Film

Mask

Name: Mask
Genre: Drama
Released: 1985
Cast: Cher, Sam Elliott, Eric Stoltz, Estelle Getty, Richard Dysart

Other titles called Mask: the 2015 series (SBS).

Coming-of-age

A biker-gang mother and her severely disfigured but brilliant teenage son try to build an ordinary life against a world that keeps flinching. Cher and Eric Stoltz anchor it with unsentimental warmth, and the leather-and-chrome milieu keeps it from ever tipping into soft-focus disease-of-the-week territory. It's a tearjerker with a spine — funny, profane, and stubbornly hopeful about people who refuse to be defined by how they look.

TMDb rating

3.6

Should you watch it?

Watch it if you want a warm, unshowy character study about an outsider family, where rough-edged humour and tenderness sit side by side and the emotion is earned through small moments rather than plot.

Skip it if you need brisk plotting or a hard edge; this leisurely two-hour drama leans on sentiment and can feel like it is working hard to make you cry.

What it asks of you: Expect a patient, unhurried shape across two hours, with most scenes living in ordinary domestic routine and emotional weight arriving gradually rather than in set-piece moments.

Not sure? Find tonight's pick in a minute.

If you liked this

The Elephant Man1980

David Lynch's monochrome masterpiece asks the same question Mask does — who gets to be seen as a person — with even greater formal beauty and a devastating sense of public cruelty.

But Starker and sadder than Mask, with none of its biker-gang warmth or comic relief.

My Left Foot: The Story of Christy Brown1989

Daniel Day-Lewis's ferocious performance as Christy Brown, and a mother just as fierce as Rusty Dennis, make this true story of will overriding a body's limits impossible to shake.

But Less family-friendly warmth, more raw frustration and anger at the world's condescension.

My Left Foot: The Story of Christy Brown poster

Terms of Endearment1983

Shirley MacLaine and Debra Winger do the mother-child bond Mask does, but stretched over decades, swinging wildly from comedy to gut-punch grief without ever losing its nerve.

But Longer and soapier, with a first half that's pure domestic comedy before it turns.

Not sure tonight? Get a pick in a minute, starting from Mask

The wildcard

Something you would not have found on your own.

Freaks1932

Both films confront the audience's own instinct to stare, and both ask who really deserves the label 'freak' — Browning just did it fifty years earlier, in horror's clothing.

Tod Browning cast actual sideshow performers with real physical differences and flipped the horror genre on its head, making the 'normal' villains monstrous and the disfigured cast the moral center.

But Choppy, dated, and genuinely startling by today's standards — a curio as much as a drama.

Lorenzo's Oil1992

Susan Sarandon plays a mother who refuses to accept medical fatalism about her dying son, channeling the same defiant maternal fury that makes Cher's Rusty so memorable.

But More clinical and procedural — this is about a fight against science, not a life lived.

Rain Man1988

A road movie about learning to actually see a person others have written off, with Dustin Hoffman's performance forcing empathy the way Rocky's story does.

But Cooler and more comic in tone — brotherly bickering rather than Mask's aching tenderness.

Radio2003

A true story about a small town that chooses to embrace rather than mock a disabled young man, with the same faith that decency can outmuscle prejudice.

But Considerably more sentimental and safe — this one wants to hug you, not challenge you.

The Peanut Butter Falcon2019

A scruffy, sun-warmed road movie starring Zack Gottsagen, an actor with Down syndrome, chasing freedom with the same stubborn joy Rocky brings to his short life.

But Gentler and more whimsical, closer to a fable than Mask's grounded realism.

Stand by Me1986

Same decade, same aching awareness that childhood friendship is running out of road, filtered through a very different kind of coming-of-age story.

But No disability or illness here — the connection is tone and mortality, not subject matter.

Wonder2017

A more contemporary, family-friendly take on facial difference and the courage it takes a kid to walk into a room where everyone stares.

But Glossier and gentler — this is Mask with the edges sanded off for a younger audience.

Crip Camp: A Disability Revolution2020

Same defiant refusal to be pitied or hidden away, but told through real archive footage instead of a scripted tearjerker — the documentary version of Rocky's insistence on living loudly.

This joyous, scrappy documentary follows teens at a 1970s summer camp who went on to spark the disability rights movement — real kids refusing to be defined by their bodies, on camera, decades before Rocky.

But No plot, no stars — just archival footage and interviews, which some will find slower than a drama.

Crip Camp: A Disability Revolution poster

Sons of Anarchy2008

Mask treats the biker gang as Rocky's chosen family and safety net; this show spends seven seasons living inside that same found-family loyalty, just with the volume turned way up and the morality turned way down.

A full crime-drama plunge into the biker-gang world Mask only sketches in — the leather, the loyalty, the code that makes the club a surrogate family capable of real violence and real protection.

But Much darker and bloodier — seven seasons of murder and betrayal, a world away from Mask's warmth.