Film

Nine Months

Name: Nine Months
Genre: Romance, Comedy
Released: 1995
Cast: Hugh Grant, Julianne Moore, Tom Arnold, Joan Cusack, Jeff Goldblum

Romantic comedy
Light-hearted

A 1995 romantic comedy where Hugh Grant's eternally evasive bachelor confronts fatherhood when his girlfriend becomes pregnant. It's a broad, silly film built on physical comedy and awkward moments, with a cast clearly having fun despite the paper-thin plot. For anyone who enjoys '90s earnestness mixed with genuine chaos.

TMDb rating

2.9

If you liked this

Splash1984

Tom Hanks discovers a mermaid and must choose between love and rationality. Like Nine Months, it's unapologetic magical-thinking romance dressed up as comedy, with a supporting cast that steals scenes.

But The premise is sillier than most films dare admit, and it doesn't pretend otherwise. If you need grounding in reality, this won't deliver it.

Overboard1987

Goldie Hawn's amnesiac heiress learns domestic life with Kurt Russell. Same DNA as Nine Months: class collision, forced cohabitation, a leading man pushed out of his depth, and genuine sweetness underneath the absurdity.

But The premise hinges on a woman not knowing who she is, which hasn't aged gracefully. The comedy can feel forced when it reaches for it.

Green Card1990

Gerard Depardieu and Andie MacDowell navigate a fake marriage that becomes real. It catches that same romantic comedy gear-spinning—bureaucratic chaos, cultural clash, two people who shouldn't work but somehow do.

But A French actor playing a French character in an American rom-com. The accents and cultural humor feel dated now, and the plot mechanics creak audibly.

Not sure tonight? Get a pick in a minute, starting from Nine Months

The wildcard

Something you would not have found on your own.

Ghostbusters II1989

Both films hinge on a man discovering that becoming a father means genuine sacrifice, but neither pretends it's romantic. Both keep the tone comic while taking the consequence seriously.

The ghosts are back and so is Bill Murray's irresponsible womanizer—except now he's got a kid. A film that doesn't pretend fatherhood is anything but chaotic and annoying, yet which demonstrates real love through exasperation. Comedy through genuine conflict.

But It's a sequel to a beloved film and widely considered inferior. The supernatural plotting is silly even by Ghostbusters standards, and it takes forever to get going.

Notting Hill1999

Hugh Grant at his stammering, self-sabotaging best, this time opposite Julia Roberts. The same Grant as Nine Months, but older and sharper; if you liked him here, this is where that performance ripened into something smarter.

But Released four years after Nine Months, it's arguably the better film, which might make Nine Months feel redundant. Also enormously famous—you probably know it.

Father of the Bride1991

Steve Martin's control-freak dad watches his daughter's wedding spiral into chaos. Shares Nine Months' theme of men panicking about life transitions, but with more heart and a significantly stronger cast.

But It's fundamentally about a daughter's wedding, not a man's selfishness, so the emotional weight lands differently. Some of the wedding comedy sags.

3 Men and a Baby1987

Three bachelor men suddenly responsible for an infant. Textbook '80s premise executed with surprisingly real affection; the baby chaos echoes Nine Months' theme of enforced maturation.

But The main plot involves drug dealers and a kidnapping subplot that undercuts the cozy domestic comedy. Tonal whiplash derails the second half.

Look Who's Talking1989

John Travolta and Kirstie Alley navigate a newborn whose thoughts we hear in Bruce Willis's voice. Peak '80s silliness with a genuinely innovative conceit; same energy as Nine Months but more willing to embrace the weirdness.

But The baby's wise-guy narration feels gimmicky fast, and the romance is purely functional. It's relying on a single joke for ninety minutes.

Kindergarten Cop1990

Arnold Schwarzenegger undercover as a kindergarten teacher. A different flavor of '90s comedy—action star in domestic chaos—but with the same theme of tough men undone by children and domesticity.

But It's fundamentally a cop action film wearing a comedy suit. If you're expecting pure romance, this will feel generic in the wrong way.

She's Having a Baby1988

Kevin Bacon and Elizabeth McGovern navigate early marriage and pregnancy. A gentler film than Nine Months, more sincere about the actual terror of adulthood, with moments of real vulnerability beneath the comedy.

But The sincerity occasionally slides into treacle, and the ending credits sequence is aggressively sentimental. It's a film that commits to the earnestness in a way some find cloying.

Raising Arizona1987

Both insist that parenthood is not ennobling—it's a disruption that dismantles your plans. Nine Months treats it as romance; Raising Arizona treats it as tragedy-comedy. Same subject, opposite moral registers.

Nicolas Cage and Holly Hunter as a criminal couple who adopt a baby. A Coen Brothers film, so visually and narratively baroque, but underneath it shares Nine Months' central observation: that parenthood is chaos you cannot control, and it's terrifying and funny at once.

But The Coen Brothers style is deliberately weird and stylized. If you watch Nine Months for the romance, this will feel like watching a fever dream directed by someone with a vendetta against subtlety.