Fernando González MolinaDirector
- Anna Vilà PareraScript Supervisor
- Anna RuaSecond Assistant Director
- Eva SánchezSecond Assistant Director
- Olga Pujalte LópezSecond Assistant Director
Writing
- Luz GabásNovel
- Sergio G. SánchezScreenplay
Production
- Fernando González MolinaAssociate Producer
- Eva LeiraCasting Director
- Yolanda SerranoCasting Director
- Andrés CalderónExecutive Producer
- Axel KuschevatzkyExecutive Producer
- Gabriel Arias-SalgadoExecutive Producer
- Núria VallsExecutive Producer
- Rosa PérezExecutive Producer
- Belén Sánchez PeinadoLocation Manager
- Micaela GaglianoPost Production Coordinator
- Adrián GuerraProducer
- Mercedes GameroProducer
- Mikel LejarzaProducer
- Toni NovellaProduction Director
- Federico RozadillasProduction Manager