Film
Mr. Malcolm's List
- Romantic comedy
- Light-hearted
A Regency-era romantic comedy about a woman who discovers her suitor has an impossibly long list of requirements for a wife—and decides to turn the tables. Smart, charming, and genuinely funny, it skewers romantic conventions while celebrating the possibility of connection. Perfect for anyone who loves period romance with bite.
Should you watch it?
Watch it if you enjoy a neat, witty Regency romp built on a single clever premise, where the pleasure lies in watching a bit of social mischief play out with crisp dialogue and polished costumes.
Skip it if you need a slow-building romance with room to breathe, since at twelve minutes this is more sketch than story.
What it asks of you: A brisk twelve-minute runtime, a light and arch tone, and little need to track detail make it a quick sitting you can finish before the kettle boils.
Not sure? Find tonight's pick in a minute.
If you liked this
Bridgerton2020
Lush Regency romance with ensemble charm and genuine heat between leads. Each season pivots to a new couple, so there's variety within the world. Addictive and visually sumptuous.
But Netflix's tendency toward melodrama can overwhelm the comedy. Some seasons land better than others, and pacing can drag across ten episodes.

Pride & Prejudice2005
The template for everything that follows: witty, romantic, perfectly cast. Keira Knightley and Matthew Macfadyen have real chemistry, and Joe Wright's direction makes the English countryside feel like a character itself.
But If you know the book inside out, there are no surprises. Period pieces can feel slow to modern eyes, and the ending is entirely inevitable.

Emma.2020
Anya Taylor-Joy is radiant as a meddling matchmaker learning humility. The script is tart and funny, the cinematography is jewel-box gorgeous, and it doesn't take itself too seriously.
But Some find it too lightweight compared to Austen's darker themes. The tone is more rom-com than drama, which isn't for everyone.

Not sure tonight? Get a pick in a minute, starting from Mr. Malcolm's List
The wildcard
Something you would not have found on your own.
Bodyguard2018
Both explore the fantasy of knowing someone completely—in Malcolm, it's an impossible checklist; here, it's the security agent who believes he alone can protect someone. Both ask what happens when that fantasy breaks.
A taut political thriller about a war veteran assigned to protect a controversial politician. The twist at the end rewires everything that came before. Visceral, intelligent, and genuinely unpredictable.
But It's dark and violent, built on betrayal rather than connection. If you're looking for romance, this inverts every expectation of trust and safety that Mr. Malcolm sets up.

More like this (8)
The Proposal2009
Ryan Reynolds and Sandra Bullock in a modern rom-com that actually understands banter. It's funny, the chemistry crackles, and it doesn't insult your intelligence while making you smile.
But It's thoroughly formulaic. If you've seen rom-coms before, you'll predict every beat. Some jokes land harder than others.

Austenland2013
A woman books a Jane Austen-themed resort vacation and discovers unexpected romance. It's sweet, meta, and genuinely clever about fandom and fantasy versus reality.
But The fantasy sequences can feel indulgent, and the tone wobbles between satire and sincerity. Lower budget than you'd expect means production values are uneven.

You've Got Mail1998
Tom Hanks and Meg Ryan in a witty, cosy romance about two people falling in love online without realizing they're rivals in real life. Endlessly rewatchable and genuinely funny.
But It's deeply of the 1990s, which charms some and dates others. The corporate ethics subplot hasn't aged well, and the ending is aggressively safe.

The Duchess2008
Keira Knightley in a darker Regency story about a woman trapped by duty and a loveless marriage. Gorgeously shot, emotionally complex, and beautifully performed.
But It's considerably sadder than a romantic comedy. The historical tragedy dominates, and there's little lightness. Not what you want if you're seeking escapism.

Romancing the Stone1984
Michael Douglas and Kathleen Turner in a gloriously fun action-adventure romance. It's funny, it's got genuine chemistry, and it doesn't pretend to be anything but a really good time.
But The action and adventure can overshadow the romance for purists. Eighties sensibilities and special effects are distinctly dated.

A Room with a View1986
An Edwardian romance about a young woman discovering passion and independence. It's beautifully made, thoughtfully written, and explores class and desire with surprising nuance.
But It's slow and contemplative. If you want fizz and comedic timing, this moves at a different pace entirely. Some find it precious rather than moving.

Moonlight2016
Both films are about the gap between who we pretend to be and who we actually are, but Moonlight strips away all comedy and certainty. Where Malcolm's List plays with romantic deception as game, Moonlight shows what that deception costs a life.
An astonishing three-part portrait of a Black man across his life—childhood, adolescence, adulthood. Told through color, sound, and glances rather than words. Quiet, devastating, entirely itself.
But There's almost no plot in the traditional sense. It demands patience and attention to visual and aural detail. Some find it frustratingly slow.

The Decameron2024
Both use period settings and romantic entanglement to explore class, deception, and the masks people wear, but where Malcolm is orderly wit, Decameron is anarchic and uncontrollable—a reminder that desire and social pretense are fundamentally messy.
An Italian dark comedy adaptation of Boccaccio, about servants and nobility trapped together during a plague. Genuinely funny and ribald, with real warmth beneath the chaos and class conflict.
But It's in Italian with subtitles. It's messier and more explicit than most period comedies, and the tone swings wildly between farce and genuine heartbreak.

People
Cast
Ṣọpẹ́ DìrísùMr. Malcolm
Gemma ChanJulia
Oliver Jackson-CohenCassie
Freida PintoSelina


Directing
- Emma Holly JonesDirector
Writing
- Suzanne AllaineNovel
- Suzanne AllaineScreenplay
Production
- Emma Holly JonesProducer
- Laura LewisProducer
- Laura RisterProducer